Evolutions Of Soldiers

The red range heaves and compulsory sways, ah see! in the flush of a march
Softly-impulsive advancing as water towards a weir from the arch
Of shadow emerging as blood emerges from inward shades of our night
Encroaching towards a crisis, a meeting, a spasm and throb of delight.

The wave of soldiers, the coming wave, the throbbing red breast of approach
Upon us; dark eyes as here beneath the busbies glittering, dark threats that broach
Our beached vessel; darkened rencontre inhuman, and closed warm lips, and dark
Mouth-hair of soldiers passing above us, over the wreck of our bark.

And so, it is ebb-time, they turn, the eyes beneath the busbies are gone.
But the blood has suspended its timbre, the heart from out of oblivion
Knows but the retreat of the burning shoulders, the red-swift waves of the sweet
Fire horizontal declining and ebbing, the twilit ebb of retreat.

David Herbert Richards Lawrence

David Herbert Richards Lawrence was an English writer, poet, and essayist best known for his novels 'Sons and Lovers,' 'The Rainbow,' 'Women in Love,' and 'Lady Chatterley's Lover.' His works explore themes of emotional health, vitality, spontaneity, and instinct. Lawrence's opinions and artistic works earned him many enemies and he was frequently censored. Today, he is regarded as one of the most influential writers of the 20th century.

David Herbert Richards Lawrence

Bitterness Of Death

David Herbert Richards Lawrence, Simple Poetry

The Virgin Mother

David Herbert Richards Lawrence, Simple Poetry

Fireflies In The Corn

David Herbert Richards Lawrence, Simple Poetry

Elegy

David Herbert Richards Lawrence, Simple Poetry

English

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A March In The Ranks, Hard-Prest

A march in the ranks hard-prest, and the road unknown;
A route through a heavy wood, with muffled steps in the darkness;
Our army foil'd with loss severe, and the sullen remnant retreating;
Till after midnight glimmer upon us, the lights of a dim-lighted
building;
We come to an open space in the woods, and halt by the dim-lighted
building;
'Tis a large old church at the crossing roads--'tis now an impromptu
hospital;
--Entering but for a minute, I see a sight beyond all the pictures
and poems ever made:
Shadows of deepest, deepest black, just lit by moving candles and
lamps,
And by one great pitchy torch, stationary, with wild red flame, and
clouds of smoke;
By these, crowds, groups of forms, vaguely I see, on the floor, some
in the pews laid down;
At my ...

Walt Whitman

The Hapless Army

A soldier braving disease and death on the battlefield has a seven times better chance of life than a new-born baby. - Secretary of War, U.S.A.


The Hapless Army from the dark
That lies beyond creation,
All blinded by the solar spark,
And leaderless in lands forlorn,
Come stumbling through the mists of morn;
And foes in close formation,
With taloned fingers dripping red,
Bestrew the sodden world with dead.

The Hapless Army bears no sword;
Fell destiny fulfilling,
It marches where the murder horde,
Amid the fair new urge of life,
With poison stream, and shot, and knife,
Make carnival of killing.
No war above black Hell's abyss
Knows evil grim and foul as this.

In pallid hillocks lie the slain
The callous heaven under;
Lik...

Edward

Prelude: The Troops

Dim, gradual thinning of the shapeless gloom
Shudders to drizzling daybreak that reveals
Disconsolate men who stamp their sodden boots
And turn dulled, sunken faces to the sky
Haggard and hopeless. They, who have beaten down
The stale despair of night, must now renew
Their desolation in the truce of dawn,
Murdering the livid hours that grope for peace.

Yet these, who cling to life with stubborn hands,
Can grin through storms of death and find a gap
In the clawed, cruel tangles of his defence.
They march from safety, and the bird-sung joy
Of grass-green thickets, to the land where all
Is ruin, and nothing blossoms but the sky
That hastens over them where they endure
Sad, smoking, flat horizons, reeking woods,
And foundered trench-lines volleying doom for ...

Siegfried Sassoon

Guards!

A Review in Hyde Park 1913.
The Crowd Watches.

Where the trees rise like cliffs, proud and blue-tinted in the distance,
Between the cliffs of the trees, on the grey- green park
Rests a still line of soldiers, red motionless range of guards
Smouldering with darkened busbies beneath the bay- onets' slant rain.

Colossal in nearness a blue police sits still on his horse
Guarding the path; his hand relaxed at his thigh,
And skyward his face is immobile, eyelids aslant
In tedium, and mouth relaxed as if smiling - ineffable tedium!

So! So! Gaily a general canters across the space,
With white plumes blinking under the evening grey sky.
And suddenly, as if the ground moved
The red range heaves in slow, magnetic reply.

David Herbert Richards Lawrence

The Dream

I

Moonlight and dew-drenched blossom, and the scent
Of summer gardens; these can bring you all
Those dreams that in the starlit silence fall:
Sweet songs are full of odours.
    While I went
Last night in drizzling dusk along a lane,
I passed a squalid farm; from byre and midden
Came the rank smell that brought me once again
A dream of war that in the past was hidden.

II

Up a disconsolate straggling village street
I saw the tired troops trudge: I heard their feet.
The cheery Q.M.S. was there to meet
And guide our Company in ...
    I watched them stumble
Into some crazy hovel, too beat to grumble;
Saw them file inward, slipping from their backs
Rifles, equipment, packs.
On filthy straw they sit in the gloom, each face
Bowe...

Siegfried Sassoon

Tommies In The Train

THE SUN SHINES,
The coltsfoot flowers along the railway banks
Shine like flat coin which Jove in thanks
Strews each side the lines.

A steeple
In purple elms, daffodils
Sparkle beneath; luminous hills
Beyond - and no people.

England, Oh Danaë
To this spring of cosmic gold
That falls on your lap of mould!
What then are we?

What are we
Clay-coloured, who roll in fatigue
As the train falls league by league
From our destiny?

A hand is over my face,
A cold hand. I peep between the fingers
To watch the world that lingers
Behind, yet keeps pace.

Always there, as I peep
Between the fingers that cover my face!
Which then is it that falls from its place
And rolls down the steep?

Is it the train

David Herbert Richards Lawrence