An August Midnight

I

A shaded lamp and a waving blind,
And the beat of a clock from a distant floor:
On this scene enter - winged, horned, and spined -
A longlegs, a moth, and a dumbledore;
While 'mid my page there idly stands
A sleepy fly, that rubs its hands . . .

II

Thus meet we five, in this still place,
At this point of time, at this point in space.
- My guests parade my new-penned ink,
Or bang at the lamp-glass, whirl, and sink.
"God's humblest, they!" I muse. Yet why?
They know Earth-secrets that know not I.

MAX GATE, 1899.

Thomas Hardy

Thomas Hardy (1840-1928) was an English novelist and poet. Born in Dorset, his works often featured the semi-fictional region of Wessex. Hardy was initially trained as an architect, but he later pursued writing full-time. His novels, including 'Tess of the d'Urbervilles,' 'Far from the Madding Crowd,' and 'Jude the Obscure,' are known for their critical portrayal of Victorian society and its mores. As a poet, he is recognized for his explorations of human suffering and the indifferent forces of nature. Hardy's legacy is profound, influencing both literature and criticism.

Thomas Hardy

The Shadow On The Stone

Thomas Hardy, Simple Poetry

The Haunter

Thomas Hardy, Simple Poetry

The Collector Cleans His Picture

Thomas Hardy, Simple Poetry

An Upbraiding

Thomas Hardy, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Copying Architecture In An Old Minster (Wimborne)

How smartly the quarters of the hour march by
That the jack-o'-clock never forgets;
Ding-dong; and before I have traced a cusp's eye,
Or got the true twist of the ogee over,
A double ding-dong ricochetts.

Just so did he clang here before I came,
And so will he clang when I'm gone
Through the Minster's cavernous hollows - the same
Tale of hours never more to be will he deliver
To the speechless midnight and dawn!

I grow to conceive it a call to ghosts,
Whose mould lies below and around.
Yes; the next "Come, come," draws them out from their posts,
And they gather, and one shade appears, and another,
As the eve-damps creep from the ground.

See - a Courtenay stands by his quatre-foiled tomb,
And a Duke and his Duchess near;
And one Sir Edmun...

Thomas Hardy

Minions Of The Moon

I.

Through leafy windows of the trees
The full moon shows a wrinkled face,
And, trailing dim her draperies
Of mist from place to place,
The Twilight leads the breeze.

And now, far-off, beside a pool,
Dusk blows a reed, a guttural note;
Then sows the air around her full
Of twinkling disc and mote,
And moth-shapes soft as wool.

And from a glen, where lights glow by,
Through hollowed hands she sends a call,
And Solitude, with owlet cry,
Answers: and Evenfall
Steps swiftly from the sky.

And Mystery, in hodden gray,
Steals forth to meet her: and the Dark
Before him slowly makes to sway
A jack-o'-lantern spark
To light him on his way.

The grasshopper its violin
Tunes up, the katydid its fife;
The beetl...

Madison Julius Cawein

Shut Out That Moon

Close up the casement, draw the blind,
Shut out that stealing moon,
She wears too much the guise she wore
Before our lutes were strewn
With years-deep dust, and names we read
On a white stone were hewn.

Step not out on the dew-dashed lawn
To view the Lady's Chair,
Immense Orion's glittering form,
The Less and Greater Bear:
Stay in; to such sights we were drawn
When faded ones were fair.

Brush not the bough for midnight scents
That come forth lingeringly,
And wake the same sweet sentiments
They breathed to you and me
When living seemed a laugh, and love
All it was said to be.

Within the common lamp-lit room
Prison my eyes and thought;
Let dingy details crudely loom,
Mechanic speech be wrought:
Too fragrant was Lif...

Thomas Hardy

A Singer Asleep

(Algernon Charles Swinburne, 1837-1909)



I

In this fair niche above the unslumbering sea,
That sentrys up and down all night, all day,
From cove to promontory, from ness to bay,
    The Fates have fitly bidden that he should be Pillowed eternally.

II

- It was as though a garland of red roses
Had fallen about the hood of some smug nun
When irresponsibly dropped as from the sun,
In fulth of numbers freaked with musical closes,
Upon Victoria's formal middle time
    His leaves of rhythm and rhyme.

III

O that far morning of a summer day
When, down a terraced street whose pavements lay
Glassing the sunshine into my bent eyes,
I walked and read with a quick glad surprise
    New words, in classic guise, -

Thomas Hardy

The Night Of The Dance

The cold moon hangs to the sky by its horn,
And centres its gaze on me;
The stars, like eyes in reverie,
Their westering as for a while forborne,
Quiz downward curiously.

Old Robert draws the backbrand in,
The green logs steam and spit;
The half-awakened sparrows flit
From the riddled thatch; and owls begin
To whoo from the gable-slit.

Yes; far and nigh things seem to know
Sweet scenes are impending here;
That all is prepared; that the hour is near
For welcomes, fellowships, and flow
Of sally, song, and cheer;

That spigots are pulled and viols strung;
That soon will arise the sound
Of measures trod to tunes renowned;
That She will return in Love's low tongue
My vows as we wheel around.

Thomas Hardy

Midsummer Midnight Skies

Midsummer midnight skies,
Midsummer midnight influences and airs,
The shining, sensitive silver of the sea
Touched with the strange-hued blazonings of dawn;
And all so solemnly still I seem to hear
The breathing of Life and Death,
The secular Accomplices,
Renewing the visible miracle of the world.

The wistful stars
Shine like good memories.    The young morning wind
Blows full of unforgotten hours
As over a region of roses.    Life and Death
Sound on - sound on . . . And the night magical,
Troubled yet comforting, thrills
As if the Enchanted Castle at the heart
Of the wood's dark wonderment
Swung wide his valves, and filled the dim sea-banks
With exquisite visitants:
Words fiery-hearted yet, dreams and desires
With living looks intolerable...

William Ernest Henley