James Whitcomb Riley

(From a Westerner's Point of View.)

No matter what you call it,
Whether genius, or art,
He sings the simple songs that come
The closest to your heart.
Fur trim an' skillful phrases,
I do not keer a jot;
'Tain't the words alone, but feelin's,
That tech the tender spot.
An' that's jest why I love him,--
Why, he's got sech human feelin',
An' in ev'ry song he gives us,
You kin see it creepin', stealin',
Through the core the tears go tricklin',
But the edge is bright an' smiley;
I never saw a poet
Like that poet Whitcomb Riley.

His heart keeps beatin' time with our'n
In measures fast or slow;
He tells us jest the same ol' things
Our souls have learned to know.
He paints our joys an' sorrers
In a way so stric'ly true,
That a body can't help knowin'
That he has felt them too.
If there's a lesson to be taught,
He never fears to teach it,
An' he puts the food so good an' low
That the humblest one kin reach it.
Now in our time, when poets rhyme
For money, fun, or fashion,
'Tis good to hear one voice so clear
That thrills with honest passion.
So let the others build their songs,
An' strive to polish highly,--
There's none of them kin tech the heart
Like our own Whitcomb Riley.

Paul Laurence Dunbar

Paul Laurence Dunbar was an influential American poet, novelist, and playwright of the late 19th and early 20th centuries. Born in Dayton, Ohio, Dunbar gained national recognition for his dialectic verse and collections of poems such as 'Majors and Minors' (1895) and 'Lyrics of Lowly Life' (1896). His works often addressed themes of racial identity and struggle, making significant contributions to African American literature. Dunbar's writings served as an inspiration for later writers of the Harlem Renaissance.

Paul Laurence Dunbar

Blue

Paul Laurence Dunbar, Simple Poetry

Phyllis

Paul Laurence Dunbar, Simple Poetry

Slow Through The Dark

Paul Laurence Dunbar, Simple Poetry

Love

Paul Laurence Dunbar, Simple Poetry

English

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Longfellow.

    The winds have talked with him confidingly;
        The trees have whispered to him; and the night
        Hath held him gently as a mother might,
    And taught him all sad tones of melody:
    The mountains have bowed to him; and the sea,
        In clamorous waves, and murmurs exquisite,
        Hath told him all her sorrow and delight -
    Her legends fair - her darkest mystery.
        His verse blooms like a flower, night and day;
    Bees cluster round his rhymes; and twitterings
        Of lark and swallow, in an endless May,
    Are mingling with the tender songs he sings. -
        Nor shall he cease to sing - in every lay
        Of Nature's voice he sings - and will alway.

James Whitcomb Riley

A Southern Singer.

    Written In Madison Caweln's "Lyrics and Idyls."

    Herein are blown from out the South
    Songs blithe as those of Pan's pursed mouth -
    As sweet in voice as, in perfume,
    The night-breath of magnolia-bloom.

    Such sumptuous languor lures the sense -
    Such luxury of indolence -
    The eyes blur as a nymph's might blur,
    With water-lilies watching her.

    You waken, thrilling at the trill
    Of some wild bird that seems to spill
    The silence full of winey drips
    Of song that Fancy sips and sips.

    Betimes, in brambled lanes wherethrough
    The chipmunk stripes himself from view,
    You pause to lop a creamy spray
    Of elder-blossoms by the way.

    Or where the morning dew is yet
    Gra...

James Whitcomb Riley

Longfellow

The winds have talked with him confidingly;
The trees have whispered to him; and the night
Hath held him gently as a mother might,
And taught him all sad tones of melody:
The mountains have bowed to him; and the sea,
In clamorous waves, and murmurs exquisite,
Hath told him all her sorrow and delight -
Her legends fair - her darkest mystery.
His verse blooms like a flower, night and day;
Bees cluster round his rhymes; and twitterings
Of lark and swallow, in an endless May,
Are mingling with the tender songs he sings.
Nor shall he cease to sing - in every lay
Of Nature's voice he sings - and will alway.

James Whitcomb Riley

Wash Lowry's Reminiscence

And you're the poet of this concern?
    I've seed your name in print
A dozen times, but I'll be dern
    I'd 'a' never 'a' took the hint
O' the size you are - fer I'd pictured you
    A kind of a tallish man -
Dark-complected and sallor too,
    And on the consumpted plan.

'Stid o' that you're little and small,
    With a milk-and-water face -
'Thout no snap in your eyes at all,
    Er nothin' to suit the case!
Kind o'look like a - I don't know -
    One o' these fair-ground chaps
That runs a thingamajig to blow,
    Er a candy-stand perhaps.

'Ll I've allus thought that poetry
    Was a sort of a - some disease -
Fer I knowed a poet once, and he
    Was techy and hard to please,
And moody-like, and kindo' sad
    And didn'...

James Whitcomb Riley

To Robert Burns

Sweet Singer that I loe the maist
O' ony, sin' wi' eager haste
I smacket bairn-lips ower the taste
O' hinnied sang,
I hail thee, though a blessed ghaist
In Heaven lang!

For weel I ken, nae cantie phrase,
Nor courtly airs, nor lairdly ways,
Could gar me freer blame, or praise,
Or proffer hand,
Where "Rantin' Robbie" and his lays
Thegither stand.

And sae these hamely lines I send,
Wi' jinglin' words at ilka end,
In echo o' the sangs that wend
Frae thee to me
Like simmer-brooks, wi mony a bend
O' wimplin' glee.

In fancy, as wi' dewy een,
I part the clouds aboon the scene
Where thou wast born, and peer atween,
I see nae spot
In a' the Hielands half sae green
And unforgot?

I see nae storied castle-hall...

James Whitcomb Riley

The Poet

He sang of life, serenely sweet,
With, now and then, a deeper note.
From some high peak, nigh yet remote,
He voiced the world's absorbing beat.

He sang of love when earth was young,
And Love, itself, was in his lays.
But ah, the world, it turned to praise
A jingle in a broken tongue.

Paul Laurence Dunbar