I've watched the Seasons passing slow, so slow,
In the fields between La Bassée and Bethune;
Primroses and the first warm day of Spring,
Red poppy floods of June,
August, and yellowing Autumn, so
To Winter nights knee-deep in mud or snow,
And you've been everything.

Dear, you've been everything that I most lack
In these soul-deadening trenches, pictures, books,
Music, the quiet of an English wood,
Beautiful comrade-looks,
The narrow, bouldered mountain-track,
The broad, full-bosomed ocean, green and black,
And Peace, and all that's good.

Strawberries that in gardens grow
    Are plump and juicy fine,
But sweeter far as wise men know
    Spring from the woodland vine.

No need for bowl or silver spoon,
    Sugar or spice or cream,
Has the wild berry plucked in June
    Beside the trickling stream.

One such to melt at the tongue's root,
    Confounding taste with scent,
Beats a full peck of garden fruit:
    Which points my argument.

May sudden justice overtake
    And snap the froward pen,
That old and palsied poets shake
    Against the minds of men.

Blasphemers trusting to hold caught
    In far-flung webs of ink,
The utmost ends of human thought
    Till nothing's left to think.

But may the gift of heavenly peace
    And glory for all tim...

Those blessèd structures, plot and rhyme
why are they no help to me now
I want to make
something imagined, not recalled?
I hear the noise of my own voice:
The painter's vision is not a lens,
it trembles to caress the light.
But sometimes everything I write
with the threadbare art of my eye
seems a snapshot,
lurid, rapid, garish, grouped,
heightened from life,
yet paralyzed by fact.
All's misalliance.
Yet why not say what happened?
Pray for the grace of accuracy
Vermeer gave to the sun's illumination
stealing like the tide across a map
to his girl solid with yearning.
We are poor passing facts,
warned by that to give
each figure in the photograph
his living name.

Shall I sonnet-sing you about myself?
Do I live in a house you would like to see?
Is it scant of gear, has it store of pelf?
“Unlock my heart with a sonnet-key?”

Invite the world, as my betters have done?
“Take notice: this building remains on view,
Its suites of reception every one,
Its private apartment and bedroom too;

“For a ticket, apply to the Publisher.”
No: thanking the public, I must decline.
A peep through my window, if folk prefer;
But, please you, no foot over threshold of mine!

I have mixed with a crowd and heard free talk
In a foreign land where an earthquake chanced
And a house stood gaping, naught to balk
Alan’s eye wherever he gazed or glanced.

The whole of the frontage shaven sheer,
The inside gaped: exposed to da...

His footprints have failed us,
Where berries are red,
And madroños are rankest,
The hunter is dead!

The grizzly may pass
By his half-open door;
May pass and repass
On his path, as of yore;

The panther may crouch
In the leaves on his limb;
May scream and may scream,
It is nothing to him.

Prone, bearded, and breasted
Like columns of stone;
And tall as a pine
As a pine overthrown!

His camp fires gone,
What else can be done
Than let him sleep on
Till the light of the sun?

Ay, tombless! what of it?
Marble is dust,
Cold and repellent;
And iron is rust.

I ask'd thee oft what poets thou hast read,
And lik'st the best?Still thou repli'st, The dead.
I shall, ere long, with green turfs cover'd be;
Then sure thou'lt like, or thou wilt envy, me.

The earth may ring, from shore to shore,
With echoes of a glorious name,
But he, whose loss our tears deplore,
Has left behind him more than fame.

For when the death-frost came to lie
On Leggett's warm and mighty heart,
And quenched his bold and friendly eye,
His spirit did not all depart.

The words of fire that from his pen
Were flung upon the fervent page,
Still move, still shake the hearts of men,
Amid a cold and coward age.

His love of truth, too warm, too strong
For Hope or Fear to chain or chill,
His hate of tyranny and wrong,
Burn in the breasts he kindled still.

Gone is the glory from the hills,
    The autumn sunshine from the mere,
    Which mourns for the declining year
In all her tributary rills.

A sense of change obscurely chills
    The misty twilight atmosphere,
    In which familiar things appear
Like alien ghosts, foreboding ills.

The twilight hour a month ago
    Was full of pleasant warmth and ease,
            The pearl of all the twenty-four.
Erelong the winter gales shall blow,
    Erelong the winter frosts shall freeze--
            And oh, that it were June once more!

He eats (a moment's stoppage to his song)
The stolen turnip as he goes along;
And hops along and heeds with careless eye
The passing crowded stage coach reeling bye.
He talks to none but wends his silent way,
And finds a hovel at the close of day,
Or under any hedge his house is made.
He has no calling and he owns no trade.
An old smoaked blanket arches oer his head,
A whisp of straw or stubble makes his bed.
He knows a lawless law that claims no kin
But meet and plunder on and feel no sin--
No matter where they go or where they dwell
They dally with the winds and laugh at hell.

Ye storm-winds of Autumn
Who rush by, who shake
The window, and ruffle
The gleam-lighted lake;
Who cross to the hill-side
Thin-sprinkled with farms,
Where the high woods strip sadly
Their yellowing arms;
Ye are bound for the mountains,
Ah, with you let me go
Where your cold distant barrier,
The vast range of snow,
Through the loose clouds lifts dimly
Its white peaks in air,
How deep is their stillness!
Ah! would I were there!

But on the stairs what voice is this I hear,
Buoyant as morning, and as morning clear?
Say, has some wet bird-haunted English lawn
Lent it the music of its trees at dawn?
Or was it from some sun-fleck’d mountain-brook
That the sweet voice its upland clearness took?
Ah! it comes nearer,
Sweet notes,...

This book is not about heroes.    English Poetry is not yet fit to speak of them.    Nor is it about deeds or lands, nor anything about glory, honour, dominion or power,

                        except War.
            Above all, this book is not concerned with Poetry.
            The subject of it is War, and the pity of War.
            The Poetry is in the pity.
            Yet these elegies are not to this generation,
                        This is in no sense consolatory.

            They may be to the next.
            All the poet can do to-day is to warn.
            That is why the true Poets must be truthful.
            If I thought the letter of this book would last,
        I might have used proper names; but if the spirit of it survives Prussia,--my ambition ...

"Come, surly fellow, come!    A song!"
    What, madmen?    Sing to you?
Choose from the clouded tales of wrong
    And terror I bring to you.

Of a night so torn with cries,
    Honest men sleeping
Start awake with glaring eyes,
    Bone-chilled, flesh creeping.

Of spirits in the web hung room
    Up above the stable,
Groans, knockings in the gloom,
    The dancing table.

Of demons in the dry well
    That cheep and mutter,
Clanging of an unseen bell,
    Blood choking the gutter.

Of lust frightful, past belief,
    Lurking unforgotten,
Unrestrainable endless grief
    From breasts long rotten.

A song?    What laughter or what song
    Can this house remember?
Do flowers and butterflies belong
  ...

That summer sun, whose genial glow
Now cheers my drooping spirit so
Must cold and distant be,
And only light our northern clime
With feeble ray, before the time
I long so much to see.

And this soft whispering breeze that now
So gently cools my fevered brow,
This too, alas, must turn
To a wild blast whose icy dart
Pierces and chills me to the heart,
Before I cease to mourn.

And these bright flowers I love so well,
Verbena, rose and sweet bluebell,
Must droop and die away.
Those thick green leaves with all their shade
And rustling music, they must fade
And every one decay.

But if the sunny summer time
And woods and meadows in their prime
Are sweet to them that roam
Far sweeter is the winter bare
With long dark nigh...

They come fluttering helpless to the ground
Like wreaths of wind-caught snow,
Uttering a plaintive, chirping sound,
And rise and fall, and know not where they go.

So small they are, with feathers ruffled blown,
Adrift between earth desolate and leaden sky;
Nor have they ever known
Any but frozen earth, and scudding clouds on high.

What hand doth guide these hapless creatures small
To sweet seeds that the withered grasses hold?,
The little children of men go hungry all,
And stiffen and cry with numbing cold.

In a sudden gust the flock are whirled away
Uttering a frightened, chirping cry,
And are lost like a wraith of departing day,
Adrift between earth desolate and leaden sky.

    In this strange land, this uncouth clime,
    A land unknown to prose or rhyme;
    Where words ne'er crost the muse's heckles,
    Nor limpet in poetic shackles:
    A land that prose did never view it,
    Except when drunk he stacher't thro' it,
    Here, ambush'd by the chimla cheek,
    Hid in an atmosphere of reek,
    I hear a wheel thrum i' the neuk,
    I hear it, for in vain I leuk.
    The red peat gleams, a fiery kernel,
    Enhusked by a fog infernal:
    Here, for my wonted rhyming raptures,
    I sit and count my sins by chapters;
    For life and spunk like ither Christians,
    I'm dwindled down to mere existence,
    Wi' nae converse but Gallowa' bodies,
    Wi' nae kend face but Jenny Geddes.[1]
    Jenny, my Pegasea...

Here down this very way,
Here only yesterday
King Faun went leaping.
He sang, with careless shout
Hurling his name about;
He sang, with oaken stock
His steps from rock to rock
In safety keeping,
    "Here Faun is free,
    Here Faun is free!"

Today against yon pine,
Forlorn yet still divine,
King Faun leant weeping.
"They drank my holy brook,
My strawberries they took,
My private path they trod."
Loud wept the desolate God,
Scorn on scorn heaping,
"Faun, what is he,
Faun, what is he?"

See, Thaliarch mine, how, white with snow,
Soracte mocks the sullen sky;
How, groaning loud, the woods are bowed,
And chained with frost the rivers lie.

Pile, pile the logs upon the hearth;
We'll melt away the envious cold:
And, better yet, sweet friend, we'll wet
Our whistles with some four-year-old.

Commit all else unto the gods,
Who, when it pleaseth them, shall bring
To fretful deeps and wooded steeps
The mild, persuasive grace of Spring.

Let not To-morrow, but To-day,
Your ever active thoughts engage;
Frisk, dance, and sing, and have your fling,
Unharmed, unawed of crabbed Age.

Let's steal content from Winter's wrath,
And glory in the artful theft,
That years from now folks shall allow
'T was cold indeed when we got ...

I hear the wintry wind again,
I see the blinding snow,
Pil'd high, by eddying winds, in heaps,
No matter where I go.

The storm is raging hard, without;
But let us not complain,
For fiercely tho' it rages now,
A calm will come again.

And, though the wildly raging storm
Makes all things bleak and bare,
Beside the fire we brave it well,
And closer draw our chair.

In social fellowship, our hearts
With kindly thoughts grow warm;
Then is there not a pleasant side,
E'en to a raging storm?

And when the angry storm has calm'd,
As ev'ry storm must do,
Then, sure, the tempest's handiwork,
Has pleasant features, too.

An artist's eye would look around,
Upon these calmer days,
And view the pure white heaps of snow,...