The Difference

I

Sinking down by the gate I discern the thin moon,
And a blackbird tries over old airs in the pine,
But the moon is a sorry one, sad the bird's tune,
For this spot is unknown to that Heartmate of mine.

II

Did my Heartmate but haunt here at times such as now,
The song would be joyous and cheerful the moon;
But she will see never this gate, path, or bough,
Nor I find a joy in the scene or the tune.

Thomas Hardy

Thomas Hardy (1840-1928) was an English novelist and poet. Born in Dorset, his works often featured the semi-fictional region of Wessex. Hardy was initially trained as an architect, but he later pursued writing full-time. His novels, including 'Tess of the d'Urbervilles,' 'Far from the Madding Crowd,' and 'Jude the Obscure,' are known for their critical portrayal of Victorian society and its mores. As a poet, he is recognized for his explorations of human suffering and the indifferent forces of nature. Hardy's legacy is profound, influencing both literature and criticism.

Thomas Hardy

In The Garden

Thomas Hardy, Simple Poetry

The Dear

Thomas Hardy, Simple Poetry

He Prefers Her Earthly

Thomas Hardy, Simple Poetry

The Man He Killed

Thomas Hardy, Simple Poetry

English

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Ditty

(E. L G.)



Beneath a knap where flown
Nestlings play,
Within walls of weathered stone,
Far away
From the files of formal houses,
By the bough the firstling browses,
Lives a Sweet: no merchants meet,
No man barters, no man sells
Where she dwells.

Upon that fabric fair
"Here is she!"
Seems written everywhere
Unto me.
But to friends and nodding neighbours,
Fellow-wights in lot and labours,
Who descry the times as I,
No such lucid legend tells
Where she dwells.

Should I lapse to what I was
Ere we met;
(Such can not be, but because
Some forget
Let me feign it) none would notice
That where she I know by rote is
Spread a strange and withering change,
Like a drying of the wells
Where s...

Thomas Hardy

At A Seaside Town In 1869 - Young Lover's Reverie

I went and stood outside myself,
Spelled the dark sky
And ship-lights nigh,
And grumbling winds that passed thereby.

Then next inside myself I looked,
And there, above
All, shone my Love,
That nothing matched the image of.

Beyond myself again I ranged;
And saw the free
Life by the sea,
And folk indifferent to me.

O 'twas a charm to draw within
Thereafter, where
But she was; care
For one thing only, her hid there!

But so it chanced, without myself
I had to look,
And then I took
More heed of what I had long forsook:

The boats, the sands, the esplanade,
The laughing crowd;
Light-hearted, loud
Greetings from some not ill-endowed;

The evening sunlit cliffs, the talk,
Hailings and halts...

Thomas Hardy

After A Journey

Hereto I come to interview a ghost;
    Whither, O whither will its whim now draw me?
Up the cliff, down, till I'm lonely, lost,
    And the unseen waters' ejaculations awe me.
Where you will next be there's no knowing,
    Facing round about me everywhere,
    With your nut-coloured hair,
And gray eyes, and rose-flush coming and going.

Yes: I have re-entered your olden haunts at last;
    Through the years, through the dead scenes I have tracked you;
What have you now found to say of our past -
    Viewed across the dark space wherein I have lacked you?
Summer gave us sweets, but autumn wrought division?
    Things were not lastly as firstly well
    With us twain, you tell?
But all's closed now, despite Time's derision.

I see what you are doing: ...

Thomas Hardy

The Moon Looks In

I

I have risen again,
And awhile survey
By my chilly ray
Through your window-pane
Your upturned face,
As you think, "Ah-she
Now dreams of me
In her distant place!"

II

I pierce her blind
In her far-off home:
She fixes a comb,
And says in her mind,
"I start in an hour;
Whom shall I meet?
Won't the men be sweet,
And the women sour!"

Thomas Hardy

On Stinsford Hill At Midnight

I glimpsed a woman's muslined form
Sing-songing airily
Against the moon; and still she sang,
And took no heed of me.

Another trice, and I beheld
What first I had not scanned,
That now and then she tapped and shook
A timbrel in her hand.

So late the hour, so white her drape,
So strange the look it lent
To that blank hill, I could not guess
What phantastry it meant.

Then burst I forth: "Why such from you?
Are you so happy now?"
Her voice swam on; nor did she show
Thought of me anyhow.

I called again: "Come nearer; much
That kind of note I need!"
The song kept softening, loudening on,
In placid calm unheed.

"What home is yours now?" then I said;
"You seem to have no care."
But the wild wavering tune went...

Thomas Hardy

The Rambler

I do not see the hills around,
Nor mark the tints the copses wear;
I do not note the grassy ground
And constellated daisies there.

I hear not the contralto note
Of cuckoos hid on either hand,
The whirr that shakes the nighthawk's throat
When eve's brown awning hoods the land.

Some say each songster, tree, and mead -
All eloquent of love divine -
Receives their constant careful heed:
Such keen appraisement is not mine.

The tones around me that I hear,
The aspects, meanings, shapes I see,
Are those far back ones missed when near,
And now perceived too late by me!

Thomas Hardy