In Hospital - XVIIII - Scrubber

She's tall and gaunt, and in her hard, sad face
With flashes of the old fun's animation
There lowers the fixed and peevish resignation
Bred of a past where troubles came apace.
She tells me that her husband, ere he died,
Saw seven of their children pass away,
And never knew the little lass at play
Out on the green, in whom he's deified.
Her kin dispersed, her friends forgot and gone,
All simple faith her honest Irish mind,
Scolding her spoiled young saint, she labours on:
Telling her dreams, taking her patients' part,
Trailing her coat sometimes:    and you shall find
No rougher, quainter speech, nor kinder heart.

William Ernest Henley

William Ernest Henley was an English poet, critic, and editor. Despite battling tuberculosis from a young age, Henley is best known for his resilience and strength, qualities exemplified in his most famous poem, 'Invictus'. Henley was also a notable figure in the literary circles of his time, befriending and influencing key writers, such as Robert Louis Stevenson, who modeled the character Long John Silver after him.

William Ernest Henley

In Hospital - XII - Etching

William Ernest Henley, Simple Poetry

To D. H. O, - Falmouth Is A Fine Town

William Ernest Henley, Simple Poetry

We'll Go No More A-Roving

William Ernest Henley, Simple Poetry

Rhymes And Rhythms - XIII

William Ernest Henley, Simple Poetry

English

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In Hospital - XII - Etching

Two and thirty is the ploughman.
He's a man of gallant inches,
And his hair is close and curly,
And his beard;
But his face is wan and sunken,
And his eyes are large and brilliant,
And his shoulder-blades are sharp,
And his knees.

He is weak of wits, religious,
Full of sentiment and yearning,
Gentle, faded - with a cough
And a snore.
When his wife (who was a widow,
And is many years his elder)
Fails to write, and that is always,
He desponds.

Let his melancholy wander,
And he'll tell you pretty stories
Of the women that have wooed him
Long ago;
Or he'll sing of bonnie lasses
Keeping sheep among the heather,
With a crackling, hackling click
In his voice.

William Ernest Henley

In Hospital - X - Staff-Nurse: New Style

Blue-eyed and bright of face but waning fast
Into the sere of virginal decay,
I view her as she enters, day by day,
As a sweet sunset almost overpast.
Kindly and calm, patrician to the last,
Superbly falls her gown of sober gray,
And on her chignon's elegant array
The plainest cap is somehow touched with caste.
She talks BEETHOVEN; frowns disapprobation
At BALZAC'S name, sighs it at 'poor GEORGE SAND'S';
Knows that she has exceeding pretty hands;
Speaks Latin with a right accentuation;
And gives at need (as one who understands)
Draught, counsel, diagnosis, exhortation.

William Ernest Henley

In Hospital - I - Enter Patient

The morning mists still haunt the stony street;
The northern summer air is shrill and cold;
And lo, the Hospital, grey, quiet, old,
Where Life and Death like friendly chafferers meet.
Thro' the loud spaciousness and draughty gloom
A small, strange child - so aged yet so young! -
Her little arm besplinted and beslung,
Precedes me gravely to the waiting-room.
I limp behind, my confidence all gone.
The grey-haired soldier-porter waves me on,
And on I crawl, and still my spirits fail:
A tragic meanness seems so to environ
These corridors and stairs of stone and iron,
Cold, naked, clean - half-workhouse and half-jail.

William Ernest Henley

In Hospital - XX - Visitor

Her little face is like a walnut shell
With wrinkling lines; her soft, white hair adorns
Her withered brows in quaint, straight curls, like horns;
And all about her clings an old, sweet smell.
Prim is her gown and quakerlike her shawl.
Well might her bonnets have been born on her.
Can you conceive a Fairy Godmother
The subject of a strong religious call?
In snow or shine, from bed to bed she runs,
All twinkling smiles and texts and pious tales,
Her mittened hands, that ever give or pray,
Bearing a sheaf of tracts, a bag of buns:
A wee old maid that sweeps the Bridegroom's way,
Strong in a cheerful trust that never fails.

William Ernest Henley

In Hospital - VIII - Staff-Nurse: Old Style

The greater masters of the commonplace,
REMBRANDT and good SIR WALTER - only these
Could paint her all to you:    experienced ease
And antique liveliness and ponderous grace;
The sweet old roses of her sunken face;
The depth and malice of her sly, grey eyes;
The broad Scots tongue that flatters, scolds, defies;
The thick Scots wit that fells you like a mace.
These thirty years has she been nursing here,
Some of them under SYME , her hero still.
Much is she worth, and even more is made of her.
Patients and students hold her very dear.
The doctors love her, tease her, use her skill.
They say 'The Chief' himself is half-afraid of her.

William Ernest Henley

In Hospital - XXIV - Suicide

Staring corpselike at the ceiling,
See his harsh, unrazored features,
Ghastly brown against the pillow,
And his throat - so strangely bandaged!

Lack of work and lack of victuals,
A debauch of smuggled whisky,
And his children in the workhouse
Made the world so black a riddle

That he plunged for a solution;
And, although his knife was edgeless,
He was sinking fast towards one,
When they came, and found, and saved him.

Stupid now with shame and sorrow,
In the night I hear him sobbing.
But sometimes he talks a little.
He has told me all his troubles.

In his broad face, tanned and bloodless,
White and wild his eyeballs glisten;
And his smile, occult and tragic,
Yet so slavish, makes you shudder!

William Ernest Henley