To Laura In Death. Sonnet XLIII.

Quel rosignuol che sì soave piagne.

THE SONG OF THE NIGHTINGALE REMINDS HIM OF HIS UNHAPPY LOT.


    Yon nightingale, whose bursts of thrilling tone,
Pour'd in soft sorrow from her tuneful throat,
Haply her mate or infant brood bemoan,
Filling the fields and skies with pity's note;
Here lingering till the long long night is gone,
Awakes the memory of my cruel lot--
But I my wretched self must wail alone:
Fool, who secure from death an angel thought!
O easy duped, who thus on hope relies!
Who would have deem'd the darkness, which appears,
From orbs more brilliant than the sun should rise?
Now know I, made by sad experience wise,
That Fate would teach me by a life of tears,
On wings how fleeting fast all earthly rapture flies!

WRANGHAM.


    Yon nightingale, whose strain so sweetly flows,
Mourning her ravish'd young or much-loved mate,
A soothing charm o'er all the valleys throws
And skies, with notes well tuned to her sad state:
And all the night she seems my kindred woes
With me to weep and on my sorrows wait;
Sorrows that from my own fond fancy rose,
Who deem'd a goddess could not yield to fate.
How easy to deceive who sleeps secure!
Who could have thought that to dull earth would turn
Those eyes that as the sun shone bright and pure?
Ah! now what Fortune wills I see full sure:
That loathing life, yet living I should see
How few its joys, how little they endure!

ANON., OX., 1795.


    That nightingale, who now melodious mourns
Perhaps his children or his consort dear,
The heavens with sweetness fills; the distant bourns
Resound his notes, so piteous and so clear;
With me all night he weeps, and seems by turns
To upbraid me with my fault and fortune drear,
Whose fond and foolish heart, where grief sojourns,
A goddess deem'd exempt from mortal fear.
Security, how easy to betray!
The radiance of those eyes who could have thought
Should e'er become a senseless clod of clay?
Living, and weeping, late I've learn'd to say
That here below--Oh, knowledge dearly bought!--
Whate'er delights will scarcely last a day!

CHARLEMONT.

Francesco Petrarca

Francesco Petrarca, commonly known as Petrarch, was an Italian scholar, poet, and early humanist during the Renaissance. He is often called the "Father of Humanism" and is best known for his Italian poetry, notably the Canzoniere, a collection of poems addressed to his idealized beloved Laura. Petrarch's works have influenced countless writers and helped shape the modern Italian language.

Francesco Petrarca

Sonnet CXII.

Francesco Petrarca, Simple Poetry

To Laura In Death. Sonnet LXXXI.

Francesco Petrarca, Simple Poetry

Sonnet CXXI.

Francesco Petrarca, Simple Poetry

Sonnet CXIV.

Francesco Petrarca, Simple Poetry

English

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To Laura In Death. Sonnet XXIV.

Gli occhi di ch' io parlai sì caldamente.

HIS LYRE IS NOW ATTUNED ONLY TO WOE.


    The eyes, the face, the limbs of heavenly mould,
So long the theme of my impassion'd lay,
Charms which so stole me from myself away,
That strange to other men the course I hold;
The crispèd locks of pure and lucid gold,
The lightning of the angelic smile, whose ray
To earth could all of paradise convey,
A little dust are now!--to feeling cold!
And yet I live!--but that I live bewail,
Sunk the loved light that through the tempest led
My shatter'd bark, bereft of mast and sail:
Hush'd be for aye the song that breathed love's fire!
Lost is the theme on which my fancy fed,
And turn'd to mourning my once tuneful lyre.

DACRE.


    The eye...

Francesco Petrarca

To Laura In Death. Sonnet XI.

Se lamentar augelli, o Verdi fronde.

SHE IS EVER PRESENT TO HIM.


    If the lorn bird complain, or rustling sweep
Soft summer airs o'er foliage waving slow,
Or the hoarse brook come murmuring down the steep,
Where on the enamell'd bank I sit below
With thoughts of love that bid my numbers flow;
'Tis then I see her, though in earth she sleep!
Her, form'd in heaven! I see, and hear, and know!
Responsive sighing, weeping as I weep:
"Alas," she pitying says, "ere yet the hour,
Why hurry life away with swifter flight?
Why from thy eyes this flood of sorrow pour?
No longer mourn my fate! through death my days
Become eternal! to eternal light
These eyes, which seem'd in darkness closed, I raise!"

DACRE.


    Where the gr...

Francesco Petrarca

To Laura In Death. Sonnet LXV.

O tempo, o ciel volubil che fuggendo.

HE NO LONGER CONTEMPLATES THE MORTAL, BUT THE IMMORTAL BEAUTIES OF LAURA.


    O Time! O heavens! whose flying changes frame
Errors and snares for mortals poor and blind;
O days more swift than arrows or the wind,
Experienced now, I know your treacherous aim.
You I excuse, myself alone I blame,
For Nature for your flight who wings design'd
To me gave eyes which still I have inclined
To mine own ill, whence follow grief and shame.
An hour will come, haply e'en now is pass'd,
Their sight to turn on my diviner part
And so this infinite anguish end at last.
Rejects not your long yoke, O Love, my heart,
But its own ill by study, sufferings vast:
Virtue is not of chance, but painful art.

MACGREGOR.<...

Francesco Petrarca

To Laura In Death. Sonnet XXXV.

Amor che meco al buon tempo ti stavi.

HE VENTS HIS SORROW TO ALL WHO WITNESSED HIS FORMER FELICITY.


    Love, that in happier days wouldst meet me here
Along these meads that nursed our kindred strains;
And that old debt to clear which still remains,
Sweet converse with the stream and me wouldst share:
Ye flowers, leaves, grass, woods, grots, rills, gentle air,
Low valleys, lofty hills, and sunny plains:
The harbour where I stored my love-sick pains,
And all my various chance, my racking care:
Ye playful inmates of the greenwood shade;
Ye nymphs, and ye that in the waves pursue
That life its cool and grassy bottom lends:--
My days were once so fair; now dark and dread
As death that makes them so. Thus the world through
On each as soon as bo...

Francesco Petrarca

To Laura In Death. Sonnet LIII.

E questo 'l nido in che la mia Fenice.

THE SIGHT OF LAURA'S HOUSE REMINDS HIM OF HIS MISERY.


    Is this the nest in which my phoenix first
Her plumage donn'd of purple and of gold,
Beneath her wings who knew my heart to hold,
For whom e'en yet its sighs and wishes burst?
Prime root in which my cherish'd ill had birth,
Where is the fair face whence that bright light came.
Alive and glad which kept me in my flame?
Now bless'd in heaven as then alone on earth;
Wretched and lonely thou hast left me here,
Fond lingering by the scenes, with sorrows drown'd,
To thee which consecrate I still revere.
Watching the hills as dark night gathers round,
Whence its last flight to heaven thy soul did take,
And where my day those bright eyes wont to make.

Francesco Petrarca

Sonnet CLXXXVII.

Quando 'l sol bagna in mur l' aurato carro.

HIS NIGHTS ARE, LIKE HIS DAYS, PASSED IN TORMENT.


    When in the sea sinks the sun's golden light,
And on my mind and nature darkness lies,
With the pale moon, faint stars and clouded skies
I pass a weary and a painful night:
To her who hears me not I then rehearse
My sad life's fruitless toils, early and late;
And with the world and with my gloomy fate,
With Love, with Laura and myself, converse.
Sleep is forbid me: I have no repose,
But sighs and groans instead, till morn returns,
And tears, with which mine eyes a sad heart feeds;
Then comes the dawn, the thick air clearer grows,
But not my soul; the sun which in it burns
Alone can cure the grief his fierce warmth breeds.

NOTT.
...

Francesco Petrarca