The Upper Birch-Leaves

Warm yellowy-green
In the blue serene,
How they skip and sway
On this autumn day!
They cannot know
What has happened below, -
That their boughs down there
Are already quite bare,
That their own will be
When a week has passed, -
For they jig as in glee
To this very last.

But no; there lies
At times in their tune
A note that cries
What at first I fear
I did not hear:
"O we remember
At each wind's hollo -
Though life holds yet -
We go hence soon,
For 'tis November;
- But that you follow
You may forget!"

Thomas Hardy

Thomas Hardy (1840-1928) was an English novelist and poet. Born in Dorset, his works often featured the semi-fictional region of Wessex. Hardy was initially trained as an architect, but he later pursued writing full-time. His novels, including 'Tess of the d'Urbervilles,' 'Far from the Madding Crowd,' and 'Jude the Obscure,' are known for their critical portrayal of Victorian society and its mores. As a poet, he is recognized for his explorations of human suffering and the indifferent forces of nature. Hardy's legacy is profound, influencing both literature and criticism.

Thomas Hardy

A Merrymaking In Question

Thomas Hardy, Simple Poetry

Haunting Fingers - A Phantasy In A Museum Of Musical Instruments

Thomas Hardy, Simple Poetry

The Discovery

Thomas Hardy, Simple Poetry

To A Well-Named Dwelling

Thomas Hardy, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

The Master And The Leaves

I

We are budding, Master, budding,
We of your favourite tree;
March drought and April flooding
Arouse us merrily,
Our stemlets newly studding;
And yet you do not see!

II

We are fully woven for summer
In stuff of limpest green,
The twitterer and the hummer
Here rest of nights, unseen,
While like a long-roll drummer
The nightjar thrills the treen.

III

We are turning yellow, Master,
And next we are turning red,
And faster then and faster
Shall seek our rooty bed,
All wasted in disaster!
But you lift not your head.

IV

- "I mark your early going,
And that you'll soon be clay,
I have seen your summer showing
As in my youthful day;
But why I seem unknowing
Is too sunk in ...

Thomas Hardy

Before And After Summer

I

Looking forward to the spring
One puts up with anything.
On this February day,
Though the winds leap down the street,
Wintry scourgings seem but play,
And these later shafts of sleet
Sharper pointed than the first -
And these later snows the worst -
Are as a half-transparent blind
Riddled by rays from sun behind.

II

Shadows of the October pine
Reach into this room of mine:
On the pine there stands a bird;
He is shadowed with the tree.
Mutely perched he bills no word;
Blank as I am even is he.
For those happy suns are past,
Fore-discerned in winter last.
When went by their pleasure, then?
I, alas, perceived not when.

Thomas Hardy

At Day-Close In November

The ten hours' light is abating,
    And a late bird flies across,
Where the pines, like waltzers waiting,
    Give their black heads a toss.

Beech leaves, that yellow the noon-time,
    Float past like specks in the eye;
I set every tree in my June time,
    And now they obscure the sky.

And the children who ramble through here
    Conceive that there never has been
A time when no tall trees grew here,
    A time when none will be seen.

Thomas Hardy

Autumn In King's Hintock Park

Here by the baring bough
Raking up leaves,
Often I ponder how
Springtime deceives, -
I, an old woman now,
Raking up leaves.

Here in the avenue
Raking up leaves,
Lords' ladies pass in view,
Until one heaves
Sighs at life's russet hue,
Raking up leaves!

Just as my shape you see
Raking up leaves,
I saw, when fresh and free,
Those memory weaves
Into grey ghosts by me,
Raking up leaves.

Yet, Dear, though one may sigh,
Raking up leaves,
New leaves will dance on high -
Earth never grieves! -
Will not, when missed am I
Raking up leaves.

1901.

Thomas Hardy

During Wind And Rain

They sing their dearest songs -
He, she, all of them - yea,
Treble and tenor and bass,
And one to play;
With the candles mooning each face . . .
Ah, no; the years O!
How the sick leaves reel down in throngs!

They clear the creeping moss -
Elders and juniors - aye,
Making the pathways neat
And the garden gay;
And they build a shady seat . . .
Ah, no; the years, the years;
See, the white storm-birds wing across!

They are blithely breakfasting all -
Men and maidens - yea,
Under the summer tree,
With a glimpse of the bay,
While pet fowl come to the knee . . .
Ah, no; the years O!
And the rotten rose is ript from the wall.

They change to a high new house,
He, she, all of them - aye,
Clocks and carpets and chairs<...

Thomas Hardy

Where They Lived

Dishevelled leaves creep down
Upon that bank to-day,
Some green, some yellow, and some pale brown;
The wet bents bob and sway;
The once warm slippery turf is sodden
Where we laughingly sat or lay.

The summerhouse is gone,
Leaving a weedy space;
The bushes that veiled it once have grown
Gaunt trees that interlace,
Through whose lank limbs I see too clearly
The nakedness of the place.

And where were hills of blue,
Blind drifts of vapour blow,
And the names of former dwellers few,
If any, people know,
And instead of a voice that called, "Come in, Dears,"
Time calls, "Pass below!"

Thomas Hardy