Leonainie

Leonainie - Angels named her;
And they took the light
Of the laughing stars and framed her
In a smile of white;
    And they made her hair of gloomy
    Midnight, and her eyes of bloomy
    Moonshine, and they brought her to me
In the solemn night. - -

In a solemn night of summer,
When my heart of gloom
Blossomed up to greet the comer
Like a rose in bloom;
    All forebodings that distressed me
    I forgot as Joy caressed me -
    (Lying Joy! that caught and pressed me
In the arms of doom!)

Only spake the little lisper
In the Angel-tongue;
Yet I, listening, heard her whisper -
"Songs are only sung
    Here below that they may grieve you -
    Tales but told you to deceive you, -
    So must Leonainie leave you
While her love is young."

Then God smiled and it was morning.
Matchless and supreme
Heaven's glory seemed adorning
Earth with its esteem:
    Every heart but mine seemed gifted
    With the voice of prayer, and lifted
    Where my Leonainie drifted
From me like a dream.

James Whitcomb Riley

James Whitcomb Riley was an American writer, poet, and best-selling author. He was known as the "Hoosier Poet" and the "Children's Poet" for his dialect works and children's poetry respectively. Over his career, Riley authored approximately 1,000 poems, including "Little Orphant Annie" and "The Raggedy Man". His influence extended into the 20th century, and his works continued to be celebrated for their nostalgic and rural themes.

James Whitcomb Riley

Old John Henry

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A Dream Of Long Ago

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Jack-In-The-Box

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When Bessie Died

James Whitcomb Riley, Simple Poetry

English

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Given And Taken.

The snow-flakes were softly falling
    Adown on the landscape white,
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And I thought as I pressed him to me,
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I smiled when they spoke of the weary
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I listened, but in their murmurs
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Moonlight Reveries.

The moon from solemn azure sky
    Looked down on earth below,
And coldly her wan light fell alike
    On scenes of joy and woe:
A stately palace reared its dome,
    Within reigned warmth and light
And festive mirth - the moon's faint rays
    Soft kissed its marble white.

A little farther was the home
    Of toil, alas! and want,
That spectre grim that countless hearths
    Seems ceaselessly to haunt;
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And then, with curious gaze, she looked
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My Angel.

Last night she came unto me,
And kneeling by my side,
Laid her head upon my bosom,
My beautiful, my bride;
My lost one, with her soft dark eyes,
And waves of sunny hair.
I smoothed the shining tresses,
With tearful, fond caresses,
And words of thankful prayer.

And then a thrill of doubt and pain,
My jealous heart swept o'er;
We were parted - she was dwelling
Upon a far-off shore;
Yet He who made my sad heart, knew
I loved her more and more;
My love more true and perfect grew,
As each dark day passed o'er;
But she whose heart had been my own,
Who loved me tenderly,
Whose last low words I knelt to hear,
Were, "How can I leave thee?"

And "Death would seem as sweet as life,
Could we together be."
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He Called Her In

I

He called her in from me and shut the door.
And she so loved the sunshine and the sky! -
She loved them even better yet than I
That ne'er knew dearth of them - my mother dead,
Nature had nursed me in her lap instead:
And I had grown a dark and eerie child
That rarely smiled,
Save when, shut all alone in grasses high,
Looking straight up in God's great lonesome sky
And coaxing Mother to smile back on me.
'Twas lying thus, this fair girl suddenly
Came to me, nestled in the fields beside
A pleasant-seeming home, with doorway wide -
The sunshine beating in upon the floor

Like golden rain. -
O sweet, sweet face above me, turn again
And leave me! I had cried, but that an ache
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Orlie Wilde

A goddess, with a siren's grace, -
A sun-haired girl on a craggy place
Above a bay where fish-boats lay
Drifting about like birds of prey.

Wrought was she of a painter's dream, -
Wise only as are artists wise,
My artist-friend, Rolf Herschkelhiem,
With deep sad eyes of oversize,
And face of melancholy guise.

I pressed him that he tell to me
This masterpiece's history.
He turned - REturned - and thus beguiled
Me with the tale of Orlie Wilde: -

"We artists live ideally:
We breed our firmest facts of air;
We make our own reality -
We dream a thing and it is so.
The fairest scenes we ever see
Are mirages of memory;
The sweetest thoughts we ever know
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The Clouds That Promise A Glorious Morrow.

The clouds that promise a glorious morrow
    Are fading slowly, one by one;
The earth no more bright rays may borrow
    From her loved Lord, the golden sun;
Gray evening shadows are softly creeping,
    With noiseless steps, o'er vale and hill;
The birds and flowers are calmly sleeping;
    And all around is fair and still.

Once loved I dearly, at this sweet hour,
    With loitering steps to careless stray,
To idly gather an opening flower,
    And often pause upon my way, -
Gazing around me with joyous feeling,
    From sunny earth to azure sky,
Or bending over the streamlet, stealing
    'Mid banks of flowers and verdure by.

You wond'ring ask me why sit I lonely
    Within my quiet, curtain'd room,
So idly seeking and clinging only

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