In A Museum

I

Here's the mould of a musical bird long passed from light,
Which over the earth before man came was winging;
There's a contralto voice I heard last night,
That lodges in me still with its sweet singing.

II

Such a dream is Time that the coo of this ancient bird
Has perished not, but is blent, or will be blending
Mid visionless wilds of space with the voice that I heard,
In the full-fugued song of the universe unending.

EXETER.

Thomas Hardy

Thomas Hardy (1840-1928) was an English novelist and poet. Born in Dorset, his works often featured the semi-fictional region of Wessex. Hardy was initially trained as an architect, but he later pursued writing full-time. His novels, including 'Tess of the d'Urbervilles,' 'Far from the Madding Crowd,' and 'Jude the Obscure,' are known for their critical portrayal of Victorian society and its mores. As a poet, he is recognized for his explorations of human suffering and the indifferent forces of nature. Hardy's legacy is profound, influencing both literature and criticism.

Thomas Hardy

He Prefers Her Earthly

Thomas Hardy, Simple Poetry

The Market-Girl

Thomas Hardy, Simple Poetry

In A Whispering Gallery

Thomas Hardy, Simple Poetry

Nature's Questioning

Thomas Hardy, Simple Poetry

English

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Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

A Singer Asleep

(Algernon Charles Swinburne, 1837-1909)



I

In this fair niche above the unslumbering sea,
That sentrys up and down all night, all day,
From cove to promontory, from ness to bay,
    The Fates have fitly bidden that he should be Pillowed eternally.

II

- It was as though a garland of red roses
Had fallen about the hood of some smug nun
When irresponsibly dropped as from the sun,
In fulth of numbers freaked with musical closes,
Upon Victoria's formal middle time
    His leaves of rhythm and rhyme.

III

O that far morning of a summer day
When, down a terraced street whose pavements lay
Glassing the sunshine into my bent eyes,
I walked and read with a quick glad surprise
    New words, in classic guise, -

Thomas Hardy

In A Whispering Gallery

That whisper takes the voice
Of a Spirit's compassionings
Close, but invisible,
And throws me under a spell
At the kindling vision it brings;
And for a moment I rejoice,
And believe in transcendent things
That would mould from this muddy earth
A spot for the splendid birth
Of everlasting lives,
Whereto no night arrives;
And this gaunt gray gallery
A tabernacle of worth
On this drab-aired afternoon,
When you can barely see
Across its hazed lacune
If opposite aught there be
Of fleshed humanity
Wherewith I may commune;
Or if the voice so near
Be a soul's voice floating here.

Thomas Hardy

The Musical Box

Lifelong to be
Seemed the fair colour of the time;
That there was standing shadowed near
A spirit who sang to the gentle chime
Of the self-struck notes, I did not hear,
I did not see.

Thus did it sing
To the mindless lyre that played indoors
As she came to listen for me without:
"O value what the nonce outpours -
This best of life - that shines about
Your welcoming!"

I had slowed along
After the torrid hours were done,
Though still the posts and walls and road
Flung back their sense of the hot-faced sun,
And had walked by Stourside Mill, where broad
Stream-lilies throng.

And I descried
The dusky house that stood apart,
And her, white-muslined, waiting there
In the porch with high-expectant heart,
While still the ...

Thomas Hardy

Evelyn G. Of Christminster

I can see the towers
In mind quite clear
Not many hours'
Faring from here;
But how up and go,
And briskly bear
Thither, and know
That are not there?

Though the birds sing small,
And apple and pear
On your trees by the wall
Are ripe and rare,
Though none excel them,
I have no care
To taste them or smell them
And you not there.

Though the College stones
Are smit with the sun,
And the graduates and Dons
Who held you as one
Of brightest brow
Still think as they did,
Why haunt with them now
Your candle is hid?

Towards the river
A pealing swells:
They cost me a quiver -
Those prayerful bells!
How go to God,
Who can reprove
With so heavy a rod
As your swift remove!

Thomas Hardy

After A Journey

Hereto I come to interview a ghost;
    Whither, O whither will its whim now draw me?
Up the cliff, down, till I'm lonely, lost,
    And the unseen waters' ejaculations awe me.
Where you will next be there's no knowing,
    Facing round about me everywhere,
    With your nut-coloured hair,
And gray eyes, and rose-flush coming and going.

Yes: I have re-entered your olden haunts at last;
    Through the years, through the dead scenes I have tracked you;
What have you now found to say of our past -
    Viewed across the dark space wherein I have lacked you?
Summer gave us sweets, but autumn wrought division?
    Things were not lastly as firstly well
    With us twain, you tell?
But all's closed now, despite Time's derision.

I see what you are doing: ...

Thomas Hardy

The Selfsame Song

A bird bills the selfsame song,
With never a fault in its flow,
That we listened to here those long
Long years ago.

A pleasing marvel is how
A strain of such rapturous rote
Should have gone on thus till now
Unchanged in a note!

- But it's not the selfsame bird. -
No: perished to dust is he . . .
As also are those who heard
That song with me.

Thomas Hardy