The Braes Of Yarrow

The Text was communicated to Percy by Dr. Robertson of Edinburgh, but it did not appear in the Reliques.

In 9.1, 'Then' is doubtless an interpolation, as are the words 'Now Douglas' in 11.1 But on the whole it is the best text of the fifteen or twenty variants.

The Story.--James Hogg and Sir Walter Scott referred the ballad to two different sources, the former legendary, and the latter historical. It has always been very popular in Scotland, and besides the variants there are in existence several imitations, such as the well-known poem of William Hamilton, 'Busk ye, busk ye, my bonny bonny bride.' This was printed in vol. ii. of Percy's Reliques.

About half the known variants make the hero and heroine man and wife, the other half presenting them as unmarried lovers.

THE BRAES OF YARROW

1.
'I dreamed a dreary dream this night,
That fills my heart wi' sorrow;
I dreamed I was pouing the heather green
Upon the braes of Yarrow.

2.
'O true-luve mine, stay still and dine,
As ye ha' done before, O;'
'O I'll be hame by hours nine,
And frae the braes of Yarrow.'

3.
'I dreamed a dreary dream this night,
That fills my heart wi' sorrow;
I dreamed my luve came headless hame,
O frae the braes of Yarrow!

4.
'O true-luve mine, stay still and dine.
As ye ha' done before, O;'
'O I'll be hame by hours nine,
And frae the braes of Yarrow.'

5.
'O are ye going to hawke,' she says,
'As ye ha' done before, O?
Or are ye going to wield your brand,
Upon the braes of Yarrow?'

6.
'O I am not going to hawke,' he says,
'As I have done before, O,
But for to meet your brother John,
Upon the braes of Yarrow.'

7.
As he gaed down yon dowy den,
Sorrow went him before, O;
Nine well-wight men lay waiting him,
Upon the braes of Yarrow.

8.
'I have your sister to my wife,
Ye think me an unmeet marrow!
But yet one foot will I never flee
Now frae the braes of Yarrow.'

9.
Then four he kill'd and five did wound,
That was an unmeet marrow!
And he had weel nigh wan the day
Upon the braes of Yarrow.

10.
But a cowardly loon came him behind,
Our Lady lend him sorrow!
And wi' a rappier pierced his heart,
And laid him low on Yarrow.

11.
Now Douglas to his sister's gane,
Wi' meikle dule and sorrow:
'Gae to your luve, sister,' he says,
'He's sleeping sound on Yarrow.'

12.
As she went down yon dowy den,
Sorrow went her before, O;
She saw her true-love lying slain
Upon the braes of Yarrow.

13.
She swoon'd thrice upon his breist
That was her dearest marrow;
Said, 'Ever alace, and wae the day
Thou went'st frae me to Yarrow!'

14.
She kist his mouth, she kaimed his hair,
As she had done before, O;
She wiped the blood that trickled doun
Upon the braes of Yarrow.

15.
Her hair it was three quarters lang,
It hang baith side and yellow;
She tied it round her white hause-bane,
And tint her life on Yarrow.

Frank Sidgwick

Frank Sidgwick was an English writer, publisher, and scholarly editor. He was instrumental in popularizing ballad and folklore studies in the early 20th century. Sidgwick co-founded the publishing company Sidgwick & Jackson, which became known for its contributions to literature and scholarship. Though not primarily known as a poet, his editorial and publishing efforts significantly impacted the literary culture of his time, emphasizing the academic study of traditional songs and verses.

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English

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The Banks o' Yarrow

Late at e'en, drinking the wine,
And ere they paid the lawing,
They set a combat them between,
To fight it in the dawing.

"What though ye be my sister's lord,
We'll cross our swords to-morrow."
"What though my wife your sister be,
I'll meet ye then on Yarrow."

"O stay at hame, my ain gude lord!
O stay, my ain dear marrow!
My cruel brither will you betray
On the dowie banks o' Yarrow."

"O fare ye weel, my lady dear!
And put aside your sorrow;
For if I gae, I'll sune return
Frae the bonny banks o' Yarrow."

She kiss'd his cheek, she kaim'd his hair,
As oft she'd done before, O;
She belted him wi' his gude brand,
And he's awa' to Yarrow.

When he gaed up the Tennies bank,
As he gaed mony a morrow,
Nine arm...

George Wharton Edwards

The Douglas Tragedy

There are here put in juxtaposition three versions in ballad-form of the same story, though fragmentary in the two latter cases, not only because each is good, but to show the possibilities of variation in a popular story. There is yet another ballad, Erlinton, printed by Sir Walter Scott in the Minstrelsy, embodying an almost identical tale. Earl Brand preserves most of the features of a very ancient story with more exactitude than any other traditional ballad. But in this case, as in too many others, we must turn to a Scandinavian ballad for the complete form of the story. A Danish ballad, Ribold and Guldborg, gives the fine tale thus:--

Ribold, a king's son, in love with Guldborg, offers to carry her away 'to a land where death and sorrow come not, where all the birds are cuckoos, where all the gr...

Frank Sidgwick

The Twa Sisters O' Binnorie

Texts.--The version here given is compounded from two different sources, almost of necessity. Stanzas 1-19 were given by Scott, compounded from W. Tytler's Brown MS. and the recitation of an old woman. But at stanza 20 Scott's version becomes eccentric, and he prints such verses as:--

    'A famous harper passing by
    The sweet pale face he chanced to spy ...

    The strings he framed of her yellow hair,
    Whose notes made sad the listening air.'

Stanzas 20-25, therefore, have been supplied from the Jamieson-Brown MS., which after this point does not descend from the high level of ballad-poetry.

The Story.--This is a very old and a very popular story. An early broadside exists, dated 1656, and the same version is printed in Wit Restor'd, 1658. Of Scandinavian ballads on the ...

Frank Sidgwick

The Gay Goshawk

The Text is from the Jamieson-Brown MS., on which version Scott drew partly for his ballad in the Minstrelsy. Mrs. Brown recited the ballad again to William Tytler in 1783, but the result is now lost, with most of the other Tytler-Brown versions.

The Story.--One point, the maid's feint of death to escape from her father to her lover, is the subject of a ballad very popular in France; a version entitled Belle Isambourg is printed in a collection called Airs de Cour, 1607. Feigning death to escape various threats is a common feature in many European ballads.

It is perhaps needless to remark that no goshawk sings sweetly, much less talks. In Buchan's version (of forty-nine stanzas) the goshawk is exchanged for a parrot.


THE GAY GOSHAWK

    1.
    'O well's me o' my g...

Frank Sidgwick

Yarrow Unvisited

See the various Poems the scene of which is laid upon the banks of the Yarrow; in particular, the exquisite Ballad of Hamilton beginning

Busk ye, busk ye, my bonny, bonny Bride,
Busk ye, busk ye, my winsome Marrow!

From Stirling castle we had seen
The mazy Forth unravelled;
Had trod the banks of Clyde, and Tay,
And with the Tweed had travelled;
And when we came to Clovenford,
Then said my winsome Marrow,
Whateer betide, well turn aside,
And see the Braes of Yarrow.

Let Yarrow folk, frae Selkirk town,
Who have been buying, selling,
Go back to Yarrow, tis their own;
Each maiden to her dwelling!
On Yarrows banks let her herons feed,
Hares couch, and rabbits burrow!
But we will downward with the Tweed
Nor turn aside to Yarrow.<...

William Wordsworth

The Laird Of Knottington

The Text was sent to Percy in 1768 by R. Lambe of Norham. The ballad is widely known in Scotland under several titles, but the most usual is The Broom of Cowdenknows, which was the title used by Scott in the Minstrelsy.


The Story is not consistently told in this version, as in 11.3,4 the daughter gives away her secret to her father in an absurd fashion.

An English song, printed as a broadside about 1640, The Lovely Northerne Lasse, is directed to be sung 'to a pleasant Scotch tune, called The broom of Cowden Knowes.' It is a poor variant of our ballad, in the usual broadside style, and cannot have been written by any one fully acquainted with the Scottish ballad. It is in the Roxburghe, Douce, and other collections.


THE LAIRD OF KNOTTINGTON

    1.
    There ...

Frank Sidgwick