Quel Giorno Più ...

That day--it was the last of many days,
Nor could we know when such days might be given
Again--we read how Dante trod the ways
Of utmost Hell, and how his heart was riven
By sad Francesca, whose sin was forgiven
So far that, on her Paolo fixing gaze,
She supt on his again, and thought it Heaven,
She knew her gentler fate and felt it praise.

We read that lovers' tale; each lookt at each;
But one was fearless, innocent of guile;
So did the other learn what she could teach:
We read no more, we kiss'd not, but a smile
Of proud possession flasht, hover'd a while
'Twixt soul and soul. There was no need for speech.

Maurice Henry Hewlett

Maurice Henry Hewlett was an English historical novelist, poet, and essayist. His works often blended history and romance and he was known for his vivid characterizations and settings. Among his many works, 'The Forest Lovers' and 'Richard Yea-and-Nay' are some of the best known. Hewlett was a contemporary and sometimes critic of modernist trends in literature, favoring more traditional storytelling techniques.

Maurice Henry Hewlett

Lux E Tenebris

Maurice Henry Hewlett, Simple Poetry

Lai Of Gobertz[1]

Maurice Henry Hewlett, Simple Poetry

To The Gods Of The Country

Maurice Henry Hewlett, Simple Poetry

The Argive Women[2]

Maurice Henry Hewlett, Simple Poetry

English

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Sonnet XXV.

Quanto più m' avvicino al giorno estremo.

HE CONSOLES HIMSELF THAT HIS LIFE IS ADVANCING TO ITS CLOSE.


    Near and more near as life's last period draws,
Which oft is hurried on by human woe,
I see the passing hours more swiftly flow,
And all my hopes in disappointment close.
And to my heart I say, amidst its throes,
"Not long shall we discourse of love below;
For this my earthly load, like new-fall'n snow
Fast melting, soon shall leave us to repose.
With it will sink in dust each towering hope,
Cherish'd so long within my faithful breast;
No more shall we resent, fear, smile, complain:
Then shall we clearly trace why some are blest,
Through deepest misery raised to Fortune's top,
And why so many sighs so oft are heaved in vain."

Francesco Petrarca

A Dialogue In Purgatory

        Poi disse un altro.... "Io son Buonconte:
        Giovanna o altri non ha di me cura;
        Per ch' io vo tra costor con bassa fronte."

        Seguito il terzo spirito al secondo,
        "Ricorditi di me, che son la Pia;
        Siena mi fe, disfecemi Maremma.
        Salsi colui che inannellata pria
        Disposata m' avea colla sua gemma."

                    PURGATORIO, CANTO V.


        I

        BUONCONTE

        Sister, the sun has ceased to shine;
        By companies of twain and trine
        Stars gather; from the sea
        The moon comes momently.

        On all the roads that ring our hill
        The sighing and the hymns are still:
        It is our time to gain
    ...

William Vaughn Moody

To Laura In Death. Sonnet LVII.

L' ultimo, lasso! de' miei giorni allegri.

HE REVERTS TO THEIR LAST MEETING.


    The last, alas! of my bright days and glad
--Few have been mine in this brief life below--
Had come; I felt my heart as tepid snow,
Presage, perchance, of days both dark and sad.
As one in nerves, and pulse, and spirits bad,
Who of some frequent fever waits the blow,
E'en so I felt--for how could I foreknow
Such near end of the half-joys I have had?
Her beauteous eyes, in heaven now bright and bless'd
With the pure light whence health and life descends,
(Wretched and beggar'd leaving me behind,)
With chaste and soul-lit beams our grief address'd:
"Tarry ye here in peace, beloved friends,
Though here no more, we yet shall there be join'd."

MACGREGOR.<...

Francesco Petrarca

Francesca Of Rimini[348] - From The Inferno Of Dante.

Introduction To Francesca Of Rimini.


The MS. of "a literal translation, word for word (versed like the original), of the episode of Francesca of Rimini" (Letter March 23, 1820, Letters, 1900, iv. 421), was sent to Murray from Ravenna, March 20, 1820 (ibid., p. 419), a week after Byron had forwarded the MS. of the Prophecy of Dante. Presumably the translation had been made in the interval by way of illustrating and justifying the unfamiliar metre of the "Dante Imitation." In the letter which accompanied the translation he writes, "Enclosed you will find, line for line, in third rhyme (terza rima,) of which your British Blackguard reader as yet understands nothing, Fanny of Rimini. You know that she was born here, and married, and slain, from Cary, Boyd, and such peopl...

George Gordon Byron

To Laura In Death. Sonnet LVIII.

O giorno, o ora, o ultimo momento.

HE MOURNS HIS WANT OF PERCEPTION AT THAT MEETING.


    O Day, O hour, O moment sweetest, last,
O stars conspired to make me poor indeed!
O look too true, in which I seem'd to read.
At parting, that my happiness was past;
Now my full loss I know, I feel at last:
Then I believed (ah! weak and idle creed!)
'Twas but a part alone I lost; instead,
Was there a hope that flew not with the blast?
For, even then, it was in heaven ordain'd
That the sweet light of all my life should die:
'Twas written in her sadly-pensive eye!
But mine unconscious of the truth remain'd;
Or, what it would not see, to see refrain'd,
That I might sink in sudden misery!

MOREHEAD.


    Dark hour, last moment of t...

Francesco Petrarca

To Laura In Death. Sonnet LI.

I dì miei più leggier che nessun cervo.

HIS PASSION FINDS ITS ONLY CONSOLATION IN CONTEMPLATING HER IN HEAVEN.


    My days more swiftly than the forest hind
Have fled like shadows, and no pleasure seen
Save for a moment, and few hours serene,
Whose bitter-sweet I treasure in true mind.
O wretched world, unstable, wayward! Blind
Whose hopes in thee alone have centred been;
In thee my heart was captived by her mien
Who bore it with her when she earth rejoin'd:
Her better spirit, now a deathless flower,
And in the highest heaven that still shall be,
Each day inflames me with its beauties more.
Alone, though frailer, fonder every hour,
I muse on her--Now what, and where is she,
And what the lovely veil which here she wore?

MACGREGOR....

Francesco Petrarca