In Morte. XLIII.

Yon nightingale who mourns so plaintively
Perchance his fledglings or his darling mate,
Fills sky and earth with sweetness, warbling late,
Prophetic notes of melting melody.
All night, he, as it were, companions me,
Reminding me of my so cruel fate,
Mourning no other grief save mine own state,
Who knew not Death reigned o'er divinity.
How easy 't is to dupe the soul secure!
Those two fair lamps, even than the sun more bright,
Who ever dreamed to see turn clay obscure?
But Fortune has ordained, I now am sure,
That I, midst lifelong tears, should learn aright,
Naught here can make us happy, or endure.

Emma Lazarus

Emma Lazarus was a poet, writer, and activist best known for her sonnet 'The New Colossus,' which is engraved on a bronze plaque on the pedestal of the Statue of Liberty. Born in New York City, she was an advocate for Jewish causes and immigrants' rights. Inspired by the plight of Jewish refugees, her work often touched on themes of freedom and identity. Lazarus was a prominent figure in the American literary scene of the 19th century, befriending other writers such as Ralph Waldo Emerson.

Emma Lazarus

The End of the Song.

Emma Lazarus, Simple Poetry

Grief.

Emma Lazarus, Simple Poetry

Defiance. (Translations From The Hebrew Poets Of Medaeval Spain.)

Emma Lazarus, Simple Poetry

Faith.

Emma Lazarus, Simple Poetry

English

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To Laura In Death. Sonnet XLIII.

Quel rosignuol che sì soave piagne.

THE SONG OF THE NIGHTINGALE REMINDS HIM OF HIS UNHAPPY LOT.


    Yon nightingale, whose bursts of thrilling tone,
Pour'd in soft sorrow from her tuneful throat,
Haply her mate or infant brood bemoan,
Filling the fields and skies with pity's note;
Here lingering till the long long night is gone,
Awakes the memory of my cruel lot--
But I my wretched self must wail alone:
Fool, who secure from death an angel thought!
O easy duped, who thus on hope relies!
Who would have deem'd the darkness, which appears,
From orbs more brilliant than the sun should rise?
Now know I, made by sad experience wise,
That Fate would teach me by a life of tears,
On wings how fleeting fast all earthly rapture flies!

WRANG...

Francesco Petrarca

Don Rafael.

    "I would not have," he said,
"Tears, nor the black pall, nor the wormy grave,
Grief's hideous panoply I would not have
    Round me when I am dead.


    "Music and flowers and light,
And choric dances to guitar and flute,
Be these around me when my lips are mute,
    Mine eyes are sealed from sight.


    "So let me lie one day,
One long, eternal day, in sunshine bathed,
In cerements of silken tissue swathed,
    Smothered 'neath flowers of May.

    "One perfect day of peace,
Or ere clean flame consume my fleshly veil,
My life - a gilded vapor - shall exhale,
    Brief as a sigh - and cease.


    "But ere the torch be laid
To my unshrinking limbs by some true hand,
Athwart the orange-fragrant laughing land,

Emma Lazarus

The May Night.

MUSE.
Give me a kiss, my poet, take thy lyre;
The buds are bursting on the wild sweet-briar.
To-night the Spring is born - the breeze takes fire.
Expectant of the dawn behold the thrush,
Perched on the fresh branch of the first green bush;
Give me a kiss, my poet, take thy lyre.


POET.
How black it looks within the vale!
I thought a muffled form did sail
Above the tree-tops, through the air.
It seemed from yonder field to pass,
Its foot just grazed the tender grass;
A vision strange and fair it was.
It melts and is no longer there.


MUSE.
My poet, take thy lyre; upon the lawn
Night rocks the zephyr on her veiled, soft breast.
The rose, still virgin, holds herself withdrawn
From the winged, irised wasp with love possessed.

Emma Lazarus

The October Night.

POET.
My haunting grief has vanished like a dream,
Its floating fading memory seems one
With those frail mists born of the dawn's first beam,
Dissolving as the dew melts in the sun.


MUSE.
What ailed thee then, O poet mine;
What secret misery was thine,
Which set a bar 'twixt thee and me?
Alas, I suffer from it still;
What was this grief, this unknown ill,
Which I have wept so bitterly?


POET.
'T was but a common grief, well known of men.
But, look you, when our heavy heart is sore,
Fond wretches that we are! we fancy then
That sorrow never has been felt before.


MUSE.
There cannot be a common grief,
Save that of common souls; my friend,
Speak out, and give thy heart relief,
Of this grim secret make an ...

Emma Lazarus

Night-Thoughts. (Translations From The Hebrew Poets Of Medaeval Spain.)

Will night already spread her wings and weave
Her dusky robe about the day's bright form,
Boldly the sun's fair countenance displacing,
And swathe it with her shadow in broad day?
So a green wreath of mist enrings the moon,
Till envious clouds do quite encompass her.

No wind! and yet the slender stem is stirred,
With faint, slight motion as from inward tremor.
Mine eyes are full of grief - who sees me, asks,
"Oh wherefore dost thou cling unto the ground?"
My friends discourse with sweet and soothing words;
They all are vain, they glide above my head.
I fain would check my tears; would fain enlarge
Unto infinity, my heart - in vain!
Grief presses hard my breast, therefore my tears
Have scarcely dried, ere they again spring forth.
For these are streams no ...

Emma Lazarus

Grief.

There is a hungry longing in the soul,
    A craving sense of emptiness and pain,
She may not satisfy nor yet control,
    For all the teeming world looks void and vain.
No compensation in eternal spheres,
She knows the loneliness of all her years.


There is no comfort looking forth nor back,
    The present gives the lie to all her past.
Will cruel time restore what she doth lack?
    Why was no shadow of this doom forecast?
Ah! she hath played with many a keen-edged thing;
Naught is too small and soft to turn and sting.


In the unnatural glory of the hour,
    Exalted over time, and death, and fate,
No earthly task appears beyond her power,
    No possible endurance seemeth great.
She knows her misery and her majesty,
And recks not...

Emma Lazarus