Adversaries

He held his hands like plastic    -
his vestments the finer
calling of his trade,
vocation as modern strummer
of Nature's laws
Engineer in brief    -
wine glass in hand
bestowing the more salient points
of mawkish disbelief with
cigarette to numb the spine.

The Reverend
looked down on fire,
caught papryus smoke in the bellows
of his chest,
made laundry of
the Plumber's intellect    -
tore savage parchment
from the soft cheesecutter's
contemporary breath.

Paul Cameron Brown

Paul Cameron Brown is a Canadian poet known for his extensive work in both poetry and art criticism. Born in western Canada, Brown has had a prolific career in writing, often intertwining themes of human experience and nature. His works have been showcased in various literary magazines and anthologies. With a style that is both reflective and evocative, he has gained recognition not only in Canada but also internationally.

Paul Cameron Brown

Cold Passion

Paul Cameron Brown, Simple Poetry

The Draper's Cloth

Paul Cameron Brown, Simple Poetry

Countess II

Paul Cameron Brown, Simple Poetry

For Tom Thomson

Paul Cameron Brown, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Turncoat

    Sitting in the spendthrift dark
    lilting pennies away,
    deciphering fate ... .
    The bed, a warm reach past
    the pillow
    like personal mortality in the
    incest breath of life.

    Warm stuff of dreams -
    the calender with its days mesh &
    march like soldiers
    dearly departed
    (cindered and bludgeoned)
    or the old sea-faring chest
    where all men are sailors
    past light's corner.

    Sturdy trudgeons,
    clock bursts thru the room
    mindful of time and aching,
    decaying things.

    Hallow's Eve in movements of the curtains -
    a remembered Rembrandt,
    self-portrait of the old man
    standing alone in a clammy room,
    idling the seconds, with drab

Paul Cameron Brown

Offerings (A Movement In Four Parts)

The night is folly without the moon,
trees blank space against a frontal sky
where lattice work from a bled fish reveals
skeletal markings will not administer
the red jack of hearts to a mistress sea.

Most fickle, the ways of a cockroach
(I don't recommend them) to offerings
of white linen, cold squares atop
a stone diamonded floor.

Palaver shacks drone in ghostly light
communicating some message about eel runs
up the black river, the equivalent brush
of tombstones against dark nightsoil.

Tiny bars open as cubicles.
proverbial flashes of the coming evening,
haciendas to count every blessing.

The road to such places
snarls a dusty pleasure
and will heat thin blood
to boil in the daylight hours.

II

Swe...

Paul Cameron Brown

Unpaginated

    Orchestrating violins thru whisky sky
    clouds slide like billiard balls
    a Jackie Gleason-Fats Domino
    ricochet off greener velvet;
    my pheasant escaping snow.

    Jack Ketch the hangman
    in brilliant plumage,
    a touch of Borgia in
    long, murderous hands.

    The light of Capone in
    steeple-dark eyes
    running like a
    haunted ship
    around the white, facial disc.

    Offset. Bold type.
    I see you through pages
    of my history book
    only you're unpaginated.

    Unclench the fist,
    watch for effervescent islets,
    erotic mounds of Venus or
    protuberances called Marquesas
    off my left hand.

    Omens are the cloth
    of dreams, scissors

Paul Cameron Brown

High Roller

    1
    Terrorism -
    left-wing nerd (twin
    grapefruits in his hand
    gives it away)
    winging a stiletto shoe,
    spitting on an ashcan
    to bring up a bruise or two.

    2
    Visions are steadier -
    I see in the shimmer
    blue veins to target,
    a silhouette of the rich,
    fur wraps in their Bentleys
    time to bring up tar,
    kick ass in Knightsbridge
    with my holiday bomb blast.

    3
    Bag snatching can be dangerous
    let go if you don't want to be
    dragged over cobbles behind a Vespa.

    4
    The Harrod's sign, "please keep
    moving" meant business.

    5
    Pretoria calls as does Manila.
    Later, perhaps, Jerusalem, Beirut,
    Rawa...

Paul Cameron Brown

Blackamoor

    Breaking up -
    as in the cloissoné jar you dropped. . .
    little regard,
    a few brittle pieces scattered about the floor.
    Let's call it "shedding feelings". Expensive?
    There's always another humidor tucked away in
    the cranny of another antique shop; after all,
    a woman is only a woman
    although a fine, Cuban import
    is a worthy smoke.

    "What this country needs is a good 5¢ cigar".
    Panatellas?
    He might have added tight-fitting, long lasting.

    Nooks & crannies.
    Little things, your ways. Fruit fly (perhaps damsel wing)
    as symbol of perishability. My emblematic coat of arms.
    No season of regrets, rather
    snatch of minutes, the oasis span of a single candle.

    Who knows?...

Paul Cameron Brown

Investiture

Our nights have cruel eyes
And have cast us about too thinly,
Fallen upon us,
Divested the attention of the wind.

Night comes to develop us,
Will polish our minds with
A precision lasting 'til daybreak.
Its damp coolness peaks with wretched effect.

Autumnal decay
Whereby the slow process of vegetation
Displeases the nostril,
Is but a preamble to greater violence
Leading tepid legislation in an orchestra
Toward greater effect.

The thin harmony of our lives
Positions no alarms whereby
We might use them.

The fabric mixture of existence, nothing but investiture,
Props to heighten necessary lies,
Strains at extinction,
The volcanic instrument life itself.

Goals are these same vehicles
To operate weak desir...

Paul Cameron Brown