Penance

"Why do you sit, O pale thin man,
At the end of the room
By that harpsichord, built on the quaint old plan?
It is cold as a tomb,
And there's not a spark within the grate;
And the jingling wires
Are as vain desires
That have lagged too late."

"Why do I? Alas, far times ago
A woman lyred here
In the evenfall; one who fain did so
From year to year;
And, in loneliness bending wistfully,
Would wake each note
In sick sad rote,
None to listen or see!

"I would not join. I would not stay,
But drew away,
Though the winter fire beamed brightly . . . Aye!
I do to-day
What I would not then; and the chill old keys,
Like a skull's brown teeth
Loose in their sheath,
Freeze my touch; yes, freeze."

Thomas Hardy

Thomas Hardy (1840-1928) was an English novelist and poet. Born in Dorset, his works often featured the semi-fictional region of Wessex. Hardy was initially trained as an architect, but he later pursued writing full-time. His novels, including 'Tess of the d'Urbervilles,' 'Far from the Madding Crowd,' and 'Jude the Obscure,' are known for their critical portrayal of Victorian society and its mores. As a poet, he is recognized for his explorations of human suffering and the indifferent forces of nature. Hardy's legacy is profound, influencing both literature and criticism.

Thomas Hardy

To An Impersonator Of Rosalind

Thomas Hardy, Simple Poetry

The Sweet Hussy

Thomas Hardy, Simple Poetry

Her Song

Thomas Hardy, Simple Poetry

Lament

Thomas Hardy, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

At The Piano

A woman was playing,
A man looking on;
And the mould of her face,
And her neck, and her hair,
Which the rays fell upon
Of the two candles there,
Sent him mentally straying
In some fancy-place
Where pain had no trace.

A cowled Apparition
Came pushing between;
And her notes seemed to sigh,
And the lights to burn pale,
As a spell numbed the scene.
But the maid saw no bale,
And the man no monition;
And Time laughed awry,
And the Phantom hid nigh.

Thomas Hardy

Haunting Fingers - A Phantasy In A Museum Of Musical Instruments

"Are you awake,
Comrades, this silent night?
Well 'twere if all of our glossy gluey make
Lay in the damp without, and fell to fragments quite!"

"O viol, my friend,
I watch, though Phosphor nears,
And I fain would drowse away to its utter end
This dumb dark stowage after our loud melodious years!"

And they felt past handlers clutch them,
Though none was in the room,
Old players' dead fingers touch them,
Shrunk in the tomb.

"'Cello, good mate,
You speak my mind as yours:
Doomed to this voiceless, crippled, corpselike state,
Who, dear to famed Amphion, trapped here, long endures?"

"Once I could thrill
The populace through and through,
Wake them to passioned pulsings past their will." . . .
(A contra-basso spake so, and the r...

Thomas Hardy

The Re-Enactment

    Between the folding sea-downs,
    In the gloom
    Of a wailful wintry nightfall,
    When the boom
Of the ocean, like a hammering in a hollow tomb,

    Throbbed up the copse-clothed valley
    From the shore
    To the chamber where I darkled,
    Sunk and sore
With gray ponderings why my Loved one had not come before

    To salute me in the dwelling
    That of late
    I had hired to waste a while in -
    Vague of date,
Quaint, and remote wherein I now expectant sate;

    On the solitude, unsignalled,
    Broke a man
    Who, in air as if at home there,
    Seemed to scan
Every fire-flecked nook of the apartment span by span.

    A stranger's and no lover's
    Eyes were these,
    Eyes of a man wh...

Thomas Hardy

Jubilate

"The very last time I ever was here," he said,
"I saw much less of the quick than I saw of the dead."
- He was a man I had met with somewhere before,
But how or when I now could recall no more.

"The hazy mazy moonlight at one in the morning
Spread out as a sea across the frozen snow,
Glazed to live sparkles like the great breastplate adorning
The priest of the Temple, with Urim and Thummim aglow.

"The yew-tree arms, glued hard to the stiff stark air,
Hung still in the village sky as theatre-scenes
When I came by the churchyard wall, and halted there
At a shut-in sound of fiddles and tambourines.

"And as I stood hearkening, dulcimers, haut-boys, and shawms,
And violoncellos, and a three-stringed double-bass,
Joined in, and were intermixed with a singing...

Thomas Hardy

Evelyn G. Of Christminster

I can see the towers
In mind quite clear
Not many hours'
Faring from here;
But how up and go,
And briskly bear
Thither, and know
That are not there?

Though the birds sing small,
And apple and pear
On your trees by the wall
Are ripe and rare,
Though none excel them,
I have no care
To taste them or smell them
And you not there.

Though the College stones
Are smit with the sun,
And the graduates and Dons
Who held you as one
Of brightest brow
Still think as they did,
Why haunt with them now
Your candle is hid?

Towards the river
A pealing swells:
They cost me a quiver -
Those prayerful bells!
How go to God,
Who can reprove
With so heavy a rod
As your swift remove!

Thomas Hardy

The Clock-Winder

It is dark as a cave,
Or a vault in the nave
When the iron door
Is closed, and the floor
Of the church relaid
With trowel and spade.

But the parish-clerk
Cares not for the dark
As he winds in the tower
At a regular hour
The rheumatic clock,
Whose dilatory knock
You can hear when praying
At the day's decaying,
Or at any lone while
From a pew in the aisle.

Up, up from the ground
Around and around
In the turret stair
He clambers, to where
The wheelwork is,
With its tick, click, whizz,
Reposefully measuring
Each day to its end
That mortal men spend
In sorrowing and pleasuring
Nightly thus does he climb
To the trackway of Time.

Him I followed one night
To this place without light,

Thomas Hardy