Sonnets on English Dramatic Poets (1590-1650): Anonymous Plays: Arden of Feversham

Mother whose womb brought forth our man of men,
Mother of Shakespeare, whom all time acclaims
Queen therefore, sovereign queen of English dames,
Throned higher than sat thy sonless empress then,
Was it thy sons young passion-guided pen
Which drew, reflected from encircling flames,
A figure marked by the earlier of thy names
Wife, and from all her wedded kinswomen
Marked by the sign of murderess? Pale and great,
Great in her grief and sin, but in her death
And anguish of her penitential breath
Greater than all her sin or sin-born fate,
She stands, the holocaust of dark desire,
Clothed round with song for ever as with fire.

Algernon Charles Swinburne

Algernon Charles Swinburne was an English poet, playwright, novelist, and critic. Born on April 5, 1837, in London, he became known for his innovative versification and erotic content. Swinburne was a central figure in the aesthetic and decadent movements. His major works include 'Poems and Ballads' and 'Atalanta in Calydon.' He died on April 10, 1909, in Putney, London. Swinburne's legacy is marked by his lyrical mastery and controversial themes, influencing countless poets thereafter.

Algernon Charles Swinburne

Sonnets on English Dramatic Poets (1590-1650): Thomas Heywood

Algernon Charles Swinburne, Simple Poetry

Insularum Ocelle'

Algernon Charles Swinburne, Simple Poetry

By Twilight

Algernon Charles Swinburne, Simple Poetry

The Lute and the Lyre

Algernon Charles Swinburne, Simple Poetry

English

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Sonnets on English Dramatic Poets (1590-1650): Anonymous Plays

More yet and more, and yet we mark not all:
The Warning fain to bid fair women heed
Its hard brief note of deadly doom and deed;¹
The verse that strewed too thick with flowers the hall
Whence Nero watched his fiery festival;²
That iron page wherein mens eyes who read
See, bruised and marred between two babes that bleed,
A mad red-handed husbands martyr fall;³
The scene which crossed and streaked with mirth the strife
Of Henry with his sons and witchlike wife;⁴
And that sweet pageant of the kindly fiend,
Who, seeing three friends in spirit and heart made one,
Crowned with good hap the true-love wiles he screened
In the pleached lanes of pleasant Edmonton.⁵

Algernon Charles Swinburne

Sonnets on English Dramatic Poets (1590-1650): Epilogue

Our mother, which wast twice, as history saith,
Found first among the nations: once, when she
Who bore thine ensign saw the God in thee
Smite Spain, and bring forth Shakespeare: once, when death
Shrank, and Romes bloodhounds cowered, at Miltons breath:
More than thy place, then first among the free,
More than that sovereign lordship of the sea
Bequeathed to Cromwell from Elizabeth,
More than thy fiery guiding- star, which Drake
Hailed, and the deep saw lit again for Blake,
More than all deeds wrought of thy strong right hand,
This praise keeps most thy fames memorial strong,
That thou wast head of all these streams of song,
And time bows down to thee as Shakespeares land.

Algernon Charles Swinburne

Sonnets on English Dramatic Poets (1590-1650): Anonymous Plays

Ye too, dim watchfires of some darkling hour,
Whose fame forlorn time saves not nor proclaims
For ever, but forgetfulness defames
And darkness and the shadow of death devour,
Lift up ye too your light, put forth your power,
Let the far twilight feel your soft small flames
And smile, albeit night name not even their names,
Ghost by ghost passing, flower blown down on flower:
That sweet-tongued shadow, like a stars that passed
Singing, and light was from its darkness cast
To paint the face of Painting fair with praise:¹
And that wherein forefigured smiles the pure
Fraternal face of Wordsworths Elidure
Between two child-faced masks of merrier days.²

Algernon Charles Swinburne

Sonnets on English Dramatic Poets (1590-1650): Thomas Middleton

A wild moon riding high from cloud to cloud,
That sees and sees not, glimmering far beneath,
Hells children revel along the shuddering heath
With dirge-like mirth and raiment like a shroud:
A worse fair face than witchcrafts, passion-proud,
With brows blood-flecked behind their bridal wreath
And lips that bade the assassins sword find sheath
Deep in the heart whereto loves heart was vowed:
A game of close contentious crafts and creeds
Played till white England bring black Spain to shame:
A sons bright sword and brighter soul, whose deeds
High conscience lights for mothers love and fame:
Pure gipsy flowers, and poisonous courtly weeds:
Such tokens and such trophies crown thy name.

Algernon Charles Swinburne

Sonnets on English Dramatic Poets (1590-1650): Thomas Decker

Out of the depths of darkling life where sin
Laughs piteously that sorrow should not know
Her own ill name, nor woe be counted woe;
Where hate and craft and lust make drearier din
Than sounds through dreams that grief holds revel in;
What charm of joy-bells ringing, streams that flow,
Winds that blow healing in each note they blow,
Is this that the outer darkness hears begin?
O sweetest heart of all thy time save one,
Star seen for loves sake nearest to the sun,
Hung lamplike oer a dense and doleful city,
Not Shakespeares very spirit, howeer more great,
Than thine toward man was more compassionate,
Nor gave Christ praise from lips more sweet with pity.

Algernon Charles Swinburne

Sonnets on English Dramatic Poets (1590-1650): James Shirley

The dusk of days decline was hard on dark
When evening trembled round thy glowworm lamp
That shone across her shades and dewy damp
A small clear beacon whose benignant spark
Was gracious yet for loiterers eyes to mark,
Though changed the watchword of our English camp
Since the outposts rang round Marlowes lion ramp,
When thy steeds pace went ambling round Hyde Park.
And in the thickening twilight under thee
Walks Davenant, pensive in the paths where he,
The blithest throat that ever carolled love
In music made of mornings merriest heart,
Glad Suckling, stumbled from his seat above
And reeled on slippery roads of alien art.

Algernon Charles Swinburne