The Marble Tablet

There it stands, though alas, what a little of her
Shows in its cold white look!
Not her glance, glide, or smile; not a tittle of her
Voice like the purl of a brook;
Not her thoughts, that you read like a book.

It may stand for her once in November
When first she breathed, witless of all;
Or in heavy years she would remember
When circumstance held her in thrall;
Or at last, when she answered her call!

Nothing more. The still marble, date-graven,
Gives all that it can, tersely lined;
That one has at length found the haven
Which every one other will find;
With silence on what shone behind.

St. Juliot: September 8, 1916.

Thomas Hardy

Thomas Hardy (1840-1928) was an English novelist and poet. Born in Dorset, his works often featured the semi-fictional region of Wessex. Hardy was initially trained as an architect, but he later pursued writing full-time. His novels, including 'Tess of the d'Urbervilles,' 'Far from the Madding Crowd,' and 'Jude the Obscure,' are known for their critical portrayal of Victorian society and its mores. As a poet, he is recognized for his explorations of human suffering and the indifferent forces of nature. Hardy's legacy is profound, influencing both literature and criticism.

Thomas Hardy

The Chapel-Organist

Thomas Hardy, Simple Poetry

Summer Schemes

Thomas Hardy, Simple Poetry

The Bedridden Peasant

Thomas Hardy, Simple Poetry

The Change

Thomas Hardy, Simple Poetry

English

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The Inscription (A Tale)

Sir John was entombed, and the crypt was closed, and she,
Like a soul that could meet no more the sight of the sun,
Inclined her in weepings and prayings continually,
As his widowed one.

And to pleasure her in her sorrow, and fix his name
As a memory Time's fierce frost should never kill,
She caused to be richly chased a brass to his fame,
Which should link them still;

For she bonded her name with his own on the brazen page,
As if dead and interred there with him, and cold, and numb,
(Omitting the day of her dying and year of her age
Till her end should come;)

And implored good people to pray "Of their Charytie
For these twaine Soules," yea, she who did last remain
Forgoing Heaven's bliss if ever with spouse should she
Again have lain.

...

Thomas Hardy

The Woman I Met

A stranger, I threaded sunken-hearted
A lamp-lit crowd;
And anon there passed me a soul departed,
Who mutely bowed.
In my far-off youthful years I had met her,
Full-pulsed; but now, no more life's debtor,
Onward she slid
In a shroud that furs half-hid.

"Why do you trouble me, dead woman,
Trouble me;
You whom I knew when warm and human?
How it be
That you quitted earth and are yet upon it
Is, to any who ponder on it,
Past being read!"
"Still, it is so," she said.

"These were my haunts in my olden sprightly
Hours of breath;
Here I went tempting frail youth nightly
To their death;
But you deemed me chaste me, a tinselled sinner!
How thought you one with pureness in her
Could pace this street
Eyeing some man to greet?...

Thomas Hardy

An Old Likeness

Recalling R. T.


Who would have thought
That, not having missed her
Talks, tears, laughter
In absence, or sought
To recall for so long
Her gamut of song;
Or ever to waft her
Signal of aught
That she, fancy-fanned,
Would well understand,
I should have kissed her
Picture when scanned
Yawning years after!

Yet, seeing her poor
Dim-outlined form
Chancewise at night-time,
Some old allure
Came on me, warm,
Fresh, pleadful, pure,
As in that bright time
At a far season
Of love and unreason,
And took me by storm
Here in this blight-time!

And thus it arose
That, yawning years after
Our early flows
Of wit and laughter,
And framing of rhymes
At idle times,
At sight of her pain...

Thomas Hardy

If You Had Known

If you had known
When listening with her to the far-down moan
Of the white-selvaged and empurpled sea,
And rain came on that did not hinder talk,
Or damp your flashing facile gaiety
In turning home, despite the slow wet walk
By crooked ways, and over stiles of stone;
If you had known

You would lay roses,
Fifty years thence, on her monument, that discloses
Its graying shape upon the luxuriant green;
Fifty years thence to an hour, by chance led there,
What might have moved you? yea, had you foreseen
That on the tomb of the selfsame one, gone where
The dawn of every day is as the close is,
You would lay roses!

Thomas Hardy

Rake-Hell Muses

Yes; since she knows not need,
Nor walks in blindness,
I may without unkindness
A true thing tell:

Which would be truth, indeed,
Though worse in speaking,
Were her poor footsteps seeking
A pauper's cell.

I judge, then, better far
She now have sorrow,
Than gladness that to-morrow
Might know its knell. -

It may be men there are
Could make of union
A lifelong sweet communion -
A passioned spell;

But I, to save her name
And bring salvation
By altar-affirmation
And bridal bell;

I, by whose rash unshame
These tears come to her:-
My faith would more undo her
Than my farewell!

Chained to me, year by year
My moody madness
Would wither her old gladness
Like famine fell.

Thomas Hardy

The Marble-Streeted Town

I reach the marble-streeted town,
Whose "Sound" outbreathes its air
Of sharp sea-salts;
I see the movement up and down
As when she was there.
Ships of all countries come and go,
The bandsmen boom in the sun
A throbbing waltz;
The schoolgirls laugh along the Hoe
As when she was one.

I move away as the music rolls:
The place seems not to mind
That she of old
The brightest of its native souls -
Left it behind!
Over this green aforedays she
On light treads went and came,
Yea, times untold;
Yet none here knows her history -
Has heard her name.

PLYMOUTH (1914?).

Thomas Hardy