Sonnet LXXXIV.

Non veggio ove scampar mi possa omai.

AFTER FIFTEEN YEARS HER EYES ARE MORE POWERFUL THAN AT FIRST.


    No hope of respite, of escape no way,
Her bright eyes wage such constant havoc here;
Alas! excess of tyranny, I fear,
My doting heart, which ne'er has truce, will slay:
Fain would I flee, but ah! their amorous ray,
Which day and night on memory rises clear,
Shines with such power, in this the fifteenth year,
They dazzle more than in love's early day.
So wide and far their images are spread
That wheresoe'er I turn I alway see
Her, or some sister-light on hers that fed.
Springs such a wood from one fair laurel tree,
That my old foe, with admirable skill,
Amid its boughs misleads me at his will.

MACGREGOR.

Francesco Petrarca

Francesco Petrarca, commonly known as Petrarch, was an Italian scholar, poet, and early humanist during the Renaissance. He is often called the "Father of Humanism" and is best known for his Italian poetry, notably the Canzoniere, a collection of poems addressed to his idealized beloved Laura. Petrarch's works have influenced countless writers and helped shape the modern Italian language.

Francesco Petrarca

Sonnet CCXVI.

Francesco Petrarca, Simple Poetry

To Laura In Death. Sonnet VII.

Francesco Petrarca, Simple Poetry

Sonnet CXI.

Francesco Petrarca, Simple Poetry

Canzone IX.

Francesco Petrarca, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Sonnet CLXXXV.

Qual mio destin, qual forza o qual inganno.

THOUGH HER EYES DESTROY HIM, HE CANNOT TEAR HIMSELF AWAY.


    What destiny of mine, what fraud or force,
Unarm'd again conducts me to the field,
Where never came I but with shame to yield
'Scape I or fall, which better is or worse?
--Not worse, but better; from so sweet a source
Shine in my heart those lights, so bright reveal'd
The fatal fire, e'en now as then, which seal'd
My doom, though twenty years have roll'd their course
I feel death's messengers when those dear eyes,
Dazzling me from afar, I see appear,
And if on me they turn as she draw near,
Love with such sweetness tempts me then and tries,
Tell it I cannot, nor recall in sooth,
For wit and language fail to reach the truth!

M...

Francesco Petrarca

Sonnet XXXI.

Io temo sì de' begli occhi l' assalto.

HE EXCUSES HIMSELF FOR HAVING SO LONG DELAYED TO VISIT HER.


    So much I fear to encounter her bright eye.
Alway in which my death and Love reside,
That, as a child the rod, its glance I fly,
Though long the time has been since first I tried;
And ever since, so wearisome or high,
No place has been where strong will has not hied,
Her shunning, at whose sight my senses die,
And, cold as marble, I am laid aside:
Wherefore if I return to see you late,
Sure 'tis no fault, unworthy of excuse,
That from my death awhile I held aloof:
At all to turn to what men shun, their fate,
And from such fear my harass'd heart to loose,
Of its true faith are ample pledge and proof.

MACGREGOR.

Francesco Petrarca

Sonnet CXV.

Quando 'l voler, che con duo sproni ardenti.

HER LOOKS BOTH COMFORT AND CHECK HIM.


    When, with two ardent spurs and a hard rein,
Passion, my daily life who rules and leads,
From time to time the usual law exceeds
That calm, at least in part, my spirits may gain,
It findeth her who, on my forehead plain,
The dread and daring of my deep heart reads,
And seeth Love, to punish its misdeeds,
Lighten her piercing eyes with worse disdain.
Wherefore--as one who fears the impending blow
Of angry Jove--it back in haste retires,
For great fears ever master great desires;
But the cold fire and shrinking hopes which so
Lodge in my heart, transparent as a glass,
O'er her sweet face at times make gleams of grace to pass.

MACGREGOR.

Francesco Petrarca

Sonnet CXXV.

Ove ch' i' posi gli occhi lassi o giri.

HER IMAGE IS EVER IN HIS HEART.


    Where'er I rest or turn my weary eyes,
To ease the longings which allure them still,
Love pictures my bright lady at his will,
That ever my desire may verdant rise.
Deep pity she with graceful grief applies--
Warm feelings ever gentle bosoms fill--
While captived equally my fond ears thrill
With her sweet accents and seraphic sighs.
Love and fair Truth were both allied to tell
The charms I saw were in the world alone,
That 'neath the stars their like was never known.
Nor ever words so dear and tender fell
On listening ear: nor tears so pure and bright
From such fine eyes e'er sparkled in the light.

MACGREGOR.

Francesco Petrarca

Sonnet CLXX.

Lasso, ch' i' ardo, ed altri non mel crede!

POSTERITY WILL ACCORD TO HIM THE PITY WHICH LAURA REFUSES.


    Alas, with ardour past belief I glow!
None doubt this truth, except one only fair,
Who all excels, for whom alone I care;
She plainly sees, yet disbelieves my woe.
O rich in charms, but poor in faith! canst thou
Look in these eyes, nor read my whole heart there?
Were I not fated by my baleful star,
For me from pity's fount might favour flow.
My flame, of which thou tak'st so little heed,
And thy high praises pour'd through all my song,
O'er many a breast may future influence spread:
These, my sweet fair, so warns prophetic thought,
Closed thy bright eye, and mute thy poet's tongue,
E'en after death shall still with sparks be fraught.

Francesco Petrarca

Sonnet LV.

I begli occhi, ond' i' fui percosso in guisa.

HE IS NEVER WEARY OF PRAISING THE EYES OF LAURA.


    The bright eyes which so struck my fenceless side
That they alone which harm'd can heal the smart
Beyond or power of herbs or magic art,
Or stone which oceans from our shores divide,
The chance of other love have so denied
That one sweet thought alone contents my heart,
From following which if ne'er my tongue depart,
Pity the guided though you blame the guide.
These are the bright eyes which, in every land
But most in its own shrine, my heart, adored,
Have spread the triumphs of my conquering lord;
These are the same bright eyes which ever stand
Burning within me, e'en as vestal fires,
In singing which my fancy never tires.

MACGREGO...

Francesco Petrarca