Plunging and labouring on in a tide of visions,
Dolorous and dear,
Forward I pushed my way as amid waste waters
Stretching around,
Through whose eddies there glimmered the customed landscape
Yonder and near,
Blotted to feeble mist. And the coomb and the upland
Foliage-crowned,
Ancient chalk-pit, milestone, rills in the grass-flat
Stroked by the light,
Seemed but a ghost-like gauze, and no substantial
Meadow or mound.
What were the infinite spectacles bulking foremost
Under my sight,
Hindering me to discern my paced advancement
Lengthening to miles;
What were the re-creations killing the daytime
As by the night?
O they were speechful faces, gazing insistent,
Some as with smiles,
Some as with slow-born tears that brinily trundled
Over the wrecked
Cheeks that were fair in their flush-time, ash now with anguish,
Harrowed by wiles.
Yes, I could see them, feel them, hear them, address them -
Halo-bedecked -
And, alas, onwards, shaken by fierce unreason,
Rigid in hate,
Smitten by years-long wryness born of misprision,
Dreaded, suspect.
Then there would breast me shining sights, sweet seasons
Further in date;
Instruments of strings with the tenderest passion
Vibrant, beside
Lamps long extinguished, robes, cheeks, eyes with the earth's crust
Now corporate.
Also there rose a headland of hoary aspect
Gnawed by the tide,
Frilled by the nimb of the morning as two friends stood there
Guilelessly glad -
Wherefore they knew not touched by the fringe of an ecstasy
Scantly descried.
Later images too did the day unfurl me,
Shadowed and sad,
Clay cadavers of those who had shared in the dramas,
Laid now at ease,
Passions all spent, chiefest the one of the broad brow
Sepulture-clad.
So did beset me scenes miscalled of the bygone,
Over the leaze,
Past the clump, and down to where lay the beheld ones;
Yea, as the rhyme
Sung by the sea-swell, so in their pleading dumbness
Captured me these.
For, their lost revisiting manifestations
In their own time
Much had I slighted, caring not for their purport,
Seeing behind
Things more coveted, reckoned the better worth calling
Sweet, sad, sublime.
Thus do they now show hourly before the intenser
Stare of the mind
As they were ghosts avenging their slights by my bypast
Body-borne eyes,
Show, too, with fuller translation than rested upon them
As living kind.
Hence wag the tongues of the passing people, saying
In their surmise,
"Ah whose is this dull form that perambulates, seeing nought
Round him that looms
Whithersoever his footsteps turn in his farings,
Save a few tombs?"
In Front Of The Landscape
Thomas Hardy
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