A Photograph

        When in this room I turn in pondering pace
        And find thine eyes upon me where I stand,
        Led on, as by Enemo's silken strand,
        I come and gaze and gaze upon thy face.

        Framed round by silence, poised on pearl-white grace
        Of curving throat, too sweet for beaded band,
        It seems as if some wizard's magic wand
        Had wrought thee for the love of all the race.

        Dear face, that will not turn about to see
        The tulips, glorying in the casement sun,
        Or, other days, the drizzled raindrops run

        Down the damp walls, but follow only me,
        Would that Pygmalion's goddess might be won
        To change this lifeless image into thee!

John Charles McNeill

John Charles McNeill was a prominent American poet known for his works that vividly depicted the landscapes and spirit of North Carolina. Born on July 26, 1874, in Wagram, North Carolina, he won acclaim with his book 'Songs Merry and Sad,' which won the Patterson Cup in 1905. His poetry primarily reflects rural life and Southern traditions. Sadly, McNeill's promising career was cut short when he died on October 17, 1907, at the young age of 33.

John Charles McNeill

Jesse Covington

John Charles McNeill, Simple Poetry

A Prayer

John Charles McNeill, Simple Poetry

To Melvin Gardner: Suicide

John Charles McNeill, Simple Poetry

Sunburnt Boys

John Charles McNeill, Simple Poetry

English

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Woman! When I Behold Thee Flippant, Vain

Woman! when I behold thee flippant, vain,
Inconstant, childish, proud, and full of fancies;
Without that modest softening that enhances
The downcast eye, repentant of the pain
That its mild light creates to heal again:
E'en then, elate, my spirit leaps, and prances,
E'en then my soul with exultation dances
For that to love, so long, I've dormant lain:
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Heavens! how desperately do I adore
Thy winning graces; to be thy defender
I hotly burn to be a Calidore
A very Red Cross Knight a stout Leander
Might I be loved by thee like these of yore.

Light feet, dark violet eyes, and parted hair;
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Lines Upon Seeing ---- At One Of The Annual Banquets Given In Guildhall.

Gorgeous and splendid was the sight;
From myriad lamps a fairy light
Enshrin'd in wreaths the Gothic wall,
And heav'nly music fill'd the hall!

But there was one - (alas! that I
Had ever seen) - the melody
Her voice surpassed, and brighter far
Her eyes than ev'ry mimic star!

I gaz'd, until, oh! thought divine!
I fancied she I saw was mine;
But soon the beauteous vision flew -
The stranger-form I lov'd withdrew.

Yet still she lives within my breast,
There mem'ry has her form imprest: -
Thus, when some minstrel's strain is done,
Sounds seem to breathe, for ever gone!

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Isabel

        When first I stood before you,
                Isabel,
        I stood there to adore you,
                In your spell;
        For all that grace composes,
        And all that beauty knows is
        Your face above the roses,
                Isabel.

        You knew the charm of flowers,
                Isabel,
        Which, like incarnate hours,
                Rose and fell
        At your bosom, glowed and gloried,
        White and pale and pink and florid,
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                Isabel.

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John Charles McNeill

To The Picture Of A Lady.

Lady, sweet lady, I behold thee yet,
With thy pale brow, brown eyes, and solemn air,
And billowy tresses of thy golden hair,
Which once to see, is never to forget!
But for short space I gazed, with soul intent
Upon thee; and the limner's art divine,
Meantime, poured all thy spirit into mine.
But once I gazed, then on my way I went:
And thou art still before me.    Like a dream
Of what our soul has loved, and lost for ever,
Thy vision dwells with me, and though I never
May be so blest as to behold thee more,
That one short look has stamped thee in my heart,
Of my intensest life a living part,
Which time, and death, shall never triumph o'er.

Frances Anne Kemble

At the Opera

The curtain rose, the play began,
The limelight on the gay garbs shone;
Yet carelessly I gazed upon
The painted players, maid and man,
As one with idle eyes who sees
The marble figures on a frieze.

Long lark-notes clear the first act close,
So the soprano: then a hush,
The tenor, tender as a thrush;
Then loud and high the chorus rose,
Till, with a sudden rush and strong,
It ended in a storm of song.

The curtain fell, the music died,
The lights grew bright, revealing there
The flash of jewelled fingers fair,
And wreaths of pearls on brows of pride;
Then, with a quick-flushed cheek, I turned,
And into mine her dark eyes burned.

Such eyes but once a man may see,
And, seeing once, his fancy dies
To thought of any other eyes:

Victor James Daley

To Caroline, Viscountess Valletort.

WRITTEN AT LACOCK ABBEY, JANUARY, 1832.


When I would sing thy beauty's light,
Such various forms, and all so bright,
I've seen thee, from thy childhood, wear,
I know not which to call most fair,
Nor 'mong the countless charms that spring
For ever round thee, which to sing.

    When I would paint thee as thou art,
Then all thou wert comes o'er my heart--
The graceful child in Beauty's dawn
Within the nursery's shade withdrawn,
Or peeping out--like a young moon
Upon a world 'twill brighten soon.
Then next in girlhood's blushing hour,
As from thy own loved Abbey-tower
I've seen thee look, all radiant, down,
With smiles that to the hoary frown
Of centuries round thee lent a ray,
Chasing even Age's gloom away;--

Thomas Moore