Memorials Of A Tour On The Continent, 1820 - XIV. - Composed In One Of The Catholic Cantons

Doomed as we are our native dust
To wet with many a bitter shower,
It ill befits us to disdain
The altar, to deride the fane,
Where simple Sufferers bend, in trust
To win a happier hour.

I love, where spreads the village lawn,
Upon some knee-worn cell to gaze:
Hail to the firm unmoving cross,
Aloft, where pines their branches toss!
And to the chapel far withdrawn,
That lurks by lonely ways!

Where'er we roam, along the brink
Of Rhine, or by the sweeping Po,
Through Alpine vale, or champain wide,
Whate'er we look on, at our side
Be Charity! to bid us think,
And feel, if we would know.

William Wordsworth

William Wordsworth was a major English Romantic poet who, with Samuel Taylor Coleridge, helped launch the Romantic Age in English literature with their joint publication 'Lyrical Ballads' in 1798. Born on April 7, 1770, Wordsworth's works are noted for their emphasis on the beauty of nature, the importance of emotion, and the value of the individual. His most famous work, 'The Prelude', is considered to be his masterpiece, which is a semi-autobiographical poem that he revised throughout his life.

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Memorials Of A Tour On The Continent, 1820 - XXIX. - Stanzas - Composed In The Simplon Pass

Vallombrosa! I longed in thy shadiest wood
To slumber, reclined on the moss-covered floor,
To listen to Anio's precipitous flood,
When the stillness of evening hath deepened its roar;
To range through the Temples of Paestum, to muse
In Pompeii preserved by her burial in earth;
On pictures to gaze where they drank in their hues;
And murmur sweet songs on the ground of their birth.

The beauty of Florence, the grandeur of Rome,
Could I leave them unseen, and not yield to regret?
With a hope (and no more) for a season to come,
Which ne'er may discharge the magnificent debt?
Thou fortunate Region! whose Greatness inurned
Awoke to new life from its ashes and dust;
Twice-glorified fields! if in sadness I turned
From your infinite marvels, the sadness was just.
...

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - XI. - On Approaching The Staub-Bach, Lauterbrunnen

Uttered by whom, or how inspired designed
For what strange service, does this concert reach
Our ears, and near the dwellings of mankind!
'Mid fields familiarized to human speech?
No Mermaid's warble to allay the wind
Driving some vessel toward a dangerous beach,
More thrilling melodies; Witch answering Witch,
To chant a love-spell, never intertwined
Notes shrill and wild with art more musical:
Alas! that from the lips of abject Want
Or Idleness in tatters mendicant
The strain should flow, free Fancy to enthrall,
And with regret and useless pity haunt
This bold, this bright, this sky-born, waterfall!

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - XXXII. - Elegiac Stanzas

Lulled by the sound of pastoral bells,
Rude Nature's Pilgrims did we go,
From the dread summit of the Queen
Of mountains, through a deep ravine,
Where, in her holy chapel, dwells
"Our Lady of the Snow."

The sky was blue, the air was mild;
Free were the streams and green the bowers;
As if, to rough assaults unknown,
The genial spot had 'ever' shown
A countenance that as sweetly smiled
The face of summer-hours.

And we were gay, our hearts at ease;
With pleasure dancing through the frame
We journeyed; all we knew of care
Our path that straggled here and there;
Of trouble, but the fluttering breeze;
Of Winter, but a name.

If foresight could have rent the veil
Of three short days, but hush, no more!
Calm is the grave, and calme...

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - VI. - Aix-La-Chapelle

Was it to disenchant, and to undo,
That we approached the Seat of Charlemaine?
To sweep from many an old romantic strain
That faith which no devotion may renew!
Why does this puny Church present to view
Her feeble columns? and that scanty chair!
This sword that one of our weak times might wear!
Objects of false pretense, or meanly true!
If from a traveler's fortune I might claim
A palpable memorial of that day,
Then would I seek the Pyrenean Breach
That Roland clove with huge two-handed sway,
And to the enormous labour left his name,
Where unremitting frosts the rocky crescent bleach.

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - XVI. - Scene On The Lake Of Brientz

"What know we of the Blest above
But that they sing and that they love?"
Yet, if they ever did inspire
A mortal hymn, or shaped the choir,
Now, where those harvest Damsels float
Homeward in their rugged Boat,
(While all the ruffling winds are fled
Each slumbering on some mountain's head)
Now, surely, hath that gracious aid
Been felt, that influence is displayed.
Pupils of Heaven, in order stand
The rustic Maidens, every hand
Upon a Sister's shoulder laid,
To chant, as glides the boat along,
A simple, but a touching, song;
To chant, as Angels do above,
The melodies of Peace in love!

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - VIII. - In A Carriage, Upon The Banks Of The Rhine

Amid this dance of objects sadness steals
O'er the defrauded heart while sweeping by,
As in a fit of Thespian jollity,
Beneath her vine-leaf crown the green Earth reels:
Backward, in rapid evanescence, wheels
The venerable pageantry of Time,
Each beetling rampart, and each tower sublime,
And what the Dell unwillingly reveals
Of lurking cloistral arch, through trees espied
Near the bright River's edge. Yet why repine?
To muse, to creep, to halt at will, to gaze
Such sweet wayfaring of life's spring the pride,
Her summer's faithful joy, 'that' still is mine,
And in fit measure cheers autumnal days.

William Wordsworth