Sonnet XXXIII

Quando dal proprio sito si rimove.

WHEN LAURA DEPARTS, THE HEAVENS GROW DARK WITH STORMS.


    When from its proper soil the tree is moved
Which Phoebus loved erewhile in human form,
Grim Vulcan at his labour sighs and sweats,
Renewing ever the dread bolts of Jove,
Who thunders now, now speaks in snow and rain,
Nor Julius honoureth than Janus more:
Earth moans, and far from us the sun retires
Since his dear mistress here no more is seen.
Then Mars and Saturn, cruel stars, resume
Their hostile rage: Orion arm'd with clouds
The helm and sails of storm-tost seamen breaks.
To Neptune and to Juno and to us
Vext Æolus proves his power, and makes us feel
How parts the fair face angels long expect.

MACGREGOR.

Francesco Petrarca

Francesco Petrarca, commonly known as Petrarch, was an Italian scholar, poet, and early humanist during the Renaissance. He is often called the "Father of Humanism" and is best known for his Italian poetry, notably the Canzoniere, a collection of poems addressed to his idealized beloved Laura. Petrarch's works have influenced countless writers and helped shape the modern Italian language.

Francesco Petrarca

To Laura In Death. Sonnet XVI.

Francesco Petrarca, Simple Poetry

Sonnet CLXXXIII.

Francesco Petrarca, Simple Poetry

The Triumph Of Time.

Francesco Petrarca, Simple Poetry

Sonnet XXXII.

Francesco Petrarca, Simple Poetry

English

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Sonnet CXXII.

Non fur mai Giove e Cesare sì mossi.

LAURA IN TEARS.


    High Jove to thunder ne'er was so intent,
So resolute great Cæsar ne'er to strike,
That pity had not quench'd the ire of both,
And from their hands the accustom'd weapons shook.
Madonna wept: my Lord decreed that I
Should see her then, and there her sorrows hear;
So joy, desire should fill me to the brim,
Thrilling my very marrow and my bones.
Love show'd to me, nay, sculptured on my heart,
That sweet and sparkling tear, and those soft words
Wrote with a diamond on its inmost core,
Where with his constant and ingenious keys
He still returneth often, to draw thence
True tears of mine and long and heavy sighs.

MACGREGOR.

Francesco Petrarca

Sonnet XXIV.

Quest' anima gentil che si diparte.

ON LAURA DANGEROUSLY ILL.


    That graceful soul, in mercy call'd away
Before her time to bid the world farewell,
If welcomed as she ought in the realms of day,
In heaven's most blessèd regions sure shall dwell.
There between Mars and Venus if she stay,
Her sight the brightness of the sun will quell,
Because, her infinite beauty to survey,
The spirits of the blest will round her swell.
If she decide upon the fourth fair nest
Each of the three to dwindle will begin,
And she alone the fame of beauty win,
Nor e'en in the fifth circle may she rest;
Thence higher if she soar, I surely trust
Jove with all other stars in darkness will be thrust.

MACGREGOR.

Francesco Petrarca

Sonnet XXVI.

Già fiammeggiava l' amorosa stella.

LAURA, WHO IS ILL, APPEARS TO HIM IN A DREAM, AND ASSURES HIM THAT SHE STILL LIVES.


    Throughout the orient now began to flame
The star of love; while o'er the northern sky
That, which has oft raised Juno's jealousy,
Pour'd forth its beauteous scintillating beam:
Beside her kindled hearth the housewife dame,
Half-dress'd, and slipshod, 'gan her distaff ply:
And now the wonted hour of woe drew nigh,
That wakes to tears the lover from his dream:
When my sweet hope unto my mind appear'd,
Not in the custom'd way unto my sight;
For grief had bathed my lids, and sleep had weigh'd;
Ah me, how changed that form by love endear'd!
"Why lose thy fortitude?" methought she said,
"These eyes not yet from thee ...

Francesco Petrarca

Sonnet CLI.

Amor, Natura, e la bell' alma umile.

DURING A SERIOUS ILLNESS OF LAURA.


    Love, Nature, Laura's gentle self combines,
She where each lofty virtue dwells and reigns,
Against my peace: To pierce with mortal pains
Love toils--such ever are his stern designs.
Nature by bonds so slight to earth confines
Her slender form, a breath may break its chains;
And she, so much her heart the world disdains,
Longer to tread life's wearying round repines.
Hence still in her sweet frame we view decay
All that to earth can joy and radiance lend,
Or serve as mirror to this laggard age;
And Death's dread purpose should not Pity stay,
Too well I see where all those hopes must end,
With which I fondly soothed my lingering pilgrimage.

WRANGHAM.
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Francesco Petrarca

Sonnet XXXIV.

Ma poi che 'l dolce riso umile e piano.

HER RETURN GLADDENS THE EARTH AND CALMS THE SKY.


    But when her sweet smile, modest and benign,
No longer hides from us its beauties rare,
At the spent forge his stout and sinewy arms
Plieth that old Sicilian smith in vain,
For from the hands of Jove his bolts are taken
Temper'd in Ætna to extremest proof;
And his cold sister by degrees grows calm
And genial in Apollo's kindling beams.
Moves from the rosy west a summer breath,
Which safe and easy wafts the seaward bark,
And wakes the sweet flowers in each grassy mead.
Malignant stars on every side depart,
Dispersed before that bright enchanting face,
For which already many tears are shed.

MACGREGOR.

Francesco Petrarca

Sonnet LII.

L' aspetto sacro della terra vostra.

THE VIEW OF ROME PROMPTS HIM TO TEAR HIMSELF FROM LAURA, BUT LOVE WILL NOT ALLOW HIM.


    The solemn aspect of this sacred shore
Wakes for the misspent past my bitter sighs;
'Pause, wretched man! and turn,' as conscience cries,
Pointing the heavenward way where I should soar.
But soon another thought gets mastery o'er
The first, that so to palter were unwise;
E'en now the time, if memory err not, flies,
When we should wait our lady-love before.
I, for his aim then well I apprehend,
Within me freeze, as one who, sudden, hears
News unexpected which his soul offend.
Returns my first thought then, that disappears;
Nor know I which shall conquer, but till now
Within me they contend, nor hope of rest allow!

Francesco Petrarca