Memorials Of A Tour On The Continent, 1820 - XV. - After-Thought

O life! without thy chequered scene
Of right and wrong, of weal and woe,
Success and failure, could a ground
For magnanimity be found;
For faith, 'mid ruined hopes, serene?
Or whence could virtue flow?

Pain entered through a ghastly breach
Nor while sin lasts must effort cease;
Heaven upon earth's an empty boast;
But, for the bowers of Eden lost,
Mercy has placed within our reach
A portion of God's peace.

William Wordsworth

William Wordsworth was a major English Romantic poet who, with Samuel Taylor Coleridge, helped launch the Romantic Age in English literature with their joint publication 'Lyrical Ballads' in 1798. Born on April 7, 1770, Wordsworth's works are noted for their emphasis on the beauty of nature, the importance of emotion, and the value of the individual. His most famous work, 'The Prelude', is considered to be his masterpiece, which is a semi-autobiographical poem that he revised throughout his life.

William Wordsworth

Elegiac Stanzas - Addressed To Sir G. H. B. Upon The Death Of His Sister-In-Law

William Wordsworth, Simple Poetry

To A Painter

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Recollection Of The Portrait Of King Henry Eighth, Trinity Lodge, Cambridge

William Wordsworth, Simple Poetry

Composed In One Of The Valleys Of Westmoreland, On Easter Sunday

William Wordsworth, Simple Poetry

English

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Memorials Of A Tour On The Continent, 1820 - XIV. - Composed In One Of The Catholic Cantons

Doomed as we are our native dust
To wet with many a bitter shower,
It ill befits us to disdain
The altar, to deride the fane,
Where simple Sufferers bend, in trust
To win a happier hour.

I love, where spreads the village lawn,
Upon some knee-worn cell to gaze:
Hail to the firm unmoving cross,
Aloft, where pines their branches toss!
And to the chapel far withdrawn,
That lurks by lonely ways!

Where'er we roam, along the brink
Of Rhine, or by the sweeping Po,
Through Alpine vale, or champain wide,
Whate'er we look on, at our side
Be Charity! to bid us think,
And feel, if we would know.

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - IV. - After Visiting The Field Of Waterloo

A winged Goddess, clothed in vesture wrought
Of rainbow colours; One whose port was bold,
Whose overburthened hand could scarcely hold
The glittering crowns and garlands which it brought
Hovered in air above the far-famed Spot.
She vanished; leaving prospect blank and cold
Of wind-swept corn that wide around us rolled
In dreary billows; wood, and meagre cot,
And monuments that soon must disappear:
Yet a dread local recompense we found;
While glory seemed betrayed, while patriot-zeal
Sank in our hearts, we felt as men 'should' feel
With such vast hoards of hidden carnage near,
And horror breathing from the silent ground!

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - XIX. - Effusion

In Presence Of The Painted Tower Of Tell, At Altorf.


What though the Italian pencil wrought not here,
Nor such fine skill as did the meed bestow
On Marathonian valour, yet the tear
Springs forth in presence of this gaudy show,
While narrow cares their limits overflow.
Thrice happy, burghers, peasants, warriors old,
Infants in arms, and ye, that as ye go
Homeward or schoolward, ape what ye behold!
Heroes before your time, in frolic fancy bold!

And when that calm Spectatress from on high
Looks down the bright and solitary Moon,
Who never gazes but to beautify;
And snow-fed torrents, which the blaze of noon
Roused into fury, murmur a soft tune
That fosters peace, and gentleness recalls;
'Then' might the passing Monk receive a boon
Of saintl...

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - VIII. - In A Carriage, Upon The Banks Of The Rhine

Amid this dance of objects sadness steals
O'er the defrauded heart while sweeping by,
As in a fit of Thespian jollity,
Beneath her vine-leaf crown the green Earth reels:
Backward, in rapid evanescence, wheels
The venerable pageantry of Time,
Each beetling rampart, and each tower sublime,
And what the Dell unwillingly reveals
Of lurking cloistral arch, through trees espied
Near the bright River's edge. Yet why repine?
To muse, to creep, to halt at will, to gaze
Such sweet wayfaring of life's spring the pride,
Her summer's faithful joy, 'that' still is mine,
And in fit measure cheers autumnal days.

William Wordsworth

Memorials Of A Tour In Italy, 1837 - XVI. - Continued

The world forsaken, all its busy cares
And stirring interests shunned with desperate flight,
All trust abandoned in the healing might
Of virtuous action; all that courage dares,
Labour accomplishes, or patience bears
Those helps rejected, they, whose minds perceive
How subtly works man's weakness, sighs may heave
For such a One beset with cloistral snares.
Father of Mercy! rectify his view,
If with his vows this object ill agree;
Shed over it thy grace, and thus subdue
Imperious passion in a heart set free:
That earthly love may to herself be true,
Give him a soul that cleaveth unto thee.

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - VI. - Aix-La-Chapelle

Was it to disenchant, and to undo,
That we approached the Seat of Charlemaine?
To sweep from many an old romantic strain
That faith which no devotion may renew!
Why does this puny Church present to view
Her feeble columns? and that scanty chair!
This sword that one of our weak times might wear!
Objects of false pretense, or meanly true!
If from a traveler's fortune I might claim
A palpable memorial of that day,
Then would I seek the Pyrenean Breach
That Roland clove with huge two-handed sway,
And to the enormous labour left his name,
Where unremitting frosts the rocky crescent bleach.

William Wordsworth