A Simile; On Our Want Of Silver, And The Only Way To Remedy It.

As when of old some sorceress threw
O'er the moon's face a sable hue,
To drive unseen her magic chair,
At midnight, through the darken'd air;
Wise people, who believed with reason
That this eclipse was out of season,
Affirm'd the moon was sick, and fell
To cure her by a counter spell.
Ten thousand cymbals now begin,
To rend the skies with brazen din;
The cymbals' rattling sounds dispel
The cloud, and drive the hag to hell.
The moon, deliver'd from her pain,
Displays her silver face again.
Note here, that in the chemic style,
The moon is silver all this while.
    So (if my simile you minded,
Which I confess is too long-winded)
When late a feminine magician,[1]
Join'd with a brazen politician,[2]
Exposed, to blind the nation's eyes,
A parchment[3] of prodigious size;
Conceal'd behind that ample screen,
There was no silver to be seen.
But to this parchment let the Drapier
Oppose his counter-charm of paper,
And ring Wood's copper in our ears
So loud till all the nation hears;
That sound will make the parchment shrivel
And drive the conjurors to the Devil;
And when the sky is grown serene,
Our silver will appear again.

Jonathan Swift

Jonathan Swift was an Anglo-Irish satirist, essayist, political pamphleteer, poet and cleric who became Dean of St Patrick's Cathedral, Dublin. Swift is remembered for works such as "A Tale of a Tub" (1704), "An Argument Against Abolishing Christianity" (1712), and "Gulliver's Travels" (1726). Swift originally published all of his works under pseudonyms—such as Lemuel Gulliver, Isaac Bickerstaff, Drapier's Letters as MB Drapier—and works were sometimes attributed to Anonymous.

Jonathan Swift

Clad All In Brown

Jonathan Swift, Simple Poetry

An Epistle To Mr. Gay[1]

Jonathan Swift, Simple Poetry

To Stella

Jonathan Swift, Simple Poetry

Baucis And Philemon[1]

Jonathan Swift, Simple Poetry

English

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A New Simile

IN THE MANNER OF SWIFT

Long had I sought in vain to find
A likeness for the scribbling kind;
The modern scribbling kind, who write
In wit, and sense, and nature's spite:
Till reading, I forget what day on,
A chapter out of Tooke's Pantheon,
I think I met with something there,
To suit my purpose to a hair;
But let us not proceed too furious,
First please to turn to god Mercurius;
You'll find him pictur'd at full length
In book the second, page the tenth:
The stress of all my proofs on him I lay,
And now proceed we to our simile.

Imprimis, pray observe his hat,
Wings upon either side mark that.
Well! what is it from thence we gather?
Why these denote a brain of feather.
A brain of feather! very right,
With wit that's flighty, lear...

Oliver Goldsmith

On The Moon

I with borrow'd silver shine
What you see is none of mine.
First I show you but a quarter,
Like the bow that guards the Tartar:
Then the half, and then the whole,
Ever dancing round the pole.

What will raise your admiration,
I am not one of God's creation,
But sprung, (and I this truth maintain,)
Like Pallas, from my father's brain.
And after all, I chiefly owe
My beauty to the shades below.
Most wondrous forms you see me wear,
A man, a woman, lion, bear,
A fish, a fowl, a cloud, a field,
All figures Heaven or earth can yield;
Like Daphne sometimes in a tree;
Yet am not one of all you see.

Jonathan Swift

On A Piece Of Silver

So! the fierce acid licks the silver clean,
Unwonted plain the superscription's seen
Round the cleared head; the metal, virgin-bright,
Shines a mild Moon to the Sun candle-light.
And in these floating stains, this evil murk,
All your change-crowded, moment-histories lurk,
Voluble Silverling! Dost yield me now
Your chance-illumined record, and allow
Prying of idle eyes?... you came a boon
To men as weary as any the weak moon
Shines on but cheers not; you were life in death;
Almost a God to give the prize of breath,
Almost a God to give the prize of joy,
Almost a God--but God! the veriest toy
Child's fingers break, from death to buy back life,
Turn the keen trouble of grief's eager knife,
Or sense-confounded hearts heal of the ancient strife.
O Coin that me...

John Frederick Freeman

On Wood The Ironmonger.

Salmoneus,[1] as the Grecian tale is,
Was a mad coppersmith of Elis:
Up at his forge by morning peep,
No creature in the lane could sleep;
Among a crew of roystering fellows
Would sit whole evenings at the alehouse;
His wife and children wanted bread,
While he went always drunk to bed.
This vapouring scab must needs devise
To ape the thunder of the skies:
With brass two fiery steeds he shod,
To make a clattering as they trod,
Of polish'd brass his flaming car
Like lightning dazzled from afar;
And up he mounts into the box,
And he must thunder, with a pox.
Then furious he begins his march,
Drives rattling o'er a brazen arch;
With squibs and crackers arm'd to throw
Among the trembling crowd below.
All ran to prayers, both priests and laity,

Jonathan Swift

To A Lady Who Desired The Author To Write Some Verses Upon Her In The Heroic Style

After venting all my spite,
Tell me, what have I to write?
Every error I could find
Through the mazes of your mind,
Have my busy Muse employ'd,
Till the company was cloy'd.
Are you positive and fretful,
Heedless, ignorant, forgetful?
Those, and twenty follies more,
I have often told before.
    Hearken what my lady says:
Have I nothing then to praise?
Ill it fits you to be witty,
Where a fault should move your pity.
If you think me too conceited,
Or to passion quickly heated;
If my wandering head be less
Set on reading than on dress;
If I always seem too dull t'ye;
I can solve the diffi - culty.
    You would teach me to be wise:
Truth and honour how to prize;
How to shine in conversation,
And with credit fill my station;

Jonathan Swift

A Libel, On The Reverend Dr. Delany, And His Excellency John, Lord Carteret

Deluded mortals, whom the great
Choose for companions tête-à-tête;
Who at their dinners, en famille,
Get leave to sit whene'er you will;
Then boasting tell us where you dined,
And how his lordship was so kind;
How many pleasant things he spoke;
And how you laugh'd at every joke:
Swear he's a most facetious man;
That you and he are cup and can;
You travel with a heavy load,
And quite mistake preferment's road.
    Suppose my lord and you alone;
Hint the least interest of your own,
His visage drops, he knits his brow,
He cannot talk of business now:
Or, mention but a vacant post,
He'll turn it off with "Name your toast:"
Nor could the nicest artist paint
A countenance with more constraint.
    For, as their appetites to quench,<...

Jonathan Swift