Living Room

    If anatomy were a contact sport,
    the stomach would be a football
    éstomac, hammock
    sagging . . . .
    the container of riotous living
    pried loose.

    And the head -
    a barrel of nails,
    binder-twine
    unravelled into knots;
    the brain a cauliflower
    for flavouring,
    precious little else.

    Spare the heart
    its dagger pleasure
    inveighed from the start.

Paul Cameron Brown

Paul Cameron Brown is a Canadian poet known for his extensive work in both poetry and art criticism. Born in western Canada, Brown has had a prolific career in writing, often intertwining themes of human experience and nature. His works have been showcased in various literary magazines and anthologies. With a style that is both reflective and evocative, he has gained recognition not only in Canada but also internationally.

Paul Cameron Brown

The Garden

Paul Cameron Brown, Simple Poetry

Braggadocio

Paul Cameron Brown, Simple Poetry

Prospectus

Paul Cameron Brown, Simple Poetry

Homuncular Forms

Paul Cameron Brown, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Slaughterhouse

    You're the aggressor
    and your passion exceeds mine
    but we're in this slaughterhouse together
    and it's near closing.

    Vats of prickly ointment
    destined to repattern animal skin
    and tubs of steaming formaldehyde
    rest casually with the more antiseptic
    thrill of green sawdust.

    Blood is a chameleon, here, changing colours
    en route to sausage and Pram but
    my hotdogs and donuts are
    holding better to the cuttlefish
    in this unnatural forest.

    The stars are a jangle of planets
    in a world where wood became noise;
    each ceiling beam, incidentally,
    is the wrenched out spine
    of a Longhorn steer,
    doorknobs pig knuckles
    bound for Octoberfest fear.
    Ev...

Paul Cameron Brown

Inside Seam

    1

    Having wilderness cracks
    in emotional facades
    chinks within
    to let cabins in.

    2
    Porous wind
    examining pavement,
    foot-sore maybe loose
    winding entrails
    of our hearts
    into lavatory paper;
    would that it pleased
    riddled trees
    - more whistling,
    poked holes
    across oasis tracks
    wandering spaces.

    3
    Blistering thought,
    paint flecks
    chipped in the mica-afraid
    heat of wan-ton passion;
    (acknowledging debts to Chinese cuisine)
    a wan smile
    left from which
    I pretend to remember all.

    4
    Love-smitten
    to lend
    the reach of your arm -
    sighs,
    droop...

Paul Cameron Brown

Shivaree

    These kettle bells.
    Is it the axe-murderer,
    with green garbage bag
    in the shadows?

    No. Green trees so thick
    their tops are folded hands
    or knotted knuckles
    to make perilous shrubbery
    by the garden wall.

    Yet this is a state of mind
    and shards of multi-coloured
    glass dot the top of stones.
    Interesting. Should a sociopath put
    out his shingle, come calling,
    a much under-estimated, rude uttering
    would take place.

    Still bees are active in the night air,
    not swarms, but a hum. Pleasant odours waft
    thru stiller air. There is no charged electricity
    to things, no tautness or leathery tightness to
    individual seconds. Still and stricken still.

Paul Cameron Brown

Ahoy

    Image throttled in the subconscious,
    romantic throwback -
    the mind on a voyage round land's end
    to eclipse pyramidal fires
    set as beacons along rock strewn shores -
    her skeletal inhabitants on ice flows
    wrapped in bearskins
    with dirks between their teeth
    slapping one another to keep warm.

    Then, alpine ranges carrying
    the plight of the Andes in their mouth;
    a dull, white sail propped against ship's bow
    with a noise like an anvil
    coming loose in the brain.

    More frightening, sailors mutiny on a diet
    of bread as sallow maggots
    march in a quarter horse sized trot
    across the floorboards.
    Such men in the bellows of one's mind
    break out rubber dinghies
    i...

Paul Cameron Brown

Offerings (A Movement In Four Parts)

The night is folly without the moon,
trees blank space against a frontal sky
where lattice work from a bled fish reveals
skeletal markings will not administer
the red jack of hearts to a mistress sea.

Most fickle, the ways of a cockroach
(I don't recommend them) to offerings
of white linen, cold squares atop
a stone diamonded floor.

Palaver shacks drone in ghostly light
communicating some message about eel runs
up the black river, the equivalent brush
of tombstones against dark nightsoil.

Tiny bars open as cubicles.
proverbial flashes of the coming evening,
haciendas to count every blessing.

The road to such places
snarls a dusty pleasure
and will heat thin blood
to boil in the daylight hours.

II

Swe...

Paul Cameron Brown

Swords And Roses

    Some lives have themes.
    Goldfish that stubbornly die;
    compatability only with distant lovers
    - flowers (but no sweet-breads)
    that wilt to the touch.

    Waiting. Charcoal-grey cat
    agreeably on a green linoleum table
    with light basking in....
    a tad playful,
    paws up,
    (classic boxer stance)
    but no one notices.
    Others oblique in their transparency,
    are unmindful of even the empty closet
    and greeting cards that smile hello.

    In the dark
    this room shimmers below
    life-raft status;
    chairs are buoys
    bobbing under waves
    of congealed fright.
    In the morning
    the first pigeons
    rifle over rooftops,
    mad flutterings like your eyes

Paul Cameron Brown