O take this world away from me;
Its strife I cannot bear to see,
Its very praises hurt me more
Than een its coldness did before,
Its hollow ways torment me now
And start a cold sweat on my brow,
Its noise I cannot bear to hear,
Its joy is trouble to my ear,
Its ways I cannot bear to see,
Its crowds are solitudes to me.
O, how I long to be agen
That poor and independent man,
With labour's lot from morn to night
And books to read at candle light;
That followed labour in the field
From light to dark when toil could yield
Real happiness with little gain,
Rich thoughtless health unknown to pain:
Though, leaning on my spade to rest,
I've thought how richer folks were blest
And knew not quiet was the best.

Go with your tauntings, go;

To E. B. B.


I
There they are, my fifty men and women
Naming me the fifty poems finished!
Take them, Love, the book and me together:
Where the heart lies, let the brain lie also.

II
Rafael made a century of sonnets,
Made and wrote them in a certain volume
Dinted with the silver-pointed pencil
Else he only used to draw Madonnas:
These, the world might view, but one, the volume.
Who that one, you ask? Your heart instructs you.
Did she live and love it all her lifetime
Did she drop, his lady of the sonnets,
Die, and let it drop beside her pillow
Where it lay in place of Rafael’s glory,
Rafael’s cheek so duteous and so loving,
Cheek, the world was wont to hail a painter’s,
Rafael?s cheek, her love had turned a poet’s?

        I

    Our brains ache, in the merciless iced east winds that knife us . . .
    Wearied we keep awake because the night is silent . . .
    Low drooping flares confuse our memory of the salient . . .
    Worried by silence, sentries whisper, curious, nervous,
            But nothing happens.

    Watching, we hear the mad gusts tugging on the wire.
    Like twitching agonies of men among its brambles.
    Northward incessantly, the flickering gunnery rumbles,
    Far off, like a dull rumour of some other war.
            What are we doing here?

    The poignant misery of dawn begins to grow . . .
    We only know war lasts, rain soaks, and clouds sag stormy.
    Dawn massing in the east her melancholy army
    Attacks once more in ranks on shive...

Like an old tree uprooted by the wind
And flung down cruelly
With roots bared to the sun and stars
And limp leaves brought to earth
Torn from its house
So do I seem to myself
When you have left me.

The fire burns bright
And the hearth is clean swept,
As she likes it kept,
And the lamp is alight.
She is coming to-night.

The wind's east of late.
When she comes, she'll be cold,
So the big chair is rolled
Close up to the grate,
And I listen and wait.

The shutters are fast,
And the red curtains hide
Every hint of outside.
But hark, how the blast
Whistled then as it passed!

Or was it the train?
How long shall I stand,
With my watch in my hand,
And listen in vain
For the wheels in the lane?

Hark!    A rumble I hear
(Will the wind not be still?),
And it comes down the hill,
And it grows on the ear,
And now it is near.

Quick, a fresh log to burn!
Run and open the door,
Hold a lam...

"Nec turpem senectam
Degere, nec cithara carentem."
--Hor. i. 31.


"Not to be tuneless in old age!"
Ah! surely blest his pilgrimage,
Who, in his Winter's snow,
Still sings with note as sweet and clear
As in the morning of the year
When the first violets blow!

Blest!--but more blest, whom Summer's heat,
Whom Spring's impulsive stir and beat,
Have taught no feverish lure;
Whose Muse, benignant and serene,
Still keeps his Autumn chaplet green
Because his verse is pure!

Lie calm, O white and laureate head!
Lie calm, O Dead, that art not dead,
Since from the voiceless grave,
Thy voice shall speak to old and young
While song yet speaks an English tongue
By Charles' or Thamis' wave!

Tattered, in ragged raiment of the rain,
The Night arrives. Outside the window there
He stands and, streaming, taps upon the pane;
Or, crouching down beside the cellar-stair,
Letting his hat-brim drain,
Mutters, black-gazing through his trickling hair.

Then on the roof with cautious feet he treads,
Whispering a word into the windy flues;.
And all the house, huddling itsflowerbeds,
Looks, dark of face, as if it heard strange news,
Hugging the musky heads
Of all its roses to its sides of ooze.

Now in the garden, with a glowworm lamp,
Night searches, letting his black mantle pour;
Treading the poppies down with heavy tramp,
Thudding the apple, sodden to its core,
Into the dripping damp,
From boughs the wet loads, dragging more and more.

Dean Bourn, farewell; I never look to see
Dean, or thy watery[1] incivility.
Thy rocky bottom, that doth tear thy streams
And makes them frantic even to all extremes,
To my content I never should behold,
Were thy streams silver, or thy rocks all gold.
Rocky thou art, and rocky we discover
Thy men, and rocky are thy ways all over.
O men, O manners, now and ever known
To be a rocky generation!
A people currish, churlish as the seas,
And rude almost as rudest savages,
With whom I did, and may re-sojourn when
Rocks turn to rivers, rivers turn to men.

It happened thus: my slab, though new,
Was getting weather-stained, beside,
Herbage, balm, peppermint, o’ergrew
Letter and letter: till you tried
Somewhat, the Name was scarce descried.

That strong stern man my lover came:
Was he my lover? Call him, pray,
My life’s cold critic bent on blame
Of all poor I could do or say
To make me worth his love one day,

One far day when, by diligent
And dutiful amending faults,
Foibles, all weaknesses which went
To challenge and excuse assaults
Of culture wronged by taste that halts,

Discrepancies should mar no plan
Symmetric of the qualities
Claiming respect from, say, a man
That’s strong and stem. “Once more he pries
Into me with those critic eyes!”

No question! so, “Conclude, con...

The frozen ground looks gray. 'Twill shut the snow
    Out from its bosom, and the flakes will fall
Softly and lie upon it. The hushed flow
    Of the ice-covered waters, and the call
Of the cold driver to his oxen slow,
    And the complaining of the gust, are all
That I can hear of music - would that I
With the green summer like a leaf might die?
So will a man grow gray, and on his head
    The snow of years lie visibly, and so
Will come a frost when his green years have fled,
    And his chilled pulses sluggishly will flow,
And his deep voice be shaken - would that I
In the green summer of my youth might die!

I

Winter without
    And warmth within;
The winds may shout
    And the storm begin;
The snows may pack
    At the window pane,
And the skies grow black,
    And the sun remain
Hidden away
    The livelong day -
But here - in here is the warmth of May!

II

Swoop your spitefullest
    Up the flue,
    Wild Winds - do!
What in the world do I care for you?
O delightfullest
    Weather of all,
    Howl and squall,
And shake the trees till the last leaves fall!

III

The joy one feels,
    In an easy chair,
Cocking his heels
    In the dancing air
That wreathes the rim of a roaring stove
Whose heat loves better than hearts can love,
Will not permit
    The coldest day
 ...

On the day when my uncle and I drove to the cemetery,
Rain rattled on the roof of the carriage;
And talkng constrainedly of this and that
We refrained from looking at the child’s coffin on the seat before us.
When we reached the cemetery
We found that the thin snow on the grass
Was already transparent with rain;
And boards had been laid upon it
That we might walk without wetting our feet.

I.

    By Allan stream I chanced to rove
        While Phoebus sank beyond Benledi;
    The winds were whispering through the grove,
        The yellow corn was waving ready;
    I listened to a lover's sang,
        And thought on youthfu' pleasures mony:
    And aye the wild wood echoes rang
        O dearly do I lo'e thee, Annie!

II.

    O happy be the woodbine bower,
        Nae nightly bogle make it eerie;
    Nor ever sorrow stain the hour,
        The place and time I met my dearie!
    Her head upon my throbbing breast,
        She, sinking, said, "I'm thine for ever?"
    While mony a kiss the seal imprest,
        The sacred vow, we ne'er should sever.

III.

    The haunt o' Spring's the primrose brae,

Father is quite the greatest poet
That ever lived anywhere.
You say you're going to write great music,
I chose that first: it's unfair.
Besides, now I can't be the greatest painter and
    do Christ and angels, or lovely pears
    and apples and grapes on a green dish,
    or storms at sea, or anything lovely,
Because that's been taken by Claire.

It's stupid to be an engine-driver,
And soldiers are horrible men.
I won't be a tailor, I won't be a sailor,
And gardener's taken by Ben.
It's unfair if you say that you'll write great
    music, you horrid, you unkind (I simply
    loathe you, though you are my
    sister), you beast, cad, coward, cheat,
    bully, liar!
Well? Say what's left for me then!
But we won't go to your ugly music...

The long days came and went; the riotous bees
Tore the warm grapes in many a dusty-vine,
And men grew faint and thin with too much ease,
And Winter gave no sign:
But all the while beyond the northmost woods
He sat and smiled and watched his spirits play
In elfish dance and eery roundelay,
Tripping in many moods
With snowy curve and fairy crystal shine.

But now the time is come: with southward speed
The elfin spirits pass: a secret sting
Hath fallen and smitten flower and fruit and weed,
And every leafy thing.
The wet woods moan: the dead leaves break and fall;
In still night-watches wakeful men have heard
The muffled pipe of many a passing bird,
High over hut and hall,
Straining to southward with unresting wing.

And then they come with co...

I push on through the shaggy wood,
I round the hill: 't is here it stood;
And there, beyond the crumbled walls,
The shining Concord slowly crawls,

Yet seems to make a passing stay,
And gently spreads its lilied bay,
Curbed by this green and reedy shore,
Up toward the ancient homestead's door.

But dumbly sits the shattered house,
And makes no answer: man and mouse
Long since forsook it, and decay
Chokes its deep heart with ashes gray.

On what was once a garden-ground
Dull red-bloomed sorrels now abound;
And boldly whistles the shy quail
Within the vacant pasture's pale.

Ah, strange and savage, where he shines,
The sun seems staring through those pines
That once the vanished home could bless
With intimate, sweet loneliness....

Tune - "My love is lost to me."


I.

    O, were I on Parnassus' hill!
    Or had of Helicon my fill;
    That I might catch poetic skill,
        To sing how dear I love thee.
    But Nith maun be my Muse's well;
    My Muse maun be thy bonnie sel':
    On Corsincon I'll glow'r and spell,
        And write how dear I love thee.

II.

    Then come, sweet Muse, inspire my lay!
    For a' the lee-lang simmer's day
    I coudna sing, I coudna say,
        How much, how dear, I love thee.
    I see thee dancing o'er the green,
    Thy waist sae jimp, thy limbs sae clean,
    Thy tempting lips, thy roguish een,
        By heaven and earth I love thee!

III.

    By night, by day, a-field, at hame,

Though o'er the darksome northern hill
Old ambush'd winter frowning flies,
And faintly drifts his threatenings still
In snowy sweet and blackening skies;
Yet here the willow leaning lies
And shields beneath the budding flower,
Where banks to break the wind arise,
'Tis sweet to sit and spend an hour.

Though floods of winter bustling fall
Adown the arches bleak and blea,
Though snow-storms clothe the mossy wall,
And hourly whiten o'er the lea;
Yet when from clouds the sun is free
And warms the learning bird to sing,
'Neath sloping bank and sheltering tree
'Tis sweet to watch the creeping spring.

Though still so early, one may spy
And track her footsteps every hour;
The daisy with its golden eye,
And primrose bursting into flower;
...