Lament

We who are left, how shall we look again
Happily on the sun or feel the rain
Without remembering how they who went
Ungrudgingly and spent
Their lives for us loved, too, the sun and rain?

A bird among the rain-wet lilac sings -
But we, how shall we turn to little things
And listen to the birds and winds and streams
Made holy by their dreams,
Nor feel the heart-break in the heart of things?

Wilfrid Wilson Gibson

Wilfrid Wilson Gibson was a British Georgian poet, known for his early association with Rupert Brooke and other poets like Siegfried Sassoon and Robert Graves. His works primarily dealt with the lives of ordinary people and reflected the grim realities of war. He is also recognized for his contribution to the war poetry genre, capturing the human cost of conflict with stark realism and empathy.

Wilfrid Wilson Gibson

The Parrots

Wilfrid Wilson Gibson, Simple Poetry

Fire

Wilfrid Wilson Gibson, Simple Poetry

Worlds

Wilfrid Wilson Gibson, Simple Poetry

Cruelty And Love

Wilfrid Wilson Gibson, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

A Lament

The circle is broken, one seat is forsaken,
One bud from the tree of our friendship is shaken;
One heart from among us no longer shall thrill
With joy in our gladness, or grief in our ill.

Weep! lonely and lowly are slumbering now
The light of her glances, the pride of her brow;
Weep! sadly and long shall we listen in vain
To hear the soft tones of her welcome again.

Give our tears to the dead! For humanity's claim
From its silence and darkness is ever the same;
The hope of that world whose existence is bliss
May not stifle the tears of the mourners of this.

For, oh! if one glance the freed spirit can throw
On the scene of its troubled probation below,
Than the pride of the marble, the pomp of the dead,
To that glance will be dearer the tears whic...

John Greenleaf Whittier

Lamentation

(WALTER AND FREDDIE.)


From morn to eve, from evening unto morning,
    I mourn and cannot rest;
So mourns the mother bird when home returning
    She finds an empty nest.

I mourn the little children of my dwelling,
    That are forever gone,
Sorrows that mothers feel my heart is swelling,
    And so I make my moan.

One little blossom on my bosom faded,
    And passed from me away,
But near my door the drooping willows shaded
    My little boys at play

My boys that came with flying feet to meet me,
    And questions wondrous wise,
And bits of news which they had brought to greet me,
    And see my glad surprise

Bitter for sweet no human hand can alter
    Nor bid one sorrow pass,
With sudden stroke our darling ...

Nora Pembroke

By The Weir

A scent of Esparto grass, and again I recall
That hour we spent by the weir of the paper-mill
Watching together the curving thunderous fall
Of frothing amber, bemused by the roar until
My mind was as blank as the speckless sheets that wound
On the hot steel ironing-rollers perpetually turning
In the humming dark rooms of the mill: all sense and discerning
By the stunning and dazzling oblivion of hill-waters drowned.

And my heart was empty of memory and hope and desire
Till, rousing, I looked afresh on your face as you gazed,
Behind you an old gnarled fruit-tree in one still fire
Of innumerable flame in the sun of October blazed,
Scarlet and gold that the first white frost would spill
With eddying flicker and patter of dead leaves falling,
looked on your face, as a...

Wilfrid Wilson Gibson

Why Sad To-Day?

Why is the nameless sorrowing look
So often thought a whim?
God-willed, the willow shades the brook,
The gray owl sings a hymn;

Sadly the winds change, and the rain
Comes where the sunlight fell:
Sad is our story, told again,
Which past years told so well!

Why not love sorrow and the glance
That ends in silent tears?
If we count up the world's mischance,
Grieving is in arrears.

Why should I know why I could weep?
The old urns cannot read
The names they wear of kings they keep
In ashes; both are dead.

And like an urn the heart must hold
Aims of an age gone by:
What the aims were we are not told;
We hold them, who knows why?

Rose Hawthorne Lathrop

Lament Of The Winds.

We in sorrow coldly witting,
In the bleak world sitting, sitting,
By the forest, near the mould,
Heard the summer calling, calling,
Through the dead leaves falling, falling,
That her life grew faint and old.

And we took her up, and bore her,
With the leaves that moaned before her,
To the holy forest bowers,
Where the trees were dense and serried,
And her corpse we buried, buried,
In the graveyard of the flowers.

Now the leaves, as death grows vaster,
Yellowing deeper, dropping faster,
All the grave wherein she lies
With their bodies cover, cover,
With their hearts that love her, love her,
For they live not when she dies:

And we left her so, but stay not
Of our tears, and yet we may not,
Though they coldly thickly fall,

Archibald Lampman

Which

We are both of us sad at heart,
    But I wonder who can say
Which has the harder part,
    Or the bitterer grief to-day.

You grieve for a love that was lost
    Before it had reached its prime;
I sit here and count the cost
    Of a love that has lived its time.

Your blossom was plucked in its May,
    In its dawning beauty and pride;
Mine lived till the August day,
    And reached fruition and died.

You pressed its leaves in a book,
    And you weep sweet tears o'er them.
Dry eyed I sit and look
    On a withered and broken stem.

And now that all is told,
    Which is the sadder, pray,
To give up your dream with its gold,
    Or to see it fade into grey?

Ella Wheeler Wilcox