The Child Of Ell

There are here put in juxtaposition three versions in ballad-form of the same story, though fragmentary in the two latter cases, not only because each is good, but to show the possibilities of variation in a popular story. There is yet another ballad, Erlinton, printed by Sir Walter Scott in the Minstrelsy, embodying an almost identical tale. Earl Brand preserves most of the features of a very ancient story with more exactitude than any other traditional ballad. But in this case, as in too many others, we must turn to a Scandinavian ballad for the complete form of the story. A Danish ballad, Ribold and Guldborg, gives the fine tale thus:--

Ribold, a king's son, in love with Guldborg, offers to carry her away 'to a land where death and sorrow come not, where all the birds are cuckoos, where all the grass is leeks, where all the streams run with wine.' Guldborg is willing, but doubts whether she can escape the strict watch kept over her by her family and by her betrothed lover. Ribold disguises her in his armour and a cloak, and they ride away. On the moor they meet an earl, who asks, 'Whither away?' Ribold answers that he is taking his youngest sister from a cloister. This does not deceive the earl, nor does a bribe close his mouth; and Guldborg's father, learning that she is away with Ribold, rides with his sons in pursuit. Ribold bids Guldborg hold his horse, and prepares to fight; he tells her that, whatever may chance, she must not call on him by name. Ribold slays her father and some of her kin and six of her brothers; only her youngest brother is left: Guldborg cries, 'Ribold, spare him,' that he may carry tidings to her mother. Immediately Ribold receives a mortal wound. He ceases fighting, sheathes his sword, and says to her, 'Wilt thou go home to thy mother again, or wilt thou follow so sad a swain?' And she says she will follow him. In silence they ride on. 'Why art not thou merry as before?' asks Guldborg. And Ribold answers, 'Thy brother's sword has been in my heart.' They reach his house: he calls for one to take his horse, another to fetch a priest; for his brother shall have Guldborg. But she refuses. That night dies Ribold, and Guldborg slays herself and dies in his arms.

A second and even more dramatic ballad, Hildebrand and Hilde, tells a similar story.

The Child of Ell, in the Percy Folio, may have contained anything; but immediately we approach a point where comparison would be of interest, we meet an hiatus valde deflendus. Percy, in the Reliques, expanded the fragment here given to about five times the length.

THE CHILD OF ELL

(Fragment: from the Percy Folio)

1.
... ... ...
... ... ...
Sayes, 'Christ thee saue, good child of Ell,
Christ saue thee & thy steede!

2.
'My father sayes he will noe meate,
Nor his drinke shall doe him noe good,
Till he haue slaine the child of Ell,
& haue seene his hart's blood.'

3.
'I wold I were in my sadle sett,
& a mile out of the towne,
I did not care for your father
& all his merrymen.

4.
'I wold I were in my sadle sett
& a litle space him froe,
I did not care for your father
& all that long him to!'

5.
He leaned ore his saddle bow,
To kisse this lady good;
The teares that went them 2 betweene
Were blend water & blood.

6.
He sett himselfe on one good steed,
This lady on one palfray,
& sett his litle horne to his mouth,
& roundlie he rode away.

7.
He had not ridden past a mile,
A mile out of the towne,
Her father was readye with her 7 brether,
He said, 'Sett thou my daughter downe!
For it ill beseemes thee, thou false churles sonne,
To carry her forth of this towne!'

8.
'But lowd thou lyest, Sir Iohn the Knight,
Thou now doest lye of me;
A knight me gott, & a lady me bore;
Soe neuer did none by thee.

9.
'But light now downe, my lady gay,
Light downe & hold my horsse,
Whilest I & your father & your brether
Doe play vs at this crosse.

10.
'But light now downe, my owne trew loue,
& meeklye hold my steede,
Whilest your father [and your brether] bold
... ... ...

Frank Sidgwick

Frank Sidgwick was an English writer, publisher, and scholarly editor. He was instrumental in popularizing ballad and folklore studies in the early 20th century. Sidgwick co-founded the publishing company Sidgwick & Jackson, which became known for its contributions to literature and scholarship. Though not primarily known as a poet, his editorial and publishing efforts significantly impacted the literary culture of his time, emphasizing the academic study of traditional songs and verses.

Frank Sidgwick

Fause Footrage

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Frank Sidgwick, Simple Poetry

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Edward

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English

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Earl Brand

There are here put in juxtaposition three versions in ballad-form of the same story, though fragmentary in the two latter cases, not only because each is good, but to show the possibilities of variation in a popular story. There is yet another ballad, Erlinton, printed by Sir Walter Scott in the Minstrelsy, embodying an almost identical tale. Earl Brand preserves most of the features of a very ancient story with more exactitude than any other traditional ballad. But in this case, as in too many others, we must turn to a Scandinavian ballad for the complete form of the story. A Danish ballad, Ribold and Guldborg, gives the fine tale thus:--

Ribold, a king's son, in love with Guldborg, offers to carry her away 'to a land where death and sorrow come not, where all the birds are cuckoos, where all the gr...

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Lady Isabel And The Elf-Knight

The Text is taken from Buchan's Ballads of the North of Scotland, where it is entitled The Gowans sae gay. This ballad is much better known in another form, May Colvin (Collin, Collean).


The Story.--Professor Child says, 'Of all ballads this has perhaps obtained the widest circulation,' and devotes thirty-two pages to its introduction. Known in the south as well as in the north of Europe, the Germans and Scandinavians preserve it in fuller and more ancient forms than the Latin nations.

In the still popular Dutch ballad Halewijn, Heer Halewijn sings so sweetly that the king's daughter asks leave to go to him. Her father, mother, and sister remind her that those who have gone to him have never returned; her brother says he does not care where she goes, if she retains her honour....

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Clerk Colven

The Text.--This ballad was one of two transcribed from the now lost Tytler-Brown MS., and the transcript is given here. A considerable portion of the story is lost between stanzas 6 and 7.


The Story in its full form is found in a German poem of the twelfth or thirteenth century (Der Ritter von Stauffenberg) as well as in many Scandinavian ballads.

In the German tale, the fairy bound the knight to marry no one; on that condition she would come to him whenever he wished, if he were alone, and would bestow endless gifts upon him: if ever he did marry, he would die within three days. Eventually he was forced to marry, and died as he had been warned.

In seventy Scandinavian ballads, the story remains much the same. The hero's name is Oluf or Ole, or some modification of this, of which 'Colvill,' or...

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Child Waters

The Text is here given from the Percy Folio, with some emendations as suggested by Child.

The Story, if we omit the hard tests imposed on the maid's affection, is widely popular in a series of Scandinavian ballads,--Danish, Swedish, and Norwegian; and Percy's edition (in the Reliques) was popularised in Germany by Bürger's translation.

The disagreeable nature of the final insult (stt. 27-29), retained here only for the sake of fidelity to the original text, may be paralleled by the similarly sudden lapse of taste in the Nut-Brown Maid. We can but hope--as indeed is probable--that the objectionable lines are in each case interpolated.

'Child,' as in 'Child Roland,' etc., is a title of courtesy = Knight.


CHILD WATERS

    1.
    Childe Watters in his stable stood...

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The Knight And The Shepherd's Daughter

The Text is given here from Kinloch's MSS. He gives also three other versions and various fragments. The tale is also found amongst the Roxburghe Ballads, as The Beautifull Shepherdesse of Arcadia, in two broadsides printed about 1655 and 1680. This is the only English version extant. But earlier than any text of the ballad is a quotation from it in John Fletcher's The Pilgrim, iv. 2 (1621). The Scots versions, about a dozen in number, are far more lively than the broadside. Buchan printed two, of sixty and sixty-three stanzas respectively. Another text is delightfully inconsequent:--

    '"Some ca' me Jack, some ca' me John,
        Some ca' me Jing-ga-lee,
    But when I am in the queen's court
        Earl Hitchcock they ca' me."

    "Hitchcock, Hitchcock," Jo Janet she said,
        ...

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The Baffled Knight
The Text is from Ravenscroft's Deuteromelia (1609), reprinted almost verbatim in Tom Durfey's Pills to Purge Melancholy.

The Story was sufficiently popular not only to have been revived, at the end of the seventeenth century, but to have had three other 'Parts' added to it, the whole four afterwards being combined into one broadside.

In similar Spanish, Portuguese, and French ballads, the damsel escapes by saying she is a leper, or the daughter of a leper, or otherwise diseased. Much the same story is told in Danish and German ballads.

THE BAFFLED KNIGHT

1.
Yonder comes a courteous knight,
Lustely raking over the lay;
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As she came wand'ring over the way.
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