Bonnie George Campbell

The Text is from Motherwell's Minstrelsy, pp. 44-5.


The Story.--Motherwell says it 'is probably a lament for one of the adherents of the house of Argyle, who fell in the battle of Glenlivat, stricken on Thursday, the third day of October, 1594 years.' Another suggestion is that it refers to a Campbell of Calder killed in a feud with Campbell of Ardkinglas, the murder being the result of the same conspiracy which brought the Bonny Earl of Murray to his death. Another version of the ballad, however, gives the name as James, and it is useless and unnecessary to particularise.


BONNIE GEORGE CAMPBELL

    1.
    Hie upon Hielands
        And low upon Tay,
    Bonnie George Campbell
        Rade out on a day.
    Saddled and bridled
        And gallant rade he;
    Hame came his gude horse,
        But never cam he!

    2.
    Out cam his auld mither
        Greeting fu' sair,
    And out cam his bonnie bride
        Rivin' her hair.
    Saddled and bridled
        And booted rade he;
    Toom hame cam the saddle,
        But never cam he!

    3.
    'My meadow lies green,
        And my corn is unshorn;
    My barn is to big,
        And my babie's unborn.'
    Saddled and bridled
        And booted rade he;
    Toom hame cam the saddle,
        But never cam he!

Frank Sidgwick

Frank Sidgwick was an English writer, publisher, and scholarly editor. He was instrumental in popularizing ballad and folklore studies in the early 20th century. Sidgwick co-founded the publishing company Sidgwick & Jackson, which became known for its contributions to literature and scholarship. Though not primarily known as a poet, his editorial and publishing efforts significantly impacted the literary culture of his time, emphasizing the academic study of traditional songs and verses.

Frank Sidgwick

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English

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Mary Hamilton

The Text given here is from Sharpe's Ballad Book (1824). Professor Child collected and printed some twenty-eight variants and fragments, of which none is entirely satisfactory, as regards the telling of the story. The present text will suit our purpose as well as any other, and it ends impressively with the famous pathetic verse of the four Maries.


The Story.--Lesley in his History of Scotland (1830) says that when Mary Stuart was sent to France in 1548, she had in attendance 'sundry gentlewomen and noblemen's sons and daughters, almost of her own age, of the which there were four in special of whom everyone of them bore the same name of Mary, being of four sundry honourable houses, to wit, Fleming, Livingston, Seton, and Beaton of Creich.' The four Maries were still with the Queen in 1564. Hamilton and Carm...

Frank Sidgwick

The Twa Brothers

The Text is from Sharpe's Ballad Book (1823). Scott included no version of this ballad in his Minstrelsy; but Motherwell and Jamieson both had traditional versions. Motherwell considered it essential that the deadly wound should be accidental; but it is far more typical of a ballad-hero that he should lose his temper and kill his brother; and, as Child points out, it adds to the pathetic generosity of the slain brother in providing excuses for his absence to be made to his father, mother, and sister.


The Story.--Motherwell and Sharpe were more or less convinced that the ballad was founded on an accident that happened in 1589 to a Somerville, who was killed by his brother's pistol going off.

This ballad is still in circulation in the form of a game amongst American children--the last state of more ...

Frank Sidgwick

The Bonny Earl Of Murray

The Text is given from Allan Ramsay's Tea-Table Miscellany, where it first appeared in the tenth edition (1740) in vol. iv. pp. 356-7. Child had not seen this, and gave his text from the eleventh edition of 1750. There is, however, scarcely any difference.


The Story of the murder of the Earl of Murray by the Earl of Huntly in February 1592 is found in several histories and other accounts:-- The History of the Church of Scotland (1655) by John Spottiswoode, Archbishop of Glasgow and of St. Andrews: History of the Western Highlands and Isles of Scotland (1836) by Donald Gregory: The History and Life of King James (the Sixth), ed. T. Thomson, Bannatyne Club, (1825): Extracts from the Diarey of R[obert] B[irrel], Burges of Edinburgh (? 1820): and Sir Walter Scott's Tales of a Grandfather<...

Frank Sidgwick

The Twa Sisters O' Binnorie
Texts.--The version here given is compounded from two different sources, almost of necessity. Stanzas 1-19 were given by Scott, compounded from W. Tytler's Brown MS. and the recitation of an old woman. But at stanza 20 Scott's version becomes eccentric, and he prints such verses as:--

'A famous harper passing by
The sweet pale face he chanced to spy ...

The strings he framed of her yellow hair,
Whose notes made sad the listening air.'

Stanzas 20-25, therefore, have been supplied from the Jamieson-Brown MS., which after this point does not descend from the high level of ballad-poetry.

The Story.--This is a very old and a very popular story. An early broadside exists, dated 1656, and the same version is printed in Wit Restor'd, 1658. Of Scandinavian ballads on the ...
Frank Sidgwick

Clyde's Water
The Text is from the Skene MS., but I have omitted the three final lines, which do not make a complete stanza, and, when compared with Scott's 'Old Lady's' version, are obviously corrupt. The last verse should signify that the mothers of Willie and Meggie went up and down the bank saying, 'Clyde's water has done us wrong!'

The ballad is better known as Willie and May Margaret.

The Story.--Willie refuses his mother's request to stay at home, as he wishes to visit his true-love. The mother puts her malison, or curse, upon him, but he rides off. Clyde is roaring, but Willie says, 'Drown me as I come back, but spare me as I go,' which is Martial's

'Parcite dum propero, mergite cum redeo,'

and occurs in other English broadsides. Meggie will not admit Willie, and he rides away. Meggie...
Frank Sidgwick

The Laird Of Knottington
The Text was sent to Percy in 1768 by R. Lambe of Norham. The ballad is widely known in Scotland under several titles, but the most usual is The Broom of Cowdenknows, which was the title used by Scott in the Minstrelsy.

The Story is not consistently told in this version, as in 11.3,4 the daughter gives away her secret to her father in an absurd fashion.

An English song, printed as a broadside about 1640, The Lovely Northerne Lasse, is directed to be sung 'to a pleasant Scotch tune, called The broom of Cowden Knowes.' It is a poor variant of our ballad, in the usual broadside style, and cannot have been written by any one fully acquainted with the Scottish ballad. It is in the Roxburghe, Douce, and other collections.

THE LAIRD OF KNOTTINGTON

1.
There ...
Frank Sidgwick