The Call To Bran

One time Bran, son of Febal, was out by himself near his dun, and he heard music behind him. And it kept always after him, and at last he fell asleep with the sweetness of the sound. And when he awoke from his sleep he saw beside him a branch of silver, and it having white blossoms, and the whiteness of the silver was the same as the whiteness of the blossoms. And he brought the branch in his hand into the royal house, and when all his people were with him they saw a woman with strange clothing standing in the house. And she began to make a song for Bran, and all the people were looking at her and listening to her, and it is what she said: I bring a branch of the apple-tree from Emhain, from the far island around which are the shining horses of the Son of Lir. A delight of the eyes is the plain where the hosts hold their games: curragh racing against chariot in the Silver-White Plain to the south.

There are feet of white bronze under it, shining through life and time; a comely level land through the length of the world's age, and many blossoms falling on it.

There is an old tree there with blossoms, and birds calling from among them; every colour is shining there. Delight is common, and music in the Gentle Voiced Plain, in the Silver Cloud Plain to the south. There is nothing hard or rough, but sweet music striking on the ear; keening is not used, or treachery, in the tilled familiar land.

To be without grief, without sorrow, without death, without any sickness, without weakness; that is the sign of Emhain; it is not a common wonder that is.

There is nothing to liken its mists to, the sea washes the wave against the land; brightness falls from its hair.

Golden chariots in the Plain of the Sea, rising up to the sun with the tide; silver chariots and bronze chariots on the Plain of Sports.

It is a day of lasting weather, silver is dropping on the land; a pure white cliff on the edge of the sea, getting its warmth from the sun.

The host race over the Plain of Sports; it is beautiful and not weak their game is; death or the ebbing of the tide will not come to them in the Many-coloured Land.

There will come at sunrise a fair man, lighting up the level lands; he rides upon the plain that is beaten by the waves, he stirs the sea till it is like blood. An army will come over the clear sea, rowing to the stone that is in sight, that has a hundred sounds of music.

It sings a song to the army; it is not sad through the length of time; it increases music with hundreds singing together; they do not look for death or the ebb-tide.

Isabella Augusta, Lady Gregory

Isabella Augusta, Lady Gregory was an Irish dramatist, folklorist, and theatre manager. She co-founded the Irish Literary Theatre and the Abbey Theatre and wrote numerous short works for both companies. She was a central figure in the Irish Literary Revival and notably a mentor and friend to prominent Irish writers such as W. B. Yeats. Her collected writings include plays, folklore collections, and many translations of Irish language dramas. Her works remain significant in the context of early 20th-century Irish literature.

Isabella Augusta, Lady Gregory

The Hymn Of Molling's Guest, The Man Full Of Trouble

Isabella Augusta, Lady Gregory, Simple Poetry

His Vision Of Death

Isabella Augusta, Lady Gregory, Simple Poetry

A Lament For Fair-Haired Donough That Was Hanged In Galway

Isabella Augusta, Lady Gregory, Simple Poetry

English

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The Army Of The Sidhe

Laegaire, son of the king of Connacht, was out one day with the king his father near Loch na-n Ean, the Lake of Birds, and the men of Connacht with them, and they saw a man coming to them through the mist. Long golden-yellow hair he had, and at his belt a gold-hilted sword, and in his hand two five-barbed darts; a gold-rimmed shield on his back, a five-folded crimson cloak about his shoulders, and it is what he said:

The most beautiful of plains is the Plain of the Two Mists; it is not far from this; the men of its army in good order go out ahead of their beautiful king; they march among blue spears, white troops of fighters with curled hair.

They scatter the troops of their enemies, they destroy every country they make an attack on; they are beautiful in battle, a host with high looks, rushing, avenging.

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Baile And Aillinn

ARGUMENT. i(Baile and Aillinn were lovers, but Aengus, the)
i(Master of Love, wishing them to he happy in his own land)
i(among the dead, told to each a story of the other's death, so)
i(that their hearts were broken and they died.)

I HARDLY i(hear the curlew cry,)

On the heir of Uladh, Buan's son,
Baile, who had the honey mouth;
And that mild woman of the south,
Aillinn, who was King Lugaidh's heir.
Their love was never drowned in care
Of this or that thing, nor grew cold
Because their hodies had grown old.
Being forbid to marry on earth,
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About the time when Christ was born,
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Under The Moon

I have no happiness in dreaming of Brycelinde,
Nor Avalon the grass-green hollow, nor Joyous Isle,
Where one found Lancelot crazed and hid him for a while;
Nor Uladh, when Naoise had thrown a sail upon the wind;
Nor lands that seem too dim to be burdens on the heart:
Land-under-Wave, where out of the moon's light and the sun's
Seven old sisters wind the threads of the long-lived ones,
Land-of-the-Tower, where Aengus has thrown the gates apart,
And Wood-of-Wonders, where one kills an ox at dawn,
To find it when night falls laid on a golden bier.
Therein are many queens like Branwen and Guinevere;
And Niamh and Laban and Fand, who could change to an otter or fawn,
And the wood-woman, whose lover was changed to a blue-eyed hawk;
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The Harp Of Hoel.[1]

    It was a high and holy sight,
    When Baldwin^[2] and his train,
    With cross and crosier gleaming bright,
    Came chanting slow the solemn rite,
    To Gwentland's^[3] pleasant plain.

    High waved before, in crimson pride,
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    The silver rood was then descried,
    While deacon youths, from side to side,
    The fuming censer toss.

    The monks went two and two along,
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    And harps and citterns, 'mid the throng,
    A mingled music made.

    They ceased; when lifting high his hand,
    The white-robed prelate cried:
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The Man Who Dreamed Of Faeryland

He stood among a crowd at Dromahair;
His heart hung all upon a silken dress,
And he had known at last some tenderness,
Before earth took him to her stony care;
But when a man poured fish into a pile,
It Seemed they raised their little silver heads,
And sang what gold morning or evening sheds
Upon a woven world-forgotten isle
Where people love beside the ravelled seas;
That Time can never mar a lover's vows
Under that woven changeless roof of boughs:
The singing shook him out of his new ease.
He wandered by the sands of Lissadell;
His mind ran all on money cares and fears,
And he had known at last some prudent years
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The Hag Of Beare

It is of Corca Dubhne she was, and she had her youth seven times over, and every man that had lived with her died of old age, and her grandsons and great-grandsons were tribes and races. And through a hundred years she wore upon her head the veil Cuimire had blessed. Then age and weakness came upon her and it is what she said:

Ebb-tide to me as to the sea; old age brings me reproach; I used to wear a shift that was always new; to-day, I have not even a cast one.

It is riches you are loving, it is not men; it was men we loved in the time we were living.

There were dear men on whose plains we used to be driving; it is good the time we passed with them; it is little we were broken afterwards.

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