Qu'Est Qu'Il Dit [1]

Espion aile de la jeune amante
De l'ombre des palmiers pourquoi ce cri?
Laisse en paix le beau garcon plaider et vaincre -
Pourquoi, pourquoi demander 'Qu'est qu'il dit?'

'Qu'est qu'il dit?'    Ce que tu dis toi-meme
Chaque mois de ce printemps eternel;
Ce que disent les papillons qui s'entre-baisent,
Ce que dit tout bel jeun etre a toute belle.

Importun!    Attende quelques lustres:
Quand les souvenirs 1'emmeneront ici -
Mere, grand'mere, pale, lasse, et fidele,
Demande mais doucement - 'Et le vieillard,
    Qu'est qu'il dit?'

Trinidad, January 10, 1870

Charles Kingsley

Charles Kingsley was an English writer, historian, and clergyman born on June 12, 1819, in Holne, Devon. He was associated with the Christian Socialist movement and was a friend of prominent figures such as Charles Darwin. Kingsley is best known for his historical novels, including 'Westward Ho!' and 'Hypatia,' as well as his children's book 'The Water-Babies.' His works often explore social issues and aim to contribute to societal reform. Kingsley died on January 23, 1875, in Eversley, Hampshire.

Charles Kingsley

The Delectable Day

Charles Kingsley, Simple Poetry

To Miss Mitford: Authoress Of 'Our Village'

Charles Kingsley, Simple Poetry

The Find

Charles Kingsley, Simple Poetry

My Little Doll

Charles Kingsley, Simple Poetry

French

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Have You Nothing To Say For Yourself?

("Si vous n'avez rien à me dire.")

[Bk. II. iv., May, 18 - .]


Speak, if you love me, gentle maiden!
Or haunt no more my lone retreat.
If not for me thy heart be laden,
Why trouble mine with smiles so sweet?

Ah! tell me why so mute, fair maiden,
Whene'er as thus so oft we meet?
If not for me thy heart be, Aideen,
Why trouble mine with smiles so sweet?

Why, when my hand unconscious pressing,
Still keep untold the maiden dream?
In fancy thou art thus caressing
The while we wander by the stream.

If thou art pained when I am near thee,
Why in my path so often stray?
For in my heart I love yet fear thee,
And fain would fly, yet fondly stay.

C.H. KENNY.

Victor-Marie Hugo

A Lament.

("Sentiers où l'herbe se balance.")

[Bk. III. xi., July, 1853.]


O paths whereon wild grasses wave!
O valleys! hillsides! forests hoar!
Why are ye silent as the grave?
For One, who came, and comes no more!

Why is thy window closed of late?
And why thy garden in its sear?
O house! where doth thy master wait?
I only know he is not here.

Good dog! thou watchest; yet no hand
Will feed thee. In the house is none.
Whom weepest thou? child! My father. And
O wife! whom weepest thou? The Gone.

Where is he gone? Into the dark. -
O sad, and ever-plaining surge!
Whence art thou? From the convict-bark.
And why thy mournful voice? A dirge.

EDWIN ARNOLD, C.S.I.

Victor-Marie Hugo

Infantile Influence.

("Lorsque l'enfant parait.")

[XIX., May 11, 1830.]


The child comes toddling in, and young and old
With smiling eyes its smiling eyes behold,
And artless, babyish joy;
A playful welcome greets it through the room,
The saddest brow unfolds its wrinkled gloom,
To greet the happy boy.

If June with flowers has spangled all the ground,
Or winter bleak the flickering hearth around
Draws close the circling seat;
The child still sheds a never-failing light;
We call; Mamma with mingled joy and fright
Watches its tottering feet.

Perhaps at eve as round the fire we draw,
We speak of heaven, or poetry, or law,
Or politics, or prayer;
The child comes in, 'tis now all smiles and play,
Farewell to grave discourse and poet's lay,<...

Victor-Marie Hugo

By Mons. Fontenelle

Ma petite ame, ma mignonne,
Tu t'en vas donc, má fille, et Dieu scache ou tu vas:
Tu pars seulette, nuë, et tremblotante, helas!
Que deviendra ton humeur folichonne?
Que deviendront tant de jolis ébats?

IMITATED.

Poor, little, pretty, fluttering thing,
Must we no longer live together?
And dost thou prune thy trembling wing,
To take thy flight thou know'st not whither?
Thy hum'rous vein, thy pleasing folly,
Lies all neglected, all forgot,
And pensive, wavering melancholy,
Thou dread'st, and hop'st, thou know'st not what.

Matthew Prior

The Dying Child To Its Mother.

("Oh! vous aurez trop dit.")

[Bk. III. xiv., April, 1843.]


Ah, you said too often to your angel
There are other angels in the sky -
There, where nothing changes, nothing suffers,
Sweet it were to enter in on high.

To that dome on marvellous pilasters,
To that tent roofed o'er with colored bars,
That blue garden full of stars like lilies,
And of lilies beautiful as stars.

And you said it was a place most joyous,
All our poor imaginings above,
With the wingèd cherubim for playmates,
And the good God evermore to love.

Sweet it were to dwell there in all seasons,
Like a taper burning day and night,
Near to the child Jesus and the Virgin,
In that home so beautiful and bright.

But you should have told him, h...

Victor-Marie Hugo

The Exile's Desire.

("Si je pouvais voir, O patrie!")

[Bk. III. xxxvii.]


Would I could see you, native land,
Where lilacs and the almond stand
Behind fields flowering to the strand -
    But no!

Can I - oh, father, mother, crave
Another final blessing save
To rest my head upon your grave? -
    But no!

In the one pit where ye repose,
Would I could tell of France's woes,
My brethren, who fell facing foes -
    But no!

Would I had - oh, my dove of light,
After whose flight came ceaseless night,
One plume to clasp so purely white. -
    But no!

Far from ye all - oh, dead, bewailed!
The fog-bell deafens me empaled
Upon this rock - I feel enjailed -
    Though free.

Like one who watches at the gate

Victor-Marie Hugo