Wilfrid Wilson Gibson

Wilfrid Wilson Gibson was a British Georgian poet, known for his early association with Rupert Brooke and other poets like Siegfried Sassoon and Robert Graves. His works primarily dealt with the lives of ordinary people and reflected the grim realities of war. He is also recognized for his contribution to the war poetry genre, capturing the human cost of conflict with stark realism and empathy.

October 2, 1878

May 26, 1962

English

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Barbara Fell

Stephen, wake up! There's some one at the gate.
Quick, to the window ... Oh, you'll be too late!
I hear the front door opening quietly.
Did you forget, last night, to turn the key?
A foot is on the stairs, nay, just outside
The very room, the door is opening wide...
Stephen, wake up, wake up! Who's there? Who's there?
I only feel a cold wind in my hair...
Have I been dreaming, Stephen? Husband, wake
And comfort me: I think my heart will break.
I never knew you sleep so sound and still....
O my heart's love, why is your hand so chill?

Wilfrid Wilson Gibson

Battle

I

THE RETURN

He went, and he was gay to go:
And I smiled on him as he went.
My boy! 'Twas well he couldn't know
My darkest dread, or what it meant -

Just what it meant to smile and smile
And let my son go cheerily -
My son ... and wondering all the while
What stranger would come back to me.


II

THE DANCERS

All day beneath the hurtling shells
Before my burning eyes
Hover the dainty demoiselles -
The peacock dragon-flies.

Unceasingly they dart and glance
Above the stagnant stream -
And I am fighting here in France
As in a senseless dream.

A dream of shattering black shells
That hurtle overhead,
And dainty dancing demoiselles
Above the dreamless dead.


III

Wilfrid Wilson Gibson

By The Weir

A scent of Esparto grass, and again I recall
That hour we spent by the weir of the paper-mill
Watching together the curving thunderous fall
Of frothing amber, bemused by the roar until
My mind was as blank as the speckless sheets that wound
On the hot steel ironing-rollers perpetually turning
In the humming dark rooms of the mill: all sense and discerning
By the stunning and dazzling oblivion of hill-waters drowned.

And my heart was empty of memory and hope and desire
Till, rousing, I looked afresh on your face as you gazed,
Behind you an old gnarled fruit-tree in one still fire
Of innumerable flame in the sun of October blazed,
Scarlet and gold that the first white frost would spill
With eddying flicker and patter of dead leaves falling,
looked on your face, as a...

Wilfrid Wilson Gibson

Cruelty And Love

What large, dark hands are those at the window
Lifted, grasping in the yellow light
Which makes its way through the curtain web
        At my heart to-night?

Ah, only the leaves! So leave me at rest,
In the west I see a redness come
Over the evening's burning breast -
        For now the pain is numb.

The woodbine creeps abroad
Calling low to her lover:
    The sunlit flirt who all the day
    Has poised above her lips in play
    And stolen kisses, shallow and gay
    Of dalliance, now has gone away
    - She woos the moth with her sweet, low word,
And when above her his broad wings hover
Then her bright breast she will uncover
And yield her honey-drop to her lover.

Into the yellow, evening glow
Saunters a man from the farm be...

Wilfrid Wilson Gibson

Devil's Edge

All night I lay on Devil's Edge,
Along an overhanging ledge
Between the sky and sea:
And as I rested 'waiting sleep,
The windless sky and soundless deep
In one dim, blue infinity
Of starry peace encompassed me.

And I remembered, drowsily,
How 'mid the hills last night I'd lain
Beside a singing moorland burn;
And waked at dawn, to feel the rain
Fall on my face, as on the fern
That drooped about my heather-bed;
And how by noon the wind had blown
The last grey shred from out the sky,
And blew my homespun jacket dry,
As I stood on the topmost stone
That crowns the cairn on Hawkshaw Head,
And caught a gleam of far-off sea;
And heard the wind sing in the bent
Like those far waters calling me:
When, my heart answering to the call,
...

Wilfrid Wilson Gibson

Driftwood

Black spars of driftwood burn to peacock flames,
Sea-emeralds and sea-purples and sea-blues,
And all the innumerable ever-changing hues
That haunt the changeless deeps but have no names,
Flicker and spire in our enchanted sight:
And as we gaze, the unsearchable mystery,
The unfathomed cold salt magic of the sea,
Shines clear before us in the quiet night.

We know the secret that Ulysses sought,
That moonstruck mariners since time began
Snatched at a drowning hazard - -strangely brought
To our homekeeping hearts in drifting spars
We chanced to kindle under the cold stars -
The secret in the ocean-heart of man.

Wilfrid Wilson Gibson

Fire

In each black tile a mimic fire's aglow,
And in the hearthlight old mahogany,
Ripe with stored sunshine that in Mexico
Poured like gold wine into the living tree
Summer on summer through a century,
Burns like a crater in the heart of night:
And all familiar things in the ingle-light
Glow with a secret strange intensity.

And I remember hidden fires that burst
Suddenly from the midnight while men slept,
Long-smouldering rages in the darkness nursed
That to an instant ravening fury leapt,
And the old terror menacing evermore
A crumbling world with fiery molten core.

Wilfrid Wilson Gibson

For G.

All night under the moon
Plovers are flying
Over the dreaming meadows of silvery light,
Over the meadows of June,
Flying and crying -
Wandering voices of love in the hush of the night.

All night under the moon,
Love, though we're lying
Quietly under the thatch, in silvery light
Over the meadows of June
Together we're flying -
Rapturous voices of love in the hush of the night?

Wilfrid Wilson Gibson

Geraniums

Stuck in a bottle on the window-sill,
In the cold gaslight burning gaily red
Against the luminous blue of London night,
These flowers are mine: while somewhere out of sight
In some black-throated alley's stench and heat,
Oblivious of the racket of the street,
A poor old weary woman lies in bed.

Broken with lust and drink, blear-eyed and ill,
Her battered bonnet nodding on her head,
From a dark arch she clutched my sleeve and said:
'I've sold no bunch to-day, nor touched a bite ...
Son, buy six-pennorth; and 't will mean a bed.'

So blazing gaily red
Against the luminous deeps
Of starless London night,
They burn for my delight:
While somewhere, snug in bed,
A worn old woman sleeps.

And yet to-morrow will these blooms be dead
With...

Wilfrid Wilson Gibson

Lament

We who are left, how shall we look again
Happily on the sun or feel the rain
Without remembering how they who went
Ungrudgingly and spent
Their lives for us loved, too, the sun and rain?

A bird among the rain-wet lilac sings -
But we, how shall we turn to little things
And listen to the birds and winds and streams
Made holy by their dreams,
Nor feel the heart-break in the heart of things?

Wilfrid Wilson Gibson

Philip And Phoebe Ware

Who is that woman, Philip, standing there
Before the mirror doing up her hair?

You're dreaming, Phoebe, or the morning light
Mixing and mingling with the dying night
Makes shapes out of the darkness, and you see
Some dream-remembered phantasy maybe.

Yet it grows clearer with the growing day;
And in the cold dawn light her hair is grey:
Her lifted arms are naught but bone: her hands
White withered claws that fumble as she stands
Trying to pin that wisp into its place.
O Philip, I must look upon her face
There in the mirror. Nay, but I will rise
And peep over her shoulder ... Oh, the eyes
That burn out from that face of skin and bone,
Searching my very marrow, are my own.

Wilfrid Wilson Gibson

Quiet

Only the footprints of the partridge run
Over the billowy drifts on the mountain-side;
And now on level wings the brown birds glide
Following the snowy curves, and in the sun
Bright birds of gold above the stainless white
They move, and as the pale blue shadows move,
With them my heart glides on in golden flight
Over the hills of quiet to my love.

Storm-shaken, racked with terror through the long
Tempestuous night, in the quiet blue of morn
Love drinks the crystal airs, and peace newborn
Within his troubled heart, on wings aglow
Soars into rapture, as from the quiet snow
The golden birds; and out of silence, song.

Wilfrid Wilson Gibson

Reveille

Still bathed in its moonlight slumber, the little white house by the cedar
Stands silent against the red dawn;
And nothing I know of who sleeps there, to the travail of day yet unwakened,
Behind the blue curtains undrawn:

But I dream as we march down the roadway, ringing loud and white-rimed in the moonlight,
Of a little dark house on a hill
Wherein when the battle is over, to the rapture of day yet unwakened,
We shall slumber as dreamless and still.

Wilfrid Wilson Gibson

Rupert Brooke

Your face was lifted to the golden sky
Ablaze beyond the black roofs of the square,
As flame on flame leapt, flourishing in air
Its tumult of red stars exultantly,
To the cold constellations dim and high;
And as we neared, the roaring ruddy flare
Kindled to gold your throat and brow and hair
Until you burned, a flame of ecstasy.

The golden head goes down into the night
Quenched in cold gloom - and yet again you stand
Beside me now with lifted face alight,
As, flame to flame, and fire to fire you burn ...
Then, recollecting, laughingly you turn,
And look into my eyes and take my hand.

Wilfrid Wilson Gibson

Sea-Change

Wind-flicked and ruddy her young body glowed
In sunny shallows, splashing them to spray;
But when on rippled, silver sand she lay,
And over her the little green waves flowed,
Coldly translucent and moon-coloured showed
Her frail young beauty, as if rapt away
From all the light and laughter of the day
To some twilit, forlorn sea-god's abode.

Again into the sun with happy cry
She leapt alive and sparkling from the sea,
Sprinkling white spray against the hot blue sky,
A laughing girl ... and yet, I see her lie
Under a deeper tide eternally
In cold moon-coloured immortality.

Wilfrid Wilson Gibson

Tenants

Suddenly, out of dark and leafy ways,
We came upon the little house asleep
In cold blind stillness, shadowless and deep,
In the white magic of the full moon-blaze.
Strangers without the gate, we stood agaze,
Fearful to break that quiet, and to creep
Into the home that had been ours to keep
Through a long year of happy nights and days.

So unfamiliar in the white moon-gleam,
So old and ghostly like a house of dream
It seemed, that over us there stole the dread
That even as we watched it, side by side,
The ghosts of lovers, who had lived and died
Within its walls, were sleeping in our bed.

Wilfrid Wilson Gibson

The Cakewalk

In smoky lamplight of a Smyrna Café,
He saw them, seven solemn negroes dancing,
With faces rapt and out-thrust bellies prancing
In a slow solemn ceremonial cakewalk,
Dancing and prancing to the sombre tom-tom
Thumped by a crookbacked grizzled negro squatting.
And as he watched ... within the steamy twilight
Of swampy forest in rank greenness rotting,
That sombre tom-tom at his heartstrings strumming
Set all his sinews twitching, and a singing
Of cold fire through his blood - and he was dancing
Among his fellows in the dank green twilight
With naked, oiled, bronze-gleaming bodies swinging
In a rapt holy everlasting cakewalk
For evermore in slow procession prancing.

Wilfrid Wilson Gibson

The Going

(R.B.)


He's gone.
I do not understand.
I only know
That as he turned to go
And waved his hand,
In his young eyes a sudden glory shone,
And I was dazzled with a sunset glow,
And he was gone.

Wilfrid Wilson Gibson

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