Barbara Fell

Stephen, wake up! There's some one at the gate.
Quick, to the window ... Oh, you'll be too late!
I hear the front door opening quietly.
Did you forget, last night, to turn the key?
A foot is on the stairs, nay, just outside
The very room, the door is opening wide...
Stephen, wake up, wake up! Who's there? Who's there?
I only feel a cold wind in my hair...
Have I been dreaming, Stephen? Husband, wake
And comfort me: I think my heart will break.
I never knew you sleep so sound and still....
O my heart's love, why is your hand so chill?

Wilfrid Wilson Gibson

Wilfrid Wilson Gibson was a British Georgian poet, known for his early association with Rupert Brooke and other poets like Siegfried Sassoon and Robert Graves. His works primarily dealt with the lives of ordinary people and reflected the grim realities of war. He is also recognized for his contribution to the war poetry genre, capturing the human cost of conflict with stark realism and empathy.

Wilfrid Wilson Gibson

The Cakewalk

Wilfrid Wilson Gibson, Simple Poetry

Fire

Wilfrid Wilson Gibson, Simple Poetry

The Gorse

Wilfrid Wilson Gibson, Simple Poetry

Driftwood

Wilfrid Wilson Gibson, Simple Poetry

English

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Tenants

Suddenly, out of dark and leafy ways,
We came upon the little house asleep
In cold blind stillness, shadowless and deep,
In the white magic of the full moon-blaze.
Strangers without the gate, we stood agaze,
Fearful to break that quiet, and to creep
Into the home that had been ours to keep
Through a long year of happy nights and days.

So unfamiliar in the white moon-gleam,
So old and ghostly like a house of dream
It seemed, that over us there stole the dread
That even as we watched it, side by side,
The ghosts of lovers, who had lived and died
Within its walls, were sleeping in our bed.

Wilfrid Wilson Gibson

Philip And Phoebe Ware

Who is that woman, Philip, standing there
Before the mirror doing up her hair?

You're dreaming, Phoebe, or the morning light
Mixing and mingling with the dying night
Makes shapes out of the darkness, and you see
Some dream-remembered phantasy maybe.

Yet it grows clearer with the growing day;
And in the cold dawn light her hair is grey:
Her lifted arms are naught but bone: her hands
White withered claws that fumble as she stands
Trying to pin that wisp into its place.
O Philip, I must look upon her face
There in the mirror. Nay, but I will rise
And peep over her shoulder ... Oh, the eyes
That burn out from that face of skin and bone,
Searching my very marrow, are my own.

Wilfrid Wilson Gibson

Cruelty And Love

What large, dark hands are those at the window
Lifted, grasping in the yellow light
Which makes its way through the curtain web
        At my heart to-night?

Ah, only the leaves! So leave me at rest,
In the west I see a redness come
Over the evening's burning breast -
        For now the pain is numb.

The woodbine creeps abroad
Calling low to her lover:
    The sunlit flirt who all the day
    Has poised above her lips in play
    And stolen kisses, shallow and gay
    Of dalliance, now has gone away
    - She woos the moth with her sweet, low word,
And when above her his broad wings hover
Then her bright breast she will uncover
And yield her honey-drop to her lover.

Into the yellow, evening glow
Saunters a man from the farm be...

Wilfrid Wilson Gibson

Devil's Edge

All night I lay on Devil's Edge,
Along an overhanging ledge
Between the sky and sea:
And as I rested 'waiting sleep,
The windless sky and soundless deep
In one dim, blue infinity
Of starry peace encompassed me.

And I remembered, drowsily,
How 'mid the hills last night I'd lain
Beside a singing moorland burn;
And waked at dawn, to feel the rain
Fall on my face, as on the fern
That drooped about my heather-bed;
And how by noon the wind had blown
The last grey shred from out the sky,
And blew my homespun jacket dry,
As I stood on the topmost stone
That crowns the cairn on Hawkshaw Head,
And caught a gleam of far-off sea;
And heard the wind sing in the bent
Like those far waters calling me:
When, my heart answering to the call,
...

Wilfrid Wilson Gibson

Conscious

    His fingers wake, and flutter up the bed.
    His eyes come open with a pull of will,
    Helped by the yellow may-flowers by his head.
    A blind-cord drawls across the window-sill . . .
    How smooth the floor of the ward is! what a rug!
    And who's that talking, somewhere out of sight?
    Why are they laughing? What's inside that jug?
    "Nurse! Doctor!" "Yes; all right, all right."

    But sudden dusk bewilders all the air--
    There seems no time to want a drink of water.
    Nurse looks so far away. And everywhere
    Music and roses burnt through crimson slaughter.
    Cold; cold; he's cold; and yet so hot:
    And there's no light to see the voices by--
    No time to dream, and ask--he knows not what.

Wilfred Edward Salter Owen

The Gorse

In dream, again within the clean, cold hell
Of glazed and aching silence he was trapped;
And, closing in, the blank walls of his cell
Crushed stifling on him ... when the bracken snapped,
Caught in his clutching fingers; and he lay
Awake upon his back among the fern,
With free eyes travelling the wide blue day,
Unhindered, unremembering; while a burn
Tinkled and gurgled somewhere out of sight,
Unheard of him; till suddenly aware
Of its cold music, shivering in the light,
He raised himself, and with far-ranging stare
Looked all about him: and with dazed eyes wide
Saw, still as in a numb, unreal dream,
Black figures scouring a far hill-side,
With now and then a sunlit rifle's gleam;
And knew the hunt was hot upon his track:
Yet hardly seemed to mind, someho...

Wilfrid Wilson Gibson