Sonnets on English Dramatic Poets (1590-1650): Anonymous Plays

More yet and more, and yet we mark not all:
The Warning fain to bid fair women heed
Its hard brief note of deadly doom and deed;¹
The verse that strewed too thick with flowers the hall
Whence Nero watched his fiery festival;²
That iron page wherein mens eyes who read
See, bruised and marred between two babes that bleed,
A mad red-handed husbands martyr fall;³
The scene which crossed and streaked with mirth the strife
Of Henry with his sons and witchlike wife;⁴
And that sweet pageant of the kindly fiend,
Who, seeing three friends in spirit and heart made one,
Crowned with good hap the true-love wiles he screened
In the pleached lanes of pleasant Edmonton.⁵

Algernon Charles Swinburne

Algernon Charles Swinburne was an English poet, playwright, novelist, and critic. Born on April 5, 1837, in London, he became known for his innovative versification and erotic content. Swinburne was a central figure in the aesthetic and decadent movements. His major works include 'Poems and Ballads' and 'Atalanta in Calydon.' He died on April 10, 1909, in Putney, London. Swinburne's legacy is marked by his lyrical mastery and controversial themes, influencing countless poets thereafter.

Algernon Charles Swinburne

Ilicet

Algernon Charles Swinburne, Simple Poetry

After A Reading

Algernon Charles Swinburne, Simple Poetry

Sonnets on English Dramatic Poets (1590-1650): Thomas Heywood

Algernon Charles Swinburne, Simple Poetry

Aperotos Eros

Algernon Charles Swinburne, Simple Poetry

English

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Sonnets on English Dramatic Poets (1590-1650): Anonymous Plays

Ye too, dim watchfires of some darkling hour,
Whose fame forlorn time saves not nor proclaims
For ever, but forgetfulness defames
And darkness and the shadow of death devour,
Lift up ye too your light, put forth your power,
Let the far twilight feel your soft small flames
And smile, albeit night name not even their names,
Ghost by ghost passing, flower blown down on flower:
That sweet-tongued shadow, like a stars that passed
Singing, and light was from its darkness cast
To paint the face of Painting fair with praise:¹
And that wherein forefigured smiles the pure
Fraternal face of Wordsworths Elidure
Between two child-faced masks of merrier days.²

Algernon Charles Swinburne

Sonnets on English Dramatic Poets (1590-1650): Anonymous Plays: Arden of Feversham

Mother whose womb brought forth our man of men,
Mother of Shakespeare, whom all time acclaims
Queen therefore, sovereign queen of English dames,
Throned higher than sat thy sonless empress then,
Was it thy sons young passion-guided pen
Which drew, reflected from encircling flames,
A figure marked by the earlier of thy names
Wife, and from all her wedded kinswomen
Marked by the sign of murderess? Pale and great,
Great in her grief and sin, but in her death
And anguish of her penitential breath
Greater than all her sin or sin-born fate,
She stands, the holocaust of dark desire,
Clothed round with song for ever as with fire.

Algernon Charles Swinburne

Sonnets on English Dramatic Poets (1590-1650): The Many

I.

Greene, garlanded with Februarys few flowers,
Ere March came in with Marlowes rapturous rage:
Peele, from whose hand the sweet white locks of age
Took the mild chaplet woven of honoured hours:
Nash, laughing hard: Lodge, flushed from lyric bowers:
And Lilly, a goldfinch in a twisted cage
Fed by some gay great ladys pettish page
Till short sweet songs gush clear like short spring showers
Kid, whose grim sport still gambolled over graves:
And Chettle, in whose fresh funereal verse
Weeps Marian yet on Robins wildwood hearse:
Cooke, whose light boat of song one soft breath saves,
Sighed from a maidens amorous mouth averse:
Live likewise ye: Time takes not you for slaves.



II.

Haughton, whose mirth gave woman all her will:
...

Algernon Charles Swinburne

Sonnets on English Dramatic Poets (1590-1650): Ben Jonson

Broad-based, broad-fronted, bounteous, multiform,
With many a valley impleached with ivy and vine,
Wherein the springs of all the streams run wine,
And many a crag full-faced against the storm,
The mountain where thy Muses feet made warm
Those lawns that revelled with her dance divine
Shines yet with fire as it was wont to shine
From tossing torches round the dance aswarm.

Nor less, high-stationed on the grey grave heights,
High-thoughted seers with heavens heart-kindling lights
Hold converse: and the herd of meaner things
Knows or by fiery scourge or fiery shaft
When wrath on thy broad brows has risen, and laughed,
Darkening thy soul with shadow of thunderous wings.

Algernon Charles Swinburne

Sonnets on English Dramatic Poets (1590-1650): Beaumont and Fletcher

An hour ere sudden sunset fired the west,
Arose two stars upon the pale deep east.
The hall of heaven was clear for nights high feast,
Yet was not yet days fiery heart at rest
Love leapt up from his mothers burning breast
To see those warm twin lights, as day decreased,
Wax wider, till when all the sun had ceased
As suns they shone from evenings kindled crest
Across them and between, a quickening fire,
Flamed Venus, laughing with appeased desire.
Their dawn, scarce lovelier for the gleam of tears,
Filled half the hollow shell twixt heaven and earth
With sound like moonlight, mingling moan and mirth,
Which rings and glitters down the darkling years.

Algernon Charles Swinburne

Sonnets on English Dramatic Poets (1590-1650): John Marston

The bitterness of death and bitterer scorn
Breathes from the broad-leafed aloe-plant whence thou
Wast fain to gather for thy bended brow
A chaplet by no gentler forehead worn.
Grief deep as hell, wrath hardly to be borne,
Ploughed up thy soul till round the furrowing plough
The strange black soil foamed, as a black beaked prow
Bids night-black waves foam where its track has torn.
Too faint the phrase for thee that only saith
Scorn bitterer than the bitterness of death
Pervades the sullen splendour of thy soul,
Where hate and pain make war on force and fraud
And all the strengths of tyrants; whence unflawed
It keeps this noble heart of hatred whole.

Algernon Charles Swinburne