The Carver

See, as the carver carves a rose,
A wing, a toad, a serpent's eye,
In cruel granite, to disclose
The soft things that in hardness lie,
So this one, taking up his heart,
Which time and change had made a stone,
Carved out of it with dolorous art,
Laboring yearlong and alone,
The thing there hidden, rose, toad, wing?
A frog's hand on a lily pad?
Bees in a cobweb? no such thing!
A girl's head was the thing he had,
Small, shapely, richly crowned with hair,
Drowsy, with eyes half closed, as they
Looked through you and beyond you, clear
To something farther than Cathay:
Saw you, yet counted you not worth
The seeing, thinking all the while
How, flower-like, beauty comes to birth;
And thinking this, began to smile.
Medusa! For she could not see
The world she turned to stone and ash.
Only herself she saw, a tree
That flowered beneath a lightning-flash.
Thus dreamed her face, a lovely thing
To worship, weep for, or to break . . .
Better to carve a claw, a wing,
Or, if the heart provide, a snake.

Conrad Aiken

Conrad Aiken was an American poet, born on August 5, 1889. He was an influential figure in 20th-century American literature, known for his lyrical and psychological depth. Aiken's work often explored themes of identity, time, and the psychoanalytic. He also served as the Consultant in Poetry to the Library of Congress, a position now known as the U.S. Poet Laureate. He passed away on August 17, 1973.

Conrad Aiken

Hatteras Calling

Conrad Aiken, Simple Poetry

Improvisations: Light And Snow: 14

Conrad Aiken, Simple Poetry

Improvisations: Light And Snow: 07

Conrad Aiken, Simple Poetry

Senlin, A Biography: Part 03: His Cloudy Destiny - 01

Conrad Aiken, Simple Poetry

English

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Chiarascuro: Rose

He
Fill your bowl with roses: the bowl, too, have of crystal.
Sit at the western window. Take the sun
Between your hands like a ball of flaming crystal,
Poise it to let it fall, but hold it still,
And meditate on the beauty of your existence;
The beauty of this, that you exist at all.

She
The sun goes down, but without lamentation.
I close my eyes, and the stream of my sensation
In this, at least, grows clear to me:
Beauty is a word that has no meaning.
Beauty is naught to me.

He
The last blurred raindrops fall from the half-clear sky,
Eddying lightly, rose-tinged, in the windless wake of the sun.
The swallow ascending against cold waves of cloud
Seems winging upward over huge bleak stairs of stone.
The raindrop finds...

Conrad Aiken

The House Of Dust: Part 03: 07: Porcelain

You see that porcelain ranged there in the window,
Platters and soup-plates done with pale pink rosebuds,
And tiny violets, and wreaths of ivy?
See how the pattern clings to the gleaming edges!
Theyre works of art, minutely seen and felt,
Each petal done devoutly. Is it failure
To spend your blood like this?

Study them . . . you will see there, in the porcelain,
If you stare hard enough, a sort of swimming
Of lights and shadows, ghosts within a crystal,
My brain unfolding! There youll see me sitting
Day after day, close to a certain window,
Looking down, sometimes, to see the people . . .

Sometimes my wife comes there to speak to me . . .
Sometimes the grey cat waves his tail around me . . .
Goldfish swim in a bowl, glisten in sunlight,
Dilate to...

Conrad Aiken

Senlin, A Biography: Part 02: His Futile Preoccupations - 04

That woman, did she try to attract my attention?
Is it true I saw her smile and nod?
She turned her head and smiled . . . was it for me?
It is better to think of work or god.
The clouds pile coldly above the houses
Slow wind revolves the leaves:
It begins to rain, and the first long drops
Are slantingly blown from eaves.
But it is true she tried to attract my attention!
She pressed a rose to her chin and smiled.
Her hand was white by the richness of her hair,
Her eyes were those of a child.
It is true she looked at me as if she liked me.
And turned away, afraid to look too long!
She watched me out of the corners of her eyes;
And, tapping time with fingers, hummed a song.
. . . Nevertheless, I will think of work,
With a trowel in my hands;
Or the vagu...

Conrad Aiken

Discordants

I (Bread and Music)

Music I heard with you was more than music,
And bread I broke with you was more than bread;
Now that I am without you, all is desolate;
All that was once so beautiful is dead.

Your hands once touched this table and this silver,
And I have seen your fingers hold this glass.
These things do not remember you, belovd,
And yet your touch upon them will not pass.

For it was in my heart you moved among them,
And blessed them with your hands and with your eyes;
And in my heart they will remember always,
They knew you once, O beautiful and wise.

II

My heart has become as hard as a city street,
The horses trample upon it, it sings like iron,
All day long and all night long they beat,
They ring like the...

Conrad Aiken

The Window

She looks out in the blue morning
and sees a whole wonderful world
she looks out in the morning
and sees a whole world

She leans out of the window
and this is what she sees
a wet rose singing to the sun
with a chorus of red bees

She leans out of the window
and laughs for the window is high
she is in it like a bird on a perch
and they scoop the blue sky

She and the window scooping
the morning as if it were air
scooping a green wave of leaves
above a stone stair

And an urn hung with leaden garlands
and girls holding hands in a ring
and raindrops on an iron railing
shining like a harp string

An old man draws with his ferrule
in wet sand a map of Spain
the marble soldier on his pedestal
draws a stiff...

Conrad Aiken

Senlin, A Biography: Part 01: His Dark Origins - 06

Rustling among his odds and ends of knowledge
Suddenly, to his wonder, Senlin finds
How Cleopatra and Senebtisi
Were dug by many hands from ancient tombs.
Cloth after scented cloth the sage unwinds:
Delicious to see our futile modern sunlight
Dance like a harlot among these Dogs and Dooms!
First, the huge pyramid, with rock on rock
Bloodily piled to heaven; and under this
A gilded cavern, bat festooned;
And here in rows on rows, with gods about them,
Cloudily lustrous, dim, the sacred coffins,
Silver starred and crimson mooned.
What holy secret shall we now uncover?
Inside the outer coffin is a second;
Inside the second, smaller, lies a third.
This one is carved, and like a human body;
And painted over with fish and bull and bird.
Here are men walkin...

Conrad Aiken