High On A Hill

There is a place among the Cape Ann hills
That looks from fir-dark summits on the sea,
Whose surging sapphire changes constantly
Beneath deep heavens, Morning windowsills,
With golden calm, or sunset citadels
With storm, whose towers the winds' confederacy
And bandit thunder hold in rebel fee,
Swooping upon the ilsher's sail that swells.
A place, where Sorrow ceases to complain,
And life's old Cares put all their burdens by,
And Weariness forgets itself in rest.
Would that all life were like it; might obtain
Its pure repose, its outlook, strong and high,
That sees, beyond, far Islands of the Blest.

Madison Julius Cawein

Madison Julius Cawein was born on March 23, 1865, in Louisville, Kentucky and died on December 8, 1914. Known as the “Keats of Kentucky,” his poetry often focused on nature, mythology, and the lush landscapes of his home state. Throughout his lifetime, Cawein published more than 30 books of poetry. He is remembered for his vivid and descriptive style and his ability to capture the beauty of the natural world. His works provide a window into the pastoral and often mystical world of the late 19th and early 20th centuries.

Madison Julius Cawein

Epiphany

Madison Julius Cawein, Simple Poetry

A Niëllo

Madison Julius Cawein, Simple Poetry

One Who Died Young

Madison Julius Cawein, Simple Poetry

My Lady of Verne

Madison Julius Cawein, Simple Poetry

English

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"The Highlands," Annisquam

Here, from the heights, among the rocks and pines,
The sea and shore seem some tremendous page
Of some vast book, great with our heritage,
Breathing the splendor of majestic lines.
Yonder the dunes speak silver; yonder shines
The ocean's sapphire word; there, gray with age,
The granite writes its lesson, strong and sage;
And there the surf its rhythmic passage signs.
The winds, that sweep the page, that interlude
Its majesty with music; and the tides,
That roll their thunder in, that period
Its mighty rhetoric, deep and dream-imbued,
Are what it seems to say, of what abides,
Of what's eternal and of what is God.

Madison Julius Cawein

The Hills

There is no joy of earth that thrills
My bosom like the far-off hills!
Th' unchanging hills, that, shadowy,
Beckon our mutability
To follow and to gaze upon
Foundations of the dusk and dawn.
Meseems the very heavens are massed
Upon their shoulders, vague and vast
With all the skyey burden of
The winds and clouds and stars above.
Lo, how they sit before us, seeing
The laws that give all Beauty being!
Behold! to them, when dawn is near,
The nomads of the air appear,
Unfolding crimson camps of day
In brilliant bands; then march away;
And under burning battlements
Of twilight plant their tinted tents.
The truth of olden myths, that brood
By haunted stream and haunted wood,
They see; and feel the happiness
Of old at which we only guess:

Madison Julius Cawein

On The Hilltop

There is no inspiration in the view.
From where this acorn drops its thimbles brown
The landscape stretches like a shaggy frown;
The wrinkled hills hang haggard and harsh of hue:
Above them hollows the heaven's stony blue,
Like a dull thought that haunts some sleepdazed clown
Plodding his homeward way; and, whispering down,
The dead leaves dance, a sere and shelterless crew.
Let the sick day stagger unto its close,
Morose and mumbling, like a hoary crone
Beneath her fagots huddled fogs that soon
Shall flare the windy west with ashen glows,
Like some deep, dying hearth; and let the lone
Night come at last night, and its withered moon.

Madison Julius Cawein

Annisquam

Old days, old ways, old homes beside the sea;
Old gardens with old-fashioned flowers aflame,
Poppy, petunia, and many a name
Of many a flower of fragrant pedigree.
Old hills that glow with blue- and barberry,
And rocks and pines that stand on guard, the same,
Immutable, as when the Pilgrim came,
And here laid firm foundations of the Free.
The sunlight makes the dim dunes hills of snow,
And every vessel's sail a twinkling wing
Glancing the violet ocean far away:
The world is full of color and of glow;
A mighty canvas whereon God doth fling
The flawless picture of a perfect day.

Madison Julius Cawein

The North Shore

I.

September On Cape Ann

The partridge-berry flecks with flame the way
That leads to ferny hollows where the bee
Drones on the aster. Far away the sea
Points its deep sapphire with a gleam of grey.
Here from this height where, clustered sweet, the bay
Clumps a green couch, the haw and barberry
Beading her hair, sad Summer, seemingly,
Has fallen asleep, unmindful of the day.
The chipmunk barks upon the old stone wall;
And in the shadows, like a shadow, stirs
The woodchuck where the boneset's blossom creams.
Was that a phoebe with its pensive call?
A sighing wind that shook the drowsy firs?
Or only Summer waking from her dreams?

II.

In An Annisquam Garden

Old phantoms haunt it of the long ago;
Old ghosts of old-time l...

Madison Julius Cawein

On Old Cape Ann

I.

Annisquam

Old days, old ways, old homes beside the sea;
Old gardens with old-fashioned flowers aflame,
Poppy, petunia, and many a name
Of many a flower of fragrant pedigree.
Old hills that glow with blue- and barberry,
And rocks and pines that stand on guard, the same,
Immutable, as when the Pilgrim came,
And here laid firm foundations of the Free.
The sunlight makes the dim dunes hills of snow,
And every vessel's sail a twinkling wing
Glancing the violet ocean far away:
The world is full of color and of glow;
A mighty canvas whereon God doth fling
The flawless picture of a perfect day.

II.

"The Highlands, " Annisquam

Here, from the heights, among the rocks and pines,
The sea and shore seem some tremendous page

Madison Julius Cawein