Fair Margaret And Sweet William

The Text is from a broadside in the Douce Ballads, with a few unimportant corrections from other stall-copies, as printed by Percy and Ritson.

The Story is much the same as Lord Thomas and Fair Annet, except in the manner of Margaret's death.

None of the known copies of the ballad are as early in date as The Knight of the Burning Pestle (a play by Beaumont and Fletcher, first produced, it is said, in 1611), in which the humorous old Merrythought sings two fragments of this ballad; stanza 5 in Act II. Sc. 8, and the first two lines of stanza 2 in Act III. Sc. 5. As there given, the lines are slightly different.

The last four stanzas of this ballad again present the stock ending, for which see the introduction to Lord Lovel. The last stanza condemns itself.

FAIR MARGARET AND SWEET WILLIAM

1.
As it fell out on a long summer's day,
Two lovers they sat on a hill;
They sat together that long summer's day,
And could not talk their fill.

2.
'I see no harm by you, Margaret,
Nor you see none by me;
Before tomorrow eight a clock
A rich wedding shall you see.'

3.
Fair Margaret sat in her bower-window,
A combing of her hair,
And there she spy'd Sweet William and his bride,
As they were riding near.

4.
Down she lay'd her ivory comb,
And up she bound her hair;
She went her way forth of her bower,
But never more did come there.

5.
When day was gone, and night was come,
And all men fast asleep,
Then came the spirit of Fair Margaret,
And stood at William's feet.

6.
'God give you joy, you two true lovers,
In bride-bed fast asleep;
Loe I am going to my green grass grave,
And am in my winding-sheet.'

7.
When day was come, and night was gone,
And all men wak'd from sleep,
Sweet William to his lady said,
'My dear, I have cause to weep.

8.
'I dream'd a dream, my dear lady;
Such dreams are never good;
I dream'd my bower was full of red swine,
And my bride-bed full of blood.'

9.
'Such dreams, such dreams, my honoured lord,
They never do prove good,
To dream thy bower was full of swine,
And thy bride-bed full of blood.'

10.
He called up his merry men all,
By one, by two, and by three,
Saying, 'I'll away to Fair Margaret's bower,
By the leave of my lady.'

11.
And when he came to Fair Margaret's bower,
He knocked at the ring;
So ready was her seven brethren
To let Sweet William in.

12.
He turned up the covering-sheet:
'Pray let me see the dead;
Methinks she does look pale and wan,
She has lost her cherry red.

13.
'I'll do more for thee, Margaret,
Than any of thy kin;
For I will kiss thy pale wan lips,
Tho' a smile I cannot win.'

14.
With that bespeak her seven brethren,
Making most pitious moan:
'You may go kiss your jolly brown bride,
And let our sister alone.'

15.
'If I do kiss my jolly brown bride,
I do but what is right;
For I made no vow to your sister dear,
By day or yet by night.

16.
'Pray tell me then how much you'll deal
Of your white bread and your wine;
So much as is dealt at her funeral today
Tomorrow shall be dealt at mine.'

17.
Fair Margaret dy'd today, today,
Sweet William he dy'd the morrow;
Fair Margaret dy'd for pure true love,
Sweet William he dy'd for sorrow.

18.
Margaret was buried in the lower chancel,
Sweet William in the higher;
Out of her breast there sprung a rose,
And out of his a brier.

19.
They grew as high as the church-top,
Till they could grow no higher,
And then they grew in a true lover's knot,
Which made all people admire.

20.
There came the clerk of the parish,
As you this truth shall hear,
And by misfortune cut them down,
Or they had now been there.

Frank Sidgwick

Frank Sidgwick was an English writer, publisher, and scholarly editor. He was instrumental in popularizing ballad and folklore studies in the early 20th century. Sidgwick co-founded the publishing company Sidgwick & Jackson, which became known for its contributions to literature and scholarship. Though not primarily known as a poet, his editorial and publishing efforts significantly impacted the literary culture of his time, emphasizing the academic study of traditional songs and verses.

Frank Sidgwick

Fair Janet

Frank Sidgwick, Simple Poetry

Lord Thomas And Fair Annet

Frank Sidgwick, Simple Poetry

Young Bekie

Frank Sidgwick, Simple Poetry

The Bailiff's Daughter of Islington

Frank Sidgwick, Simple Poetry

English

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Fair Margaret And Sweet William

As it fell out on a long summer's day,
Two lovers they sat on a hill;
They sat together that long summer's day,
And could not talk their fill.

"I see no harm by you, Margaret,
And you see none by mee;
Before to-morrow at eight o' the clock
A rich wedding you shall see."

Fair Margaret sat in her bower-wind w,
Combing her yellow hair;
There she spyed sweet William and his bride,
As they were a riding near.

Then down she layd her ivory combe,
And braided her hair in twain:
She went alive out of her bower,
But ne'er came alive in't again.

When day was gone, and night was come,
And all men fast asleep,
Then came the spirit of Fair Marg'ret,
And stood at William's feet.

"Are you awake, sweet William?" shee said,

George Wharton Edwards

The Cruel Brother

The Text is that obtained in 1800 by Alexander Fraser Tytler from Mrs. Brown of Falkland, and by him committed to writing. The first ten and the last two stanzas show corruption, but the rest of the ballad is in the best style.

The Story emphasises the necessity of asking the consent of a brother to the marriage of his sister, and therefore the title The Cruel Brother is a misnomer. In ballad-times, the brother would have been well within his rights; it was rather a fatal oversight of the bridegroom that caused the tragedy.

Danish and German ballads echo the story, though in the commonest German ballad, Graf Friedrich, the bride receives an accidental wound, and that from the bridegroom's own hand.

The testament of the bride, by which she benefits her friends and leaves curses on her e...

Frank Sidgwick

Lord Thomas And Fair Annet

The Text is from Percy's Reliques (vol. ii., 1765: vol. iii., 1767). In the latter edition he also gives the English version of the ballad earlier in the same volume.

The Story.--This ballad, as it is one of the most beautiful, is also one of the most popular. It should be compared with Fair Margaret and Sweet William, in which the forlorn maid dies of grief, not by the hand of her rival.

    A series of Norse ballads tell much the same tale, but in none is the 'friends' will' a crucial point. Chansons from Burgundy, Bretagne, Provence, and northern Italy, faintly echo the story.

    Lord Thomas his mither says that Fair Annet has no 'gowd and gear'; yet later on we find that Annet's father can provide her with a horse shod with silver and gold, and four-and-twenty silver bells in his mane; s...

Frank Sidgwick

Little Musgrave And Lady Barnard

The Text here given is the version printed, with very few variations, in Wit Restor'd, 1658, Wit and Drollery, 1682, Dryden's Miscellany, 1716, etc. The Percy Folio contains a fragmentary version, consisting of some dozen stanzas. Child says that all the Scottish versions are late, and probably derived, though taken down from oral tradition, from printed copies. As recompense, we have the Scotch Bonny Birdy.

The Story would seem to be purely English. That it was popular long before the earliest known text is proved by quotations from it in old plays: as from Fair Margaret and Sweet William. Merrythought in The Knight of the Burning Pestle (1611) sings from this ballad a version of stanza 14, and Beaumont and Fletcher also put quotations into the mouths of characters in Bonduca (c...

Frank Sidgwick

Clerk Sanders

The Text is given in full from Herd's MSS., where it concludes with a version of Sweet William's Ghost; and the last three stanzas, 42-44, are from Scott's later version of the ballad (1833) from recitation. Child divides the ballad as follows:-- Clerk Sanders, 1-26 of the present version; Sweet William's Ghost, 27-41. Scott made 'one or two conjectural emendations in the arrangement of the stanzas.'


The Story of this admirable ballad in its various forms is paralleled in one or two of its incidents by a similar collection of Scandinavian ballads. Jamieson introduced into his version certain questions and answers (of the prevaricating type found in a baser form in Our Goodman) which are professedly of Scandinavian origin.


CLERK SANDERS

    1.
    Clark Sanders a...

Frank Sidgwick

Lord Lovel

                    'It is silly sooth,
        And dallies with the innocence of love,
        Like the old age.'

        --Twelfth Night, II. 4.


The Text.--This ballad, concluding a small class of three--Lord Thomas and Fair Annet, and Fair Margaret and Sweet William being the other two--is distinguished by the fact that the lady dies of hope deferred. It is a foolish ballad, at the opposite pole to Lord Thomas and Fair Annet, and is pre-eminently one of the class meant only to be sung, with an effective burden. The text given here, therefore, is that of a broadside of the year 1846.

The Story in outline is extremely popular in German and Scandinavian literature. Of the former the commonest is Der Ritter und die Maid, also found north of Germany; twenty-...

Frank Sidgwick