Violet Moore And Bert Moore

He thinks her little feet should pass
Where dandelions star thickly grass;
Her hands should lift in sunlit air
Sea-wind should tangle up her hair.
Green leaves, he says, have never heard
A sweeter ragtime mockingbird,
Nor has the moon-man ever seen,
Or man in the spotlight, leering green,
Such a beguiling, smiling queen.
Her eyes, he says, are stars at dusk,
Her mouth as sweet as red-rose musk;
And when she dances his young heart swells
With flutes and viols and silver bells;
His brain is dizzy, his senses swim,
When she slants her ragtime eyes at him. . .
Moonlight shadows, he bids her see,
Move no more silently than she.
It was this way, he says, she came,
Into his cold heart, bearing flame.
And now that his heart is all on fire
Will she refuse his hearts desire?
And O! has the Moon Man ever seen
(Or the spotlight devil, leering green)
A sweeter shadow upon a screen?

Conrad Aiken

Conrad Aiken was an American poet, born on August 5, 1889. He was an influential figure in 20th-century American literature, known for his lyrical and psychological depth. Aiken's work often explored themes of identity, time, and the psychoanalytic. He also served as the Consultant in Poetry to the Library of Congress, a position now known as the U.S. Poet Laureate. He passed away on August 17, 1973.

Conrad Aiken

Senlin, A Biography: Part 02: His Futile Preoccupations - 09

Conrad Aiken, Simple Poetry

The House Of Dust: Part 01: 03: One, Where The Pale Sea Foamed At The Yellow Sand

Conrad Aiken, Simple Poetry

The Cornet

Conrad Aiken, Simple Poetry

The House Of Dust: Part 03: 04: Illicit

Conrad Aiken, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

The Cornet

When she came out, that white little Russian dancer,
With her bright hair, and her eyes, so young, so young,
He suddenly lost his leader, and all the players,
And only heard an immortal music sung,
Of dryads flashing in the green woods of April,
On cobwebs trembing over the deep, wet grass:
Fleeing their shadows with laughter, with hands uplifted,
Through the whirled sinister sun he saw them pass,
Lovely immortals gone, yet existing somewhere,
Still somewhere laughing in woods of immortal green,
Young he had lived among fires, or dreamed of living,
Lovers in youth once seen, or dreamed he had seen. . .
And watched her knees flash up, and her young hands beckon,
And the hair that streamed behind, and the taunting eyes.
He felt this place dissolving in living darkness,

Conrad Aiken

Rose And Murray

After the movie, when the lights come up,
He takes her powdered hand behind the wings;
She, all in yellow, like a buttercup,
Lifts her white face, yearns up to him, and clings;
And with a silent, gliding step they move
Over the footlights, in familiar glare,
Panther-like in the Tango whirl of love,
He fawning close on her with idiot stare.
Swiftly they cross the stage. O lyric ease!
The drunken music follows the sure feet,
The swaying elbows, intergliding knees,
Moving with slow precision on the beat.
She was a waitress in a restaurant,
He picked her up and taught her how to dance.
She feels his arms, lifts an appealing glance,
But knows he spent last evening with Zudora;
And knows that certain changes are before her.
The brilliant spotlight circles them ...

Conrad Aiken

The House Of Dust: Part 02: 07: Two Lovers: Overtones

Two lovers, here at the corner, by the steeple,
Two lovers blow together like music blowing:
And the crowd dissolves about them like a sea.
Recurring waves of sound break vaguely about them,
They drift from wall to wall, from tree to tree.
Well, am I late? Upward they look and laugh,
They look at the great clocks golden hands,
They laugh and talk, not knowing what they say:
Only, their words like music seem to play;
And seeming to walk, they tread strange sarabands.

I brought you this . . .  the soft words float like stars
Down the smooth heaven of her memory.
She stands again by a garden wall,
The peach tree is in bloom, pink blossoms fall,
Water sings from an opened tap, the bees
Glisten and murmur among the trees.
Someone calls from the house. Sh...

Conrad Aiken

The House Of Dust: Part 04: 05: The Bitter Love-Song

No, I shall not say why it is that I love you,
Why do you ask me, save for vanity?
Surely you would not have me, like a mirror,
Say yes, your hair curls darkly back from the temples,
Your mouth has a humorous, tremulous, half-shy sweetness,
Your eyes are April grey. . . .with jonquils in them?
No, if I tell at all, I shall tell in silence . . .
Ill say, my childhood broke through chords of music
Or were they chords of sun? wherein fell shadows,
Or silences; I rose through seas of sunlight;
Or sometimes found a darkness stooped above me
With wings of death, and a face of cold clear beauty. .
I lay in the warm sweet grass on a blue May morning,
My chin in a dandelion, my hands in clover,
And drowsed there like a bee. . . .blue days behind me
Stretched like a chain...

Conrad Aiken

Senlin, A Biography: Part 02: His Futile Preoccupations - 08

The pale blue gloom of evening comes
Among the phantom forests and walls
With a mournful and rythmic sound of drums.
My heart is disturbed with a sound of myriad throbbing,
Persuasive and sinister, near and far:
In the blue evening of my heart
I hear the thrum of the evening star.
My work is uncompleted; and yet I hurry,
Hearing the whispered pulsing of those drums,
To enter the luminous walls and woods of night.
It is the eternal mistress of the world
Who shakes these drums for my delight.
Listen! the drums of the leaves, the drums of the dust,
The delicious quivering of this air!
I will leave my work unfinished, and I will go
With ringing and certain step through the laughter of chaos
To the one small room in the void I know.
Yesterday it was there,

Conrad Aiken

The House Of Dust: Part 03: 04: Illicit

Of what she said to me that night, no matter.
The strange thing came next day.
My brain was full of music, something she played me;
I couldnt remember it all, but phrases of it
Wreathed and wreathed among faint memories,
Seeking for something, trying to tell me something,
Urging to restlessness: verging on grief.
I tried to play the tune, from memory,
But memory failed: the chords and discords climbed
And found no resolution, only hung there,
And left me morbid . . . Where, then, had I heard it? . . .
What secret dusty chamber was it hinting?
Dust, it said, dust . . . and dust . . . and sunlight . .
A cold clear April evening . . . snow, bedraggled,
Rain-worn snow, dappling the hideous grass . . .
And someone walking alone; and someone saying
That all must...

Conrad Aiken