The Cross.

The cross I bear no man shall know
No man can ease the cross I bear!
Alas! the thorny path of woe
Up the steep hill of care!

There is no word to comfort me;
No sign to help my bended head;
Deep night lies over land and sea,
And silence dark and dread.

To strive, it seems, that I was born,
For that which others shall obtain;
The disappointment and the scorn
Alone for me remain.

One half my life is overpast;
The other half I contemplate
Meseems the past doth but forecast
A darker future state.

Sick to the heart of that which makes
Me hope and struggle and desire,
The aspiration here that aches
With ineffectual fire;

While inwardly I know the lack,
The insufficiency of power,
Each past day's retrospect makes black
Each morrow's coming hour.

Now in my youth would I could die!
As others love to live, go down
Into the grave without a sigh,
Oblivious of renown!

Madison Julius Cawein

Madison Julius Cawein was born on March 23, 1865, in Louisville, Kentucky and died on December 8, 1914. Known as the “Keats of Kentucky,” his poetry often focused on nature, mythology, and the lush landscapes of his home state. Throughout his lifetime, Cawein published more than 30 books of poetry. He is remembered for his vivid and descriptive style and his ability to capture the beauty of the natural world. His works provide a window into the pastoral and often mystical world of the late 19th and early 20th centuries.

Madison Julius Cawein

The Jessamine And The Morning-Glory.

Madison Julius Cawein, Simple Poetry

The Egret Hunter

Madison Julius Cawein, Simple Poetry

Content. A Quatrain.

Madison Julius Cawein, Simple Poetry

Katydids And The Moon

Madison Julius Cawein, Simple Poetry

English

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Face To Face.

Dead! and all the haughty fate
Fair on throat and face of wax,
White, calm hands crossed still and lax,
Cold, impassionate!

Dead! and no word whispered low
At the dull ear now could wake
One responsive chord or make
One wan temple glow.

Dead! and no hot tear would stir
All that woman sweet and fair,
Woman soul from feet to hair
Which was once of her.

God! and thus to die! and I -
I must live though life be but
One long, hard, monotonous rut,
There to plod and - die!

Creeds are well in such a case;
But no sermon could have wrought
More of faith than you have taught
With your pale, dead face.

And I see it as you see -
One mistake, so very small!
Yet so great it mangled all,
Left you this and me!

Madison Julius Cawein

Monochromes

I.

The last rose falls, wrecked of the wind and rain;
Where once it bloomed the thorns alone remain:
Dead in the wet the slow rain strews the rose.
The day was dim; now eve comes on again,
Grave as a life weighed down by many woes, -
So is the joy dead, and alive the pain.

The brown leaf flutters where the green leaf died;
Bare are the boughs, and bleak the forest side:
The wind is whirling with the last wild leaf.
The eve was strange; now dusk comes weird and wide,
Gaunt as a life that lives alone with grief, -
So doth the hope go and despair abide.

An empty nest hangs where the wood-bird pled;
Along the west the dusk dies, stormy red:
The frost is subtle as a serpent's breath.
The dusk was sad; now night is overhead,
Grim as a soul bro...

Madison Julius Cawein

Despondency.

Not all the bravery that day puts on
Of gold and azure, ardent or austere,
Shall ease my soul of sorrow; grown more dear
Than all the joy that heavenly hope may don.
Far up the skies the rumor of the dawn
May run, and eve like some wild torch appear;
These shall not change the darkness, gathered here,
Of thought, that rusts like an old sword undrawn.
Oh, for a place deep-sunken from the sun!
A wildwood cave of primitive rocks and moss!
Where Sleep and Silence, breast to married breast
Lie with their child, night-eyed Oblivion;
Where, freed from all the trouble of my cross,
I might forget, I might forget, and rest!

Madison Julius Cawein

Afterword.

The old enthusiasms
Are dead, quite dead, in me;
Dead the aspiring spasms
Of art and poesy,
That opened magic chasms,
Once, of wild mystery,
In youth's rich Araby.
That opened magic chasms.

The longing and the care
Are mine; and, helplessly,
The heartache and despair
For what can never be.
More than my mortal share
Of sad mortality,
It seems, God gives to me,
More than my mortal share.

O world! O time! O fate!
Remorseless trinity!
Let not your wheel abate
Its iron rotary!
Turn round! nor make me wait,
Bound to it neck and knee,
Hope's final agony!
Turn round! nor make me wait.

Madison Julius Cawein

Where The Battle Passed

One blossoming rose-tree, like a beautiful thought
Nursed in a broken mind, that waits and schemes,
Survives, though shattered, and about it caught,
The strangling dodder streams.

Gaunt weeds: and here a bayonet or pouch,
Rusty and rotting where men fought and slew:
Bald, trampled paths that seem with fear to crouch,
Feeling a bloody dew.

Here nothing that was beauty's once remains.
War left the garden to its dead alone:
And Life and Love, who toiled here, for their pains
Have nothing once their own.

Death leans upon the battered door, at gaze
The house is silent where there once was stir
Of husbandry, that led laborious days,
With Love for comforter.

Now in Love's place, Death, old and halt and blind,
Gropes, searching everywhere ...

Madison Julius Cawein

Despair.

Shut in with phantoms of life's hollow hopes,
And shadows of old sins satiety slew,
And the young ghosts of the dead dreams love knew,
Out of the day into the night she gropes.
Behind her, high the silvered summit slopes
Of strength and faith, she will not turn to view;
But towards the cave of weakness, harsh of hue,
She goes, where all the dropsied horror ropes.
There is a voice of waters in her ears,
And on her brow a wind that never dies:
One is the anguish of desired tears;
One is the sorrow of unuttered sighs;
And, burdened with the immemorial years,
Downward she goes with never lifted eyes.

Madison Julius Cawein