The Brown Girl

The Text of this ballad was taken down before the end of the nineteenth century by the Rev. S. Baring Gould, from a blacksmith at Thrushleton, Devon.

The Story is a simple little tale which recalls Barbara Allen, Clerk Sanders, Lord Thomas and Fair Annet, and others. I have placed it here for contrast, and in illustration of the disdain of 'brown' maids.

THE BROWN GIRL

1.
'I am as brown as brown can be,
And my eyes as black as sloe;
I am as brisk as brisk can be,
And wild as forest doe.

2.
'My love he was so high and proud,
His fortune too so high,
He for another fair pretty maid
Me left and passed me by.

3.
'Me did he send a love-letter,
He sent it from the town,
Saying no more he loved me,
For that I was so brown.

4.
'I sent his letter back again,
Saying his love I valued not,
Whether that he would fancy me,
Whether that he would not.

5.
'When that six months were overpass'd,
Were overpass'd and gone,
Then did my lover, once so bold,
Lie on his bed and groan.

6.
'When that six months were overpass'd,
Were gone and overpass'd,
O then my lover, once so bold,
With love was sick at last.

7.
'First sent he for the doctor-man:
"You, doctor, me must cure;
The pains that now do torture me
I can not long endure."

8.
'Next did he send from out the town,
O next did send for me;
He sent for me, the brown, brown girl
Who once his wife should be.

9.
'O ne'er a bit the doctor-man
His sufferings could relieve;
O never an one but the brown, brown girl
Who could his life reprieve.'

10.
Now you shall hear what love she had
For this poor love-sick man,
How all one day, a summer's day,
She walked and never ran.

11.
When that she came to his bedside,
Where he lay sick and weak,
O then for laughing she could not stand
Upright upon her feet.

12.
'You flouted me, you scouted me,
And many another one,
Now the reward is come at last,
For all that you have done.'

13.
The rings she took from off her hands,
The rings by two and three:
'O take, O take these golden rings,
By them remember me.'

14.
She had a white wand in her hand,
She strake him on the breast:
'My faith and troth I give back to thee,
So may thy soul have rest.'

15.
'Prithee,' said he, 'forget, forget,
Prithee forget, forgive;
O grant me yet a little space,
That I may be well and live.'

16.
'O never will I forget, forgive,
So long as I have breath;
I'll dance above your green, green grave
Where you do lie beneath.'

Frank Sidgwick

Frank Sidgwick was an English writer, publisher, and scholarly editor. He was instrumental in popularizing ballad and folklore studies in the early 20th century. Sidgwick co-founded the publishing company Sidgwick & Jackson, which became known for its contributions to literature and scholarship. Though not primarily known as a poet, his editorial and publishing efforts significantly impacted the literary culture of his time, emphasizing the academic study of traditional songs and verses.

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English

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The Gay Goshawk

The Text is from the Jamieson-Brown MS., on which version Scott drew partly for his ballad in the Minstrelsy. Mrs. Brown recited the ballad again to William Tytler in 1783, but the result is now lost, with most of the other Tytler-Brown versions.

The Story.--One point, the maid's feint of death to escape from her father to her lover, is the subject of a ballad very popular in France; a version entitled Belle Isambourg is printed in a collection called Airs de Cour, 1607. Feigning death to escape various threats is a common feature in many European ballads.

It is perhaps needless to remark that no goshawk sings sweetly, much less talks. In Buchan's version (of forty-nine stanzas) the goshawk is exchanged for a parrot.


THE GAY GOSHAWK

    1.
    'O well's me o' my g...

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Brown Robin

The Text is here given from the Jamieson-Brown MS. Versions, lengthened and therefore less succinct and natural, are given in Christie's Traditional Ballad Airs (Love Robbie) and in Buchan's Ballads of the North of Scotland (Brown Robyn and Mally).

The Story is a genuine bit of romance. The proud porter is apparently suspicious, believing that the king's daughter would not have made him drunk for any good purpose. In spite of that he cannot see through Brown Robin's disguise, though the king remarks that 'this is a sturdy dame.' The king's daughter, one would think, who conceals Robin's bow in her bosom, must also have been somewhat sturdy. Note the picturesque touch in 8.2.


BROWN ROBIN

    1.
    The king but an' his nobles a' } bis
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Fair Mary Of Wallington

The Text is from Lovely Jenny's Garland, as given with emendations by Professor Child. There is also a curiously perverted version in Herd's manuscript, in which the verses require rearrangement before becoming intelligible.

The Story can be gathered from the version here given without much difficulty. It turns on the marriage of Fair Mary, who is one of seven sisters fated to die of their first child. Fair Mary seems to be a fatalist, and, after vowing never to marry, accepts as her destiny the hand of Sir William Fenwick of Wallington. Three-quarters of a year later she sends to fair Pudlington for her mother. Her mother is much affected at the news (st. 22), and goes to Wallington. Her daughter, in travail, lays the blame on her, cuts open her side to give birth to an heir, and dies.

In a Breton ballad Pont...

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The Bailiff's Daughter of Islington

The Text is formed by a collation of six broadsides printed between 1672 and 1700: they do not, however, present many variations. Here, if anywhere, one would demand licence to make alterations and improvements. In stanza 12 the rhymes are almost certainly misplaced; and the last stanza is quite superfluous. It would be much more in keeping with ballad-style to end with the twelfth, and many of the variants now sung conclude thus. This ballad is still extremely popular, and not only has it been included in many selections and song-books, but it is also still in oral tradition.


The Story is simple and pre-eminently in the popular vein. Counterparts exist elsewhere in the languages derived from Latin, and in Romaic.


THE BAILIFF'S DAUGHTER OF ISLINGTON

    1.
    There was a youth, and a well...

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Clerk Colven

The Text.--This ballad was one of two transcribed from the now lost Tytler-Brown MS., and the transcript is given here. A considerable portion of the story is lost between stanzas 6 and 7.


The Story in its full form is found in a German poem of the twelfth or thirteenth century (Der Ritter von Stauffenberg) as well as in many Scandinavian ballads.

In the German tale, the fairy bound the knight to marry no one; on that condition she would come to him whenever he wished, if he were alone, and would bestow endless gifts upon him: if ever he did marry, he would die within three days. Eventually he was forced to marry, and died as he had been warned.

In seventy Scandinavian ballads, the story remains much the same. The hero's name is Oluf or Ole, or some modification of this, of which 'Colvill,' or...

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The Twa Sisters O' Binnorie

Texts.--The version here given is compounded from two different sources, almost of necessity. Stanzas 1-19 were given by Scott, compounded from W. Tytler's Brown MS. and the recitation of an old woman. But at stanza 20 Scott's version becomes eccentric, and he prints such verses as:--

    'A famous harper passing by
    The sweet pale face he chanced to spy ...

    The strings he framed of her yellow hair,
    Whose notes made sad the listening air.'

Stanzas 20-25, therefore, have been supplied from the Jamieson-Brown MS., which after this point does not descend from the high level of ballad-poetry.

The Story.--This is a very old and a very popular story. An early broadside exists, dated 1656, and the same version is printed in Wit Restor'd, 1658. Of Scandinavian ballads on the ...

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