Sonnet XXXIV.

Ma poi che 'l dolce riso umile e piano.

HER RETURN GLADDENS THE EARTH AND CALMS THE SKY.


    But when her sweet smile, modest and benign,
No longer hides from us its beauties rare,
At the spent forge his stout and sinewy arms
Plieth that old Sicilian smith in vain,
For from the hands of Jove his bolts are taken
Temper'd in Ætna to extremest proof;
And his cold sister by degrees grows calm
And genial in Apollo's kindling beams.
Moves from the rosy west a summer breath,
Which safe and easy wafts the seaward bark,
And wakes the sweet flowers in each grassy mead.
Malignant stars on every side depart,
Dispersed before that bright enchanting face,
For which already many tears are shed.

MACGREGOR.

Francesco Petrarca

Francesco Petrarca, commonly known as Petrarch, was an Italian scholar, poet, and early humanist during the Renaissance. He is often called the "Father of Humanism" and is best known for his Italian poetry, notably the Canzoniere, a collection of poems addressed to his idealized beloved Laura. Petrarch's works have influenced countless writers and helped shape the modern Italian language.

Francesco Petrarca

Sonnet LXXXVI.

Francesco Petrarca, Simple Poetry

Canzone XVIII.

Francesco Petrarca, Simple Poetry

Sonnet CXCII.

Francesco Petrarca, Simple Poetry

Sonnet CXLIII.

Francesco Petrarca, Simple Poetry

English

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Sonnet CXCIV.

I' piansi, or canto; che 'l celeste lume.

AT HER RETURN, HIS SORROWS VANISH.


    I wept, but now I sing; its heavenly light
That living sun conceals not from my view,
But virtuous love therein revealeth true
His holy purposes and precious might;
Whence, as his wont, such flood of sorrow springs
To shorten of my life the friendless course,
Nor bridge, nor ford, nor oar, nor sails have force
To forward mine escape, nor even wings.
But so profound and of so full a vein
My suff'ring is, so far its shore appears,
Scarcely to reach it can e'en thought contrive:
Nor palm, nor laurel pity prompts to gain,
But tranquil olive, and the dark sky clears,
And checks my grief and wills me to survive.

MACGREGOR.

Francesco Petrarca

Sonnet CXV.

Quando 'l voler, che con duo sproni ardenti.

HER LOOKS BOTH COMFORT AND CHECK HIM.


    When, with two ardent spurs and a hard rein,
Passion, my daily life who rules and leads,
From time to time the usual law exceeds
That calm, at least in part, my spirits may gain,
It findeth her who, on my forehead plain,
The dread and daring of my deep heart reads,
And seeth Love, to punish its misdeeds,
Lighten her piercing eyes with worse disdain.
Wherefore--as one who fears the impending blow
Of angry Jove--it back in haste retires,
For great fears ever master great desires;
But the cold fire and shrinking hopes which so
Lodge in my heart, transparent as a glass,
O'er her sweet face at times make gleams of grace to pass.

MACGREGOR.

Francesco Petrarca

Sonnet CLXVII.

Non pur quell' una bella ignuda mano.

HE RETURNS THE GLOVE, BEWAILING THE EFFECT OF HER BEAUTY.


    Not of one dear hand only I complain,
Which hides it, to my loss, again from view,
But its fair fellow and her soft arms too
Are prompt my meek and passive heart to pain.
Love spreads a thousand toils, nor one in vain,
Amid the many charms, bright, pure, and new,
That so her high and heavenly part endue,
No style can equal it, no mind attain.
That starry forehead and those tranquil eyes,
The fair angelic mouth, where pearl and rose
Contrast each other, whence rich music flows,
These fill the gazer with a fond surprise,
The fine head, the bright tresses which defied
The sun to match them in his noonday pride.

MACGREGOR.

Francesco Petrarca

Sonnet CXL.

Mirando 'l sol de' begli occhi sereno.

THE SWEETS AND BITTERS OF LOVE.


    Marking of those bright eyes the sun serene
Where reigneth Love, who mine obscures and grieves,
My hopeless heart the weary spirit leaves
Once more to gain its paradise terrene;
Then, finding full of bitter-sweet the scene,
And in the world how vast the web it weaves.
A secret sigh for baffled love it heaves,
Whose spurs so sharp, whose curb so hard have been.
By these two contrary and mix'd extremes,
With frozen or with fiery wishes fraught,
To stand 'tween misery and bliss she seems:
Seldom in glad and oft in gloomy thought,
But mostly contrite for its bold emprize,
For of like seed like fruit must ever rise!

MACGREGOR.

Francesco Petrarca

Sonnet IX.

Quando 'l pianeta che distingue l' ore.

WITH A PRESENT OF FRUIT IN SPRING.


    When the great planet which directs the hours
To dwell with Taurus from the North is borne,
Such virtue rays from each enkindled horn,
Rare beauty instantly all nature dowers;
Nor this alone, which meets our sight, that flowers
Richly the upland and the vale adorn,
But Earth's cold womb, else lustreless and lorn,
Is quick and warm with vivifying powers,
Till herbs and fruits, like these I send, are rife.
--So she, a sun amid her fellow fair,
Shedding the rays of her bright eyes on me,
Thoughts, acts, and words of love wakes into life--
But, ah! for me is no new Spring, nor e'er,
Smile they on whom she will, again can be.

MACGREGOR.


   ...

Francesco Petrarca

Sonnet XX.

Se l' onorata fronde, che prescrive.

TO STRAMAZZO OF PERUGIA, WHO INVITED HIM TO WRITE POETRY.


    If the world-honour'd leaf, whose green defies
The wrath of Heaven when thunders mighty Jove,
Had not to me prohibited the crown
Which wreathes of wont the gifted poet's brow,
I were a friend of these your idols too,
Whom our vile age so shamelessly ignores:
But that sore insult keeps me now aloof
From the first patron of the olive bough:
For Ethiop earth beneath its tropic sun
Ne'er burn'd with such fierce heat, as I with rage
At losing thing so comely and beloved.
Resort then to some calmer fuller fount,
For of all moisture mine is drain'd and dry,
Save that which falleth from mine eyes in tears.

MACGREGOR.

Francesco Petrarca