Sonnet CLXXXV.

Qual mio destin, qual forza o qual inganno.

THOUGH HER EYES DESTROY HIM, HE CANNOT TEAR HIMSELF AWAY.


    What destiny of mine, what fraud or force,
Unarm'd again conducts me to the field,
Where never came I but with shame to yield
'Scape I or fall, which better is or worse?
--Not worse, but better; from so sweet a source
Shine in my heart those lights, so bright reveal'd
The fatal fire, e'en now as then, which seal'd
My doom, though twenty years have roll'd their course
I feel death's messengers when those dear eyes,
Dazzling me from afar, I see appear,
And if on me they turn as she draw near,
Love with such sweetness tempts me then and tries,
Tell it I cannot, nor recall in sooth,
For wit and language fail to reach the truth!

MACGREGOR.

Francesco Petrarca

Francesco Petrarca, commonly known as Petrarch, was an Italian scholar, poet, and early humanist during the Renaissance. He is often called the "Father of Humanism" and is best known for his Italian poetry, notably the Canzoniere, a collection of poems addressed to his idealized beloved Laura. Petrarch's works have influenced countless writers and helped shape the modern Italian language.

Francesco Petrarca

To Laura In Death. Sonnet LXXXII.

Francesco Petrarca, Simple Poetry

To Laura In Death. Sonnet XLIV.

Francesco Petrarca, Simple Poetry

Sonnet CXVII.

Francesco Petrarca, Simple Poetry

To Laura In Death. Sonnet LVII.

Francesco Petrarca, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Sonnet CXIX.

Questa umil fera, un cor di tigre o d' orsa.

HE PRAYS HER EITHER TO WELCOME OR DISMISS HIM AT ONCE.


    Fiercer than tiger, savager than bear,
In human guise an angel form appears,
Who between fear and hope, from smiles to tears
So tortures me that doubt becomes despair.
Ere long if she nor welcomes me, nor frees,
But, as her wont, between the two retains,
By the sweet poison circling through my veins,
My life, O Love! will soon be on its lees.
No longer can my virtue, worn and frail
With such severe vicissitudes, contend,
At once which burn and freeze, make red and pale:
By flight it hopes at length its grief to end,
As one who, hourly failing, feels death nigh:
Powerless he is indeed who cannot even die!

MACGREGOR.

Francesco Petrarca

Sonnet LXXXIV.

Non veggio ove scampar mi possa omai.

AFTER FIFTEEN YEARS HER EYES ARE MORE POWERFUL THAN AT FIRST.


    No hope of respite, of escape no way,
Her bright eyes wage such constant havoc here;
Alas! excess of tyranny, I fear,
My doting heart, which ne'er has truce, will slay:
Fain would I flee, but ah! their amorous ray,
Which day and night on memory rises clear,
Shines with such power, in this the fifteenth year,
They dazzle more than in love's early day.
So wide and far their images are spread
That wheresoe'er I turn I alway see
Her, or some sister-light on hers that fed.
Springs such a wood from one fair laurel tree,
That my old foe, with admirable skill,
Amid its boughs misleads me at his will.

MACGREGOR.

Francesco Petrarca

Sonnet LXXV.

Io son dell' aspectar omai sì vinto.

HAVING ONCE SURRENDERED HIMSELF, HE IS COMPELLED EVER TO ENDURE THE PANGS OF LOVE.


    Weary with expectation's endless round,
And overcome in this long war of sighs,
I hold desires in hate and hopes despise,
And every tie wherewith my breast is bound;
But the bright face which in my heart profound
Is stamp'd, and seen where'er I turn mine eyes,
Compels me where, against my will, arise
The same sharp pains that first my ruin crown'd.
Then was my error when the old way quite
Of liberty was bann'd and barr'd to me:
He follows ill who pleases but his sight:
To its own harm my soul ran wild and free,
Now doom'd at others' will to wait and wend;
Because that once it ventured to offend.

MACGREGOR.

Francesco Petrarca

Sonnet CLXXXI.

Già desiai con sì giusta querela.

HE LIVES DESTITUTE OF ALL HOPE SAVE THAT OF RENDERING HER IMMORTAL.


    Erewhile I labour'd with complaint so true,
And in such fervid rhymes to make me heard,
Seem'd as at last some spark of pity stirr'd
In the hard heart which frost in summer knew.
Th' unfriendly cloud, whose cold veil o'er it grew,
Broke at the first breath of mine ardent word
Or low'ring still she others' blame incurr'd
Her bright and killing eyes who thus withdrew
No ruth for self I crave, for her no hate;
I wish not this--that passes power of mine:
Such was mine evil star and cruel fate.
But I shall ever sing her charms divine,
That, when I have resign'd this mortal breath,
The world may know how sweet to me was death.

Francesco Petrarca

Sonnet CLXII.

Di dì in dì vo cangiando il viso e 'l pelo.

HIS WOUNDS CAN BE HEALED ONLY BY PITY OR DEATH.


    I alter day by day in hair and mien,
Yet shun not the old dangerous baits and dear,
Nor sever from the laurel, limed and green,
Which nor the scorching sun, nor fierce cold sear.
Dry shall the sea, the sky be starless seen,
Ere I shall cease to covet and to fear
Her lovely shadow, and--which ill I screen--
To like, yet loathe, the deep wound cherish'd here:
For never hope I respite from my pain,
From bones and nerves and flesh till I am free,
Unless mine enemy some pity deign,
Till things impossible accomplish'd be,
None but herself or death the blow can heal
Which Love from her bright eyes has left my heart to feel.

MACGREGOR.

Francesco Petrarca

Sonnet CXLV.

Amor mi sprona in un tempo ed affrena.

HE HEARS THE VOICE OF REASON, BUT CANNOT OBEY.


    Love in one instant spurs me and restrains,
Assures and frightens, freezes me and burns,
Smiles now and scowls, now summons me and spurns,
In hope now holds me, plunges now in pains:
Now high, now low, my weary heart he hurls,
Until fond passion loses quite the path,
And highest pleasure seems to stir but wrath--
My harass'd mind on such strange errors feeds!
A friendly thought there points the proper track,
Not of such grief as from the full eye breaks,
To go where soon it hopes to be at ease,
But, as if greater power thence turn'd it back,
Despite itself, another way it takes,
And to its own slow death and mine agrees.

MACGREGOR.

Francesco Petrarca