In Hospital - XX - Visitor

Her little face is like a walnut shell
With wrinkling lines; her soft, white hair adorns
Her withered brows in quaint, straight curls, like horns;
And all about her clings an old, sweet smell.
Prim is her gown and quakerlike her shawl.
Well might her bonnets have been born on her.
Can you conceive a Fairy Godmother
The subject of a strong religious call?
In snow or shine, from bed to bed she runs,
All twinkling smiles and texts and pious tales,
Her mittened hands, that ever give or pray,
Bearing a sheaf of tracts, a bag of buns:
A wee old maid that sweeps the Bridegroom's way,
Strong in a cheerful trust that never fails.

William Ernest Henley

William Ernest Henley was an English poet, critic, and editor. Despite battling tuberculosis from a young age, Henley is best known for his resilience and strength, qualities exemplified in his most famous poem, 'Invictus'. Henley was also a notable figure in the literary circles of his time, befriending and influencing key writers, such as Robert Louis Stevenson, who modeled the character Long John Silver after him.

William Ernest Henley

London Voluntaries - To Charles Whibley - IV - Largo E Mesto

William Ernest Henley, Simple Poetry

The Sands Are Alive With Sunshine

William Ernest Henley, Simple Poetry

O, Have You Blessed, Behind The Stars

William Ernest Henley, Simple Poetry

In Hospital - VI - After

William Ernest Henley, Simple Poetry

English

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In Hospital - XVIIII - Scrubber

She's tall and gaunt, and in her hard, sad face
With flashes of the old fun's animation
There lowers the fixed and peevish resignation
Bred of a past where troubles came apace.
She tells me that her husband, ere he died,
Saw seven of their children pass away,
And never knew the little lass at play
Out on the green, in whom he's deified.
Her kin dispersed, her friends forgot and gone,
All simple faith her honest Irish mind,
Scolding her spoiled young saint, she labours on:
Telling her dreams, taking her patients' part,
Trailing her coat sometimes:    and you shall find
No rougher, quainter speech, nor kinder heart.

William Ernest Henley

In Hospital - X - Staff-Nurse: New Style

Blue-eyed and bright of face but waning fast
Into the sere of virginal decay,
I view her as she enters, day by day,
As a sweet sunset almost overpast.
Kindly and calm, patrician to the last,
Superbly falls her gown of sober gray,
And on her chignon's elegant array
The plainest cap is somehow touched with caste.
She talks BEETHOVEN; frowns disapprobation
At BALZAC'S name, sighs it at 'poor GEORGE SAND'S';
Knows that she has exceeding pretty hands;
Speaks Latin with a right accentuation;
And gives at need (as one who understands)
Draught, counsel, diagnosis, exhortation.

William Ernest Henley

In Hospital - IX - Lady-Probationer

Some three, or five, or seven, and thirty years;
A Roman nose; a dimpling double-chin;
Dark eyes and shy that, ignorant of sin,
Are yet acquainted, it would seem, with tears;
A comely shape; a slim, high-coloured hand,
Graced, rather oddly, with a signet ring;
A bashful air, becoming everything;
A well-bred silence always at command.
Her plain print gown, prim cap, and bright steel chain
Look out of place on her, and I remain
Absorbed in her, as in a pleasant mystery.
Quick, skilful, quiet, soft in speech and touch . . .
'Do you like nursing?'    'Yes, Sir, very much.'
Somehow, I rather think she has a history.

William Ernest Henley

In Hospital - XXV - Apparition

Thin-legged, thin-chested, slight unspeakably,
Neat-footed and weak-fingered:    in his face -
Lean, large-boned, curved of beak, and touched with race,
Bold-lipped, rich-tinted, mutable as the sea,
The brown eyes radiant with vivacity -
There shines a brilliant and romantic grace,
A spirit intense and rare, with trace on trace
Of passion and impudence and energy.
Valiant in velvet, light in ragged luck,
Most vain, most generous, sternly critical,
Buffoon and poet, lover and sensualist:
A deal of Ariel, just a streak of Puck,
Much Antony, of Hamlet most of all,
And something of the Shorter-Catechist.

William Ernest Henley

In Hospital - XII - Etching

Two and thirty is the ploughman.
He's a man of gallant inches,
And his hair is close and curly,
And his beard;
But his face is wan and sunken,
And his eyes are large and brilliant,
And his shoulder-blades are sharp,
And his knees.

He is weak of wits, religious,
Full of sentiment and yearning,
Gentle, faded - with a cough
And a snore.
When his wife (who was a widow,
And is many years his elder)
Fails to write, and that is always,
He desponds.

Let his melancholy wander,
And he'll tell you pretty stories
Of the women that have wooed him
Long ago;
Or he'll sing of bonnie lasses
Keeping sheep among the heather,
With a crackling, hackling click
In his voice.

William Ernest Henley

In Hospital - VIII - Staff-Nurse: Old Style

The greater masters of the commonplace,
REMBRANDT and good SIR WALTER - only these
Could paint her all to you:    experienced ease
And antique liveliness and ponderous grace;
The sweet old roses of her sunken face;
The depth and malice of her sly, grey eyes;
The broad Scots tongue that flatters, scolds, defies;
The thick Scots wit that fells you like a mace.
These thirty years has she been nursing here,
Some of them under SYME , her hero still.
Much is she worth, and even more is made of her.
Patients and students hold her very dear.
The doctors love her, tease her, use her skill.
They say 'The Chief' himself is half-afraid of her.

William Ernest Henley