I Wake and feel

I Wake and feel the fell of dark, not day.
What hours, O what black hoürs we have spent
This night! what sights you, heart, saw; ways you went!
And more must, in yet longer light's delay.
With witness I speak this. But where I say
Hours I mean years, mean life. And my lament
Is cries countless, cries like dead letters sent
To dearest him that lives alas! away.

I am gall, I am heartburn. God's most deep decree
Bitter would have me taste: my taste was me;
Bones built in me, flesh filled, blood brimmed the curse.
Selfyeast of spirit a dull dough sours. I see
The lost are like this, and their scourge to be
As I am mine, their sweating selves; but worse.

Gerard Manley Hopkins

Gerard Manley Hopkins was an English poet and Jesuit priest, whose posthumous fame placed him among the leading Victorian poets. His experimental explorations in prosody and his use of imagery established him as a daring innovator in a period of largely traditional verse. Hopkins' work had cutting-edge sensibilities that prefigured the modernist style, though his poems were first published only in 1918, long after his death.

Gerard Manley Hopkins

Felix Randal

Gerard Manley Hopkins, Simple Poetry

St. Winefred's Well

Gerard Manley Hopkins, Simple Poetry

Fragment

Gerard Manley Hopkins, Simple Poetry

The Soldier

Gerard Manley Hopkins, Simple Poetry

English

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Carrion Comfort

Not, I'll not, carrion comfort, Despair, not feast on thee;
Not untwist - slack they may be - these last strands of man
In me ór, most weary, cry I can no more. I can;
Can something, hope, wish day come, not choose not to be.
But ah, but O thou terrible, why wouldst thou rude on me
Thy wring-world right foot rock? lay a lionlimb against me? scan
With darksome devouring eyes my bruisèd bones? and fan,
O in turns of tempest, me heaped there; me frantic to avoid thee and flee?

Why? That my chaff might fly; my grain lie, sheer and clear.
Nay in all that toil, that coil, since (seems) I kissed the rod,
Hand rather, my heart lo! lapped strength, stole joy, would laugh, chéer.
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Gerard Manley Hopkins

The shepherd's brow

The shepherd's brow fronting forked lightning, owns
The horror and the havoc and the glory
Of it. Angels fall, they are towers, from heaven - a story
Of just, majestical, and giant groans.
But man - we, scaffold of score brittle bones;
Who breathe, from groundlong babyhood to hoary
Age gasp; whose breath is our memento mori -
What bass is our viol for tragic tones?
He! Hand to mouth he lives, and voids with shame;
And, blazoned in however bold the name,
Man Jack the man is, just; his mate a hussy.
And I that die these deaths, that feed this flame,
That ... in smooth spoons spy life's masque mirrored: tame
My tempests there, my fire and fever fussy.

Gerard Manley Hopkins

My own heart

My own heart let me have more pity on; let
Me live to my sad self hereafter kind,
Charitable; not live this tormented mind
With this tormented mind tormenting yet.
I cast for comfort I can no more get
By groping round my comfortless, than blind
Eyes in their dark can day or thirst can find
Thirst's all-in-all in all a world of wet.

Soul, self; come, poor Jackself, I do advise
You, jaded, let be; call off thoughts awhile
Elsewhere; leave comfort root-room; let joy size
At God knows when to God knows what; whose smile
's not wrung, see you; unforeseen times rather - as skies
Betweenpie mountains - lights a lovely mile.

Gerard Manley Hopkins

On the Portrait of Two Beautiful Young People A Brother and Sister

O I admire and sorrow! The heart's eye grieves
Discovering you, dark tramplers, tyrant years.
A juice rides rich through bluebells, in vine leaves,
And beauty's dearest veriest vein is tears.



Happy the father, mother of these! Too fast:
Not that, but thus far, all with frailty, blest
In one fair fall; but, for time's aftercast,
Creatures all heft, hope, hazard, interest.

And are they thus? The fine, the fingering beams
Their young delightful hour do feature down
That fleeted else like day-dissolvèd dreams
Or ringlet-race on burling Barrow brown.

She leans on him with such contentment fond
As well the sister sits, would well the wife;
His looks, the soul's own letters, see beyond,
Gaze on, and fall directly forth on life.

But...

Gerard Manley Hopkins

Spelt from Sibyl's Leaves

Earnest, earthless, equal, attuneable, | vaulty, voluminous, . . stupendous
Evening strains to be tíme's vást, | womb-of-all, home-of-all, hearse-of-all night.
Her fond yellow hornlight wound to the west, | her wild hollow hoarlight hung to the height
Waste; her earliest stars, earl-stars, | stárs principal, overbend us,
Fíre-féaturing heaven. For earth | her being has unbound, her dapple is at an end, as- tray or aswarm, all throughther, in throngs; | self ín self steepèd and pashed - qúite
Disremembering, dísmembering | àll now. Heart, you round me right
With: Óur évening is over us; óur night | whélms, whélms, ánd will end us.
Only the beak-leaved boughs dragonish | damask the tool-smooth bleak light; black,
Ever so black on it. Óur tale, óur oracle! | Lét life, wáned, ah lét life wind
Off h...

Gerard Manley Hopkins

To his Watch

Mortal my mate, bearing my rock-a-heart
Warm beat with cold beat company, shall I
Earlier or you fail at our force, and lie
The ruins of, rifled, once a world of art?
The telling time our task is; time's some part,
Not all, but we were framed to fail and die -
One spell and well that one. There, ah thereby
Is comfort's carol of all or woe's worst smart.

Field-flown the departed day no morning brings
Saying 'This was yours' with her, but new one, worse.
And then that last and shortest . . .

Gerard Manley Hopkins