The Music of the World and of the Soul

I

Why should I say I see the things I see not?
Why be and be not?
Show love for that I love not, and fear for what I fear not?
And dance about to music that I hear not?
Who standeth still i the street
Shall be hustled and justled about;
And he that stops i the dance shall be spurned by the dancers feet,
Shall be shoved and be twisted by all he shall meet,
And shall raise up an outcry and rout;
And the partner, too,
What s the partner to do?
While all the while tis but, perchance, an humming in mine ear,
That yet anon shall hear,
And I anon, the music in my soul,
In a moment read the whole;
The music in my heart,
Joyously take my part,
And hand in hand, and heart with heart, with these retreat, advance;
And borne on wings of wavy sound,
Whirl with these around, around,
Who here are living in the living dance
Why forfeit that fair chance?
Till that arrive, till thou awake,
Of these, my soul, thy music make,
And keep amid the throng,
And turn as they shall turn, and bound as they are bounding,
Alas! alas! alas! and what if all along
The music is not sounding?

II

Are there not, then, two musics unto men?
One loud and bold and coarse,
And overpowering still perforce
All tone and tune beside;
Yet in despite its pride
Only of fumes of foolish fancy bred,
And sounding solely in the sounding head
The other, soft and low,
Stealing whence we not know,
Painfully heard, and easily forgot,
With pauses oft and many a silence strange
(And silent oft it seems, when silent it is not),
Revivals too of unexpected change
Haply thou thinkst twill never be begun,
Or that t has come, and been, and passed away
Yet turn to other none,
Turn not, oh, turn not thou!
But listen, listen, listen, if haply be heard it may;
Listen, listen, listen, is it not sounding now?

III

Yea, and as thought of some departed friend
By death or distance parted will descend,
Severing, in crowded rooms ablaze with light,
As by a magic screen, the seer from the sight
(Palsying the nerves that intervene
The eye and central sense between);
So may the ear,
Hearing not hear,
Though drums do roll, and pipes and cymbals ring;
So the bare conscience of the better thing
Unfelt, unseen, unimaged, all unknown,
May fix the entrancèd soul mid multitudes alone.

Arthur Hugh Clough

Arthur Hugh Clough was born on January 1, 1819, in Liverpool, England. He was a prominent Victorian poet known for his thoughtful and somewhat unconventional works. Clough was educated at Rugby School and later at Balliol College, Oxford, where he became closely associated with the intellectual reformist circles of the time. His poetry often explored themes of doubt, faith, and societal conventions. Despite his relatively short life, Clough made a significant impact on English literature and remains a respected figure of the Victorian literary scene. He passed away on November 13, 1861.

Arthur Hugh Clough

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Arthur Hugh Clough, Simple Poetry

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Arthur Hugh Clough, Simple Poetry

Some future day when what is now is not

Arthur Hugh Clough, Simple Poetry

Amours De Voyage - Canto IV

Arthur Hugh Clough, Simple Poetry

English

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Here am I yet, another twelvemonth spent,
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Though to the vilest things beneath the moon
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I like the old house tolerably well,
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    And hand that moves with swift or fluttering grace,
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On The Power Of Sound

I

Thy functions are ethereal,
As if within thee dwelt a glancing mind,
Organ of vision! And a Spirit aerial
Informs the cell of Hearing, dark and blind;
Intricate labyrinth, more dread for thought
To enter than oracular cave;
Strict passage, through which sighs are brought,
And whispers for the heart, their slave;
And shrieks, that revel in abuse
Of shivering flesh; and warbled air,
Whose piercing sweetness can unloose
The chains of frenzy, or entice a smile
Into the ambush of despair;
Hosannas pealing down the long-drawn aisle,
And requiems answered by the pulse that beats
Devoutly, in life's last retreats!

II

The headlong streams and fountains
Serve Thee, invisible Spirit, with untired powers;
Cheering the wakeful tent o...

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