On The Hilltop

There is no inspiration in the view.
From where this acorn drops its thimbles brown
The landscape stretches like a shaggy frown;
The wrinkled hills hang haggard and harsh of hue:
Above them hollows the heaven's stony blue,
Like a dull thought that haunts some sleepdazed clown
Plodding his homeward way; and, whispering down,
The dead leaves dance, a sere and shelterless crew.
Let the sick day stagger unto its close,
Morose and mumbling, like a hoary crone
Beneath her fagots huddled fogs that soon
Shall flare the windy west with ashen glows,
Like some deep, dying hearth; and let the lone
Night come at last night, and its withered moon.

Madison Julius Cawein

Madison Julius Cawein was born on March 23, 1865, in Louisville, Kentucky and died on December 8, 1914. Known as the “Keats of Kentucky,” his poetry often focused on nature, mythology, and the lush landscapes of his home state. Throughout his lifetime, Cawein published more than 30 books of poetry. He is remembered for his vivid and descriptive style and his ability to capture the beauty of the natural world. His works provide a window into the pastoral and often mystical world of the late 19th and early 20th centuries.

Madison Julius Cawein

So Much To Do

Madison Julius Cawein, Simple Poetry

Science.

Madison Julius Cawein, Simple Poetry

The Herb-Gatherer

Madison Julius Cawein, Simple Poetry

The Boy On The Farm

Madison Julius Cawein, Simple Poetry

English

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High On A Hill

There is a place among the Cape Ann hills
That looks from fir-dark summits on the sea,
Whose surging sapphire changes constantly
Beneath deep heavens, Morning windowsills,
With golden calm, or sunset citadels
With storm, whose towers the winds' confederacy
And bandit thunder hold in rebel fee,
Swooping upon the ilsher's sail that swells.
A place, where Sorrow ceases to complain,
And life's old Cares put all their burdens by,
And Weariness forgets itself in rest.
Would that all life were like it; might obtain
Its pure repose, its outlook, strong and high,
That sees, beyond, far Islands of the Blest.

Madison Julius Cawein

The Hillside Grave

Ten-hundred deep the drifted daisies break
Here at the hill's foot; on its top, the wheat
Hangs meagre-bearded; and, in vague retreat,
The wisp-like blooms of the moth-mulleins shake.
And where the wild-pink drops a crimson flake,
And morning-glories, like young lips, make sweet
The shaded hush, low in the honeyed heat,
The wild-bees hum; as if afraid to wake
One sleeping there; with no white stone to tell
The story of existence; but the stem
Of one wild-rose, towering o'er brier and weed,
Where all the day the wild-birds requiem;
Within whose shade the timid violets spell
An epitaph, only the stars can read.

Madison Julius Cawein

Under Arcturus

I.

"I belt the morn with ribboned mist;
With baldricked blue I gird the noon,
And dusk with purple, crimson-kissed,
White-buckled with the hunter's moon.

"These follow me," the season says:
"Mine is the frost-pale hand that packs
Their scrips, and speeds them on their ways,
With gipsy gold that weighs their backs."


II.

A daybreak horn the Autumn blows,
As with a sun-tanned band he parts
Wet boughs whereon the berry glows;
And at his feet the red-fox starts.

The leafy leash that holds his hounds
Is loosed; and all the noonday hush
Is startled; and the hillside sounds
Behind the fox's bounding brush.

When red dusk makes the western sky
A fire-lit window through the firs,
He stoops to see the red-fox d...

Madison Julius Cawein

Dogtown

Far as the eye can see the land is grey,
And desolation sits among the stones
Looking on ruin who, from rocks like bones,
Stares with a dead face at the dying day.
Mounds, where the barberry and bay hold sway,
Show where homes rose once; where the village crones
Gossiped, and man, with many sighs and groans,
Laboured and loved and went its daily way.
Only the crow now, like a hag returned,
Croaks on the common that its hoarse voice mocks.
Meseems that here the sorrow of the earth
Has lost herself, and, with the past concerned,
Sits with the ghosts of dreams that haunt these rocks,
And old despairs to which man's soul gave birth.

Madison Julius Cawein

The Old Farm

Dormered and verandaed, cool,
Locust-girdled, on the hill;
Stained with weather-wear, and dull-
Streak'd with lichens; every sill
Thresholding the beautiful;

I can see it standing there,
Brown above the woodland deep,
Wrapped in lights of lavender,
By the warm wind rocked asleep,
Violet shadows everywhere.

I remember how the Spring,
Liberal-lapped, bewildered its
Acred orchards, murmuring,
Kissed to blossom; budded bits
Where the wood-thrush came to sing.

Barefoot Spring, at first who trod,
Like a beggermaid, adown
The wet woodland; where the god,
With the bright sun for a crown
And the firmament for rod,

Met her; clothed her; wedded her;
Her Cophetua: when, lo!
All the hill, one breathing blur,
Burst ...

Madison Julius Cawein

The Old Farm

Dormered and verandaed, cool,
Locust-girdled, on the hill;
Stained with weather-wear, and dull-
Streak'd with lichens; every sill
Thresholding the beautiful;
I can see it standing there,
Brown above the woodland deep,
Wrapped in lights of lavender,
By the warm wind rocked asleep,
Violet shadows everywhere.
I remember how the Spring,
Liberal-lapped, bewildered its
Acred orchards, murmuring,
Kissed to blossom; budded bits
Where the wood-thrush came to sing.
Barefoot Spring, at first who trod,
Like a beggermaid, adown
The wet woodland; where the god,
With the bright sun for a crown
And the firmament for rod,
Met her; clothed her; wedded her;
Her Cophetua: when, lo!
All the hill, one breathing blur,
Burst in beauty; gleam and glo...

Madison Julius Cawein