Charley Over The Water

Over the water, and over the lea,
And over the water to Charley;
And Charley loves good ale and wine,
And Charley loves good brandy,
And Charley loves a pretty girl
As sweet as sugar candy.

Over the water and over the sea,
And over the water to Charley;
I'll have none of your nasty beef,
Nor I'll have none of your barley.
But I'll have some of your very best flour
To make a white cake for my Charley.

Walter Crane

Walter Crane was an English artist and book illustrator, considered to be one of the most prolific and influential children's book creators of his generation. Born on August 15, 1845, and passing away on March 14, 1915, he was part of the Arts and Crafts movement and is known for his innovative contributions to children's literature. His work often combined art and poetry, aiming to educate and delight young readers.

Walter Crane

Sur Le Pont D'Avignon

Walter Crane, Simple Poetry

Ringel Tanz

Walter Crane, Simple Poetry

Cock Robin And Jenny Wren

Walter Crane, Simple Poetry

The Three Little Kittens

Walter Crane, Simple Poetry

English

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Nursery Rhyme. XVII. Historical

    Over the water, and over the lee,
    And over the water to Charley.
    Charley loves good ale and wine,
    And Charley loves good brandy,
    And Charley loves a pretty girl,
    As sweet as sugar-candy.

    Over the water, and over the sea,
    And over the water to Charley,
    I'll have none of your nasty beef,
    Nor I'll have none of your barley;
    But I'll have some of your very best flour;
    To make a white cake for my Charley.

Unknown

Come Boat Me O'Er To Charlie.

Tune - "O'er the water to Charlie."


I.

    Come boat me o'er, come row me o'er,
        Come boat me o'er to Charlie;
    I'll gie John Ross another bawbee,
        To boat me o'er to Charlie.
                We'll o'er the water and o'er the sea,
                    We'll o'er the water to Charlie;
                Come weal, come woe, we'll gather and go,
                    And live or die wi' Charlie.

II.

    I lo'e weel my Charlie's name,
        Tho' some there be abhor him:
    But O, to see auld Nick gaun hame,
        And Charlie's faes before him!

III.

    I swear and vow by moon and stars,
        And sun that shines so early,
    If I had twenty thousand lives,
        I'd die as aft fo...

Robert Burns

Character Of Charles Brown

I.

He is to weet a melancholy carle:
Thin in the waist, with bushy head of hair
As hath the seeded thistle when in parle
It holds the Zephyr, ere it sendeth fair
Its light balloons into the summer air;
Therto his beard had not begun to bloom,
No brush had touch'd his chin or razor sheer;
No care had touch'd his cheek with mortal doom,
But new he was and bright as scarf from Persian loom.

II.

Ne cared he for wine, or half-and-half;
Ne cared he for fish or flesh or fowl,
And sauces held he worthless as the chaff,
He 'sdeigned the swine-head at the wassail-bowl;
Ne with lewd ribbalds sat he cheek by jowl,
Ne with sly Lemans in the scorner's chair;
But after water-brooks this Pilgrim's soul
Panted, and all his food was woodland air

John Keats

Harry (Engaged To Be Married) To Charley (Who Is Not).

To all my fond rhapsodies, Charley,
    You have wearily listened, I fear;
As yet not an answer you've given
    Save a shrug, or an ill-concealed sneer;
Pray, why, when I talk of my marriage,
    Do you watch me with sorrowing eye?
'Tis you, hapless bachelor, Charley,
    That are to be pitied - not I!

You mockingly ask me to tell you,
    Since to bondage I soon must be sold,
Have I wisely chosen my fetters,
    Which, at least, should be forged of pure gold.
Hem! the sole wealth my love possesses
    Are her tresses of bright golden hair,
Pearly teeth, lips of rosiest coral,
    Eyes I know not with what to compare.

Don't talk about all I surrender -
    My club, champagne dinners, cigars,
My hand at écarté, my harmless

Rosanna Eleanor Leprohon

In The Gloaming.

In the Gloaming to be roaming, where the crested waves are foaming,
And the shy mermaidens combing locks that ripple to their feet;
When the Gloaming is, I never made the ghost of an endeavour
To discover - but whatever were the hour, it would be sweet.

"To their feet," I say, for Leech's sketch indisputably teaches
That the mermaids of our beaches do not end in ugly tails,
Nor have homes among the corals; but are shod with neat balmorals,
An arrangement no one quarrels with, as many might with scales.

Sweet to roam beneath a shady cliff, of course with some young lady,
Lalage, Neaera, Haidee, or Elaine, or Mary Ann:
Love, you dear delusive dream, you! Very sweet your victims deem you,
When, heard only by the seamew, they talk all the stuff one can.

Sweet to has...

Charles Stuart Calverley

The White Knight's Song

"Haddock's Eyes" or "The Aged Aged Man" or
"Ways and Means" or "A-Sitting On A Gate"

I'll tell thee everything I can;
There's little to relate.
I saw an aged, aged man,
A-sitting on a gate.
"Who are you, aged man?" I said.
"And how is it you live?"
And his answer trickled through my head
Like water through a sieve.

He said "I look for butterflies
That sleep among the wheat;
I make them into mutton-pies,
And sell them in the street.
I sell them unto men," he said,
"Who sail on stormy seas;
And that's the way I get my bread,
A trifle, if you please."

But I was thinking of a plan
To dye one's whiskers green,
And always use so large a fan
That it could not be seen.
So, having no reply to give
To what the old man...

Lewis Carroll