Extemporaneous Lines On A Portrait Of Lady Mary Wortley Montague, Painted By Kneller.

The playful smiles around the dimpled mouth,
That happy air of majesty and truth,
So would I draw: but, oh! 'tis vain to try,
My narrow genius does the power deny;
The equal lustre of the heavenly mind,
Where every grace with every virtue's join'd:
Learning not vain, and wisdom not severe,
With greatness easy, and with wit sincere;
With just description show the soul divine,
And the whole princess in my work should shine.

Alexander Pope

Alexander Pope was an English poet, best known for his satirical verse, including 'The Rape of the Lock' and 'The Dunciad'. He is the second-most frequently quoted writer in The Oxford Dictionary of Quotations after Shakespeare. Pope was one of the greatest English poets and the foremost poet of the early 18th century. He also translated Homer. Despite suffering from numerous health problems, Pope made a significant impact on English literature and is remembered for his sharp wit and mastery of the heroic couplet.

Alexander Pope

On Bentley's 'Milton.'

Alexander Pope, Simple Poetry

Part Of The Ninth Ode Of The Fourth Book.

Alexander Pope, Simple Poetry

Phyrne

Alexander Pope, Simple Poetry

Epitaph On Lord Coningsby.

Alexander Pope, Simple Poetry

English

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Epistle To Mr Jervas, With Mr Dryden's Translation Of Fresnoy's 'Art Of Painting.'

This verse be thine, my friend, nor thou refuse
This from no venal or ungrateful Muse.
Whether thy hand strike out some free design,
Where life awakes, and dawns at every line;
Or blend in beauteous tints the colour'd mass,
And from the canvas call the mimic face:
Read these instructive leaves, in which conspire
Fresnoy's close art, and Dryden's native fire:
And, reading, wish like theirs our fate and fame,
So mix'd our studies, and so join'd our name;
Like them to shine through long succeeding age,
So just thy skill, so regular my rage.

Smit with the love of sister-arts we came,
And met congenial, mingling flame with flame;
Like friendly colours found them both unite,
And each from each contract new strength and light.
How oft in pleasing tasks we wear ...

Alexander Pope

Lines On A Grotto, At Crux-Easton, Hants.

Here shunning idleness at once and praise,
This radiant pile nine rural sisters^[130] raise;
The glittering emblem of each spotless dame,
Clear as her soul, and shining as her frame;
Beauty which nature only can impart,
And such a polish as disgraces art;
But Fate disposed them in this humble sort,
And hid in deserts what would charm a court.

Alexander Pope

To His Serene Highness The Duke Of Montpensier On His Portrait Of The Lady Adelaide Forbes.

Donington Park, 1802


To catch the thought, by painting's spell,
    Howe'er remote, howe'er refined,
And o'er the kindling canvas tell
    The silent story of the mind;

O'er nature's form to glance the eye,
    And fix, by mimic light and shade,
Her morning tinges ere they fly,
    Her evening blushes, ere they fade;

Yes, these are Painting's proudest powers,
    The gift, by which her art divine
Above all others proudly towers,--
    And these, oh Prince! are richly thine.

And yet, when Friendship sees thee trace,
    In almost living truth exprest,
This bright memorial of a face
    On which her eye delights to rest;

While o'er the lovely look serene,
    The smile of peace, the bloom of youth,
The ch...

Thomas Moore

Sketches In The Exhibition, 1805.

What various objects strike with various force,
Achilles, Hebe, and Sir Watkin's horse!
Here summer scenes, there Pentland's stormy ridge,
Lords, ladies, Noah's ark, and Cranford bridge!
Some that display the elegant design,
The lucid colours, and the flowing line;
Some that might make, alas! Walsh Porter^[1] stare,
And wonder how the devil they got there!

Lady M----ve.

How clear a strife of light and shade is spread!
The face how touched with nature's loveliest red!
The eye, how eloquent, and yet how meek!
The glow subdued, yet mantling on thy cheek!
M----ve! I mark alone thy beauteous face,
But all is nature, dignity, and grace!

Hon. Miss Mercer.--Hopner.

Oh! hide those tempting eyes, that faultless form,
Those looks wi...

William Lisle Bowles

Roxana, Or The Drawing-Room. An Eclogue.

Roxana, from the Court returning late,
Sigh'd her soft sorrow at St James's gate:
Such heavy thoughts lay brooding in her breast,
Not her own chairmen with more weight oppress'd:
They curse the cruel weight they're doom'd to bear;
She in more gentle sounds express'd her care.

'Was it for this, that I these roses wear?
For this, new-set the jewels for my hair?
Ah, Princess! with what zeal have I pursued!
Almost forgot the duty of a prude.
This king I never could attend too soon;
I miss'd my prayers, to get me dress'd by noon.
For thee, ah! what for thee did I resign?
My passions, pleasures, all that e'er was mine:
I've sacrificed both modesty and ease;
Left operas, and went to filthy plays:
Double-entendres shock'd my tender ear;
Yet even this...

Alexander Pope

Lines On Lady W ---- Appearing At The Exhibition.

When lovely Delphine sought the crowded scene,
The painter's mimic pow'r no longer mov'd;
All turn'd to gaze upon her beauteous mien,
None envied her, for, as they look'd, they lov'd.

Amid the proud display of forms so fair,
Of each fine tint the pencil can impart,
Nature with rapture seem'd to lead her there,
To prove how she could triumph over Art.

John Carr