Odes Of Anacreon - Ode LXXVI.

Hither, gentle Muse of mine,
    Come and teach thy votary old
Many a golden hymn divine,
    For the nymph with vest of gold.

Pretty nymph, of tender age,
    Fair thy silky looks unfold;
Listen to a hoary sage,
    Sweetest maid with vest of gold!

Thomas Moore

Thomas Moore was an Irish poet, singer, and songwriter, celebrated for his Irish Melodies, which are now considered a staple of Irish cultural heritage. Born on May 28, 1779, in Dublin, Ireland, Moore gained fame for his lyrical songs, many of which were set to traditional Irish tunes. Not only a poet, but he was also a staunch advocate of Irish nationalism, often incorporating themes of national identity and resistance into his work. Moore's influential collection 'Irish Melodies' became popular in both Ireland and Britain and helped to define the literary output of the era. He passed away on February 25, 1852, but his legacy in Irish literature and music endures.

Thomas Moore

Unbind Thee, Love.

Thomas Moore, Simple Poetry

The Song Of O'Ruark, Prince Of Breffni.[1]

Thomas Moore, Simple Poetry

Odes Of Anacreon - Ode XLVI.

Thomas Moore, Simple Poetry

The Fudge Family In Paris Letter IV. From Phelim Connor To ----

Thomas Moore, Simple Poetry

English

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Odes Of Anacreon - Ode LXXIV.

Monarch Love, resistless boy,
With whom the rosy Queen of Joy,
And nymphs, whose eyes have Heaven's hue,
Disporting tread the mountain-dew;
Propitious, oh! receive my sighs,
Which, glowing with entreaty, rise
That thou wilt whisper to the breast
Of her I love thy soft behest:
And counsel her to learn from thee.
That lesson thou hast taught to me.
Ah! if my heart no flattery tell,
Thou'lt own I've learned that lesson well!

Thomas Moore

Odes Of Anacreon - Ode LXXI.

With twenty chords my lyre is hung,
    And while I wake them all for thee,
Thou, O maiden, wild and young,
    Disportest in airy levity.

The nursling fawn, that in some shade
    Its antlered mother leaves behind,
Is not more wantonly afraid,
    More timid of the rustling wind!

Thomas Moore

Odes Of Anacreon - Ode LXXVII.

Would that I were a tuneful lyre,
    Of burnished ivory fair,
Which, in the Dionysian choir,
    Some blooming boy should bear!

Would that I were a golden vase.
    That some bright nymph might hold
My spotless frame, with blushing grace,
    Herself as pure as gold!

Thomas Moore

Odes Of Anacreon - Ode LXXV.

Spirit of Love, whose locks unrolled,
Stream on the breeze like floating gold;
Come, within a fragrant cloud
Blushing with light, thy votary shroud;
And, on those wings that sparkling play,
Waft, oh, waft me hence away!
Love! my soul is full of thee,
Alive to all thy luxury.
But she, the nymph for whom I glow
The lovely Lesbian mocks my woe;
Smiles at the chill and hoary hues
That time upon my forehead strews.
Alas! I fear she keeps her charms,
In store for younger, happier arms!

Thomas Moore

Odes Of Anacreon - Ode LXIV.

^[1]


Haste thee, nymph, whose well-aimed spear
Wounds the fleeting mountain-deer!
Dian, Jove's immortal child,
Huntress of the savage wild!
Goddess with the sun-bright hair!
Listen to a people's prayer.
Turn, to Lethe's river turn,
There thy vanquished people mourn!^[2]
Come to Lethe's wavy shore,
Tell them they shall mourn no more.
Thine their hearts, their altars thine;
Must they, Dian--must they pine?

Thomas Moore

Odes Of Anacreon - Ode XXXIV.

^[1]


Oh thou, of all creation blest,
Sweet insect, that delight'st to rest
Upon the wild wood's leafy tops,
To drink the dew that morning drops,
And chirp thy song with such a glee,
That happiest kings may envy thee.
Whatever decks the velvet field,
Whate'er the circling seasons yield,
Whatever buds, whatever blows,
For thee it buds, for thee it grows.
Nor yet art thou the peasant's fear,
To him thy friendly notes are dear;
For thou art mild as matin dew;
And still, when summer's flowery hue
Begins to paint the bloomy plain,
We hear thy sweet prophetic strain;
Thy sweet prophetic strain we hear,
And bless the notes and thee revere!
The Muses love thy shrilly tone;
Apollo calls thee all his own;
'Twas he who gave t...

Thomas Moore