Critic And Poet.

    An Apologue.


("Poetry must be simple, sensuous, or impassioned; this man is neither simple, sensuous, nor impassioned; therefore he is not a poet.")


No man had ever heard a nightingale,
When once a keen-eyed naturalist was stirred
To study and define - what is a bird,
To classify by rote and book, nor fail
To mark its structure and to note the scale
Whereon its song might possibly be heard.
Thus far, no farther; - so he spake the word.
When of a sudden, - hark, the nightingale!


Oh deeper, higher than he could divine
That all-unearthly, untaught strain!    He saw
The plain, brown warbler, unabashed.    "Not mine"
(He cried) "the error of this fatal flaw.
No bird is this, it soars beyond my line,
Were it a bird, 't would answer to my law."

Emma Lazarus

Emma Lazarus was a poet, writer, and activist best known for her sonnet 'The New Colossus,' which is engraved on a bronze plaque on the pedestal of the Statue of Liberty. Born in New York City, she was an advocate for Jewish causes and immigrants' rights. Inspired by the plight of Jewish refugees, her work often touched on themes of freedom and identity. Lazarus was a prominent figure in the American literary scene of the 19th century, befriending other writers such as Ralph Waldo Emerson.

Emma Lazarus

Evening.

Emma Lazarus, Simple Poetry

Influence.

Emma Lazarus, Simple Poetry

Magnetism.

Emma Lazarus, Simple Poetry

Spring Songs. (Translations From The Hebrew Poets Of Medaeval Spain.)

Emma Lazarus, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Chopin.

    I.


A    dream of interlinking hands, of feet
Tireless to spin the unseen, fairy woof,
Of the entangling waltz.    Bright eyebeams meet,
Gay laughter echoes from the vaulted roof.
Warm perfumes rise; the soft unflickering glow
Of branching lights sets off the changeful charms
Of glancing gems, rich stuffs, dazzling snow
Of necks unkerchieft, and bare, clinging arms.
Hark to the music!    How beneath the strain
Of reckless revelry, vibrates and sobs
One fundamental chord of constant pain,
The pulse-beat of the poet's heart that throbs.
So yearns, though all the dancing waves rejoice,
The troubled sea's disconsolate, deep voice.



    II.


Who shall proclaim the golden fable false
Of Orpheus' miracles?    This subtl...

Emma Lazarus

O Nightingale! Thou Surely Art

O Nightingale! thou surely art
A creature of a "fiery heart":
These notes of thine, they pierce and pierce;
Tumultuous harmony and fierce!
Thou sing'st as if the God of wine
Had helped thee to a Valentine;
A song in mockery and despite
Of shades, and dews, and silent night;
And steady bliss, and all the loves
Now sleeping in these peaceful groves.
I heard a Stock-dove sing or say
His homely tale, this very day;
His voice was buried among trees,
Yet to be come at by the breeze:
He did not cease; but cooed, and cooed;
And somewhat pensively he wooed:
He sang of love, with quiet blending,
Slow to begin, and never ending;
Of serious faith, and inward glee;
That was the song, the song for me!

William Wordsworth

The May Night.

MUSE.
Give me a kiss, my poet, take thy lyre;
The buds are bursting on the wild sweet-briar.
To-night the Spring is born - the breeze takes fire.
Expectant of the dawn behold the thrush,
Perched on the fresh branch of the first green bush;
Give me a kiss, my poet, take thy lyre.


POET.
How black it looks within the vale!
I thought a muffled form did sail
Above the tree-tops, through the air.
It seemed from yonder field to pass,
Its foot just grazed the tender grass;
A vision strange and fair it was.
It melts and is no longer there.


MUSE.
My poet, take thy lyre; upon the lawn
Night rocks the zephyr on her veiled, soft breast.
The rose, still virgin, holds herself withdrawn
From the winged, irised wasp with love possessed.

Emma Lazarus

The Muse And The Poet

The Muse said, Let us sing a little song
    Wherein no hint of wrong,
No echo of the great world need, or pain,
    Shall mar the strain.
Lock fast the swinging portal of thy heart;
    Keep sympathy apart.
Sing of the sunset, of the dawn, the sea;
    Of any thing or nothing, so there be
No purpose to thy art.
    Yea, let us make, art for Art's sake.
And sing no more unto the hearts of men,
    But for the critic's pen.
With songs that are but words, sweet sounding words,
    Like joyous jargon of the birds.
Tune now thy lyre, O Poet, and sing on.
    Sing of

The Dawn

The Virgin Night, all languorous with dreams
    Of her beloved Darkness, rose in fear,
    Feeling the presence of another near.
Outside her curtained casement...

Ella Wheeler Wilcox

The Poet And The Bird

Said a people to a poet "Go out from among us straightway!
While we are thinking earthly things, thou singest of divine.
There's a little fair brown nightingale, who, sitting in the gateways
Makes fitter music to our ears than any song of thine!"

The poet went out weeping the nightingale ceased chanting;
"Now, wherefore, O thou nightingale, is all thy sweetness done?"
I cannot sing my earthly things, the heavenly poet wanting,
Whose highest harmony includes the lowest under sun."

The poet went out weeping, and died abroad, bereft there
The bird flew to his grave and died, amid a thousand wails:
And, when I last came by the place, I swear the music left there
Was only of the poet's song, and not the nightingale's.

Elizabeth Barrett Browning

The Nightingale

No cloud, no relique of the sunken day
Distinguishes the West, no long thin slip
Of sullen light, no obscure trembling hues.
Come, we will rest on this old mossy bridge!
You see the glimmer of the stream beneath,
But hear no murmuring: it flows silently.
O'er its soft bed of verdure. All is still.
A balmy night! and though the stars be dim,
Yet let us think upon the vernal showers
That gladden the green earth, and we shall find
A pleasure in the dimness of the stars.
And hark! the Nightingale begins its song,
'Most musical, most melancholy' bird!
A melancholy bird? Oh! idle thought!
In Nature there is nothing melancholy.
But some night-wandering man whose heart was pierced
With the remembrance of a grievous wrong,
Or slow distemper, or neglected love,

Samuel Taylor Coleridge